A comparative essay on two feature-length, hybrid films directed by John Gianvito, The Mad Songs of Fernanda Hussein (2001), which concerns the irreparable effects of the 1991 Gulf War, and Profit Motive and the Whispering Wind (2007), a meditation on the grave sites of American activists.

Keywords:
John Gianvito, Howard Zinn, Profit Motive and the Whispering Wind, The Mad Songs of Fernanda Hussein, activist cinema
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© 2008 by the Regents of the University of California.
2008
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