Abstract

This comparative essay deals with two films, Forever (a documentary about the Pèère Lachaise cemetery in Paris directed by Heddy Honigman), and Silent Light (a fiction film set among Mexican Mennonites, and featuring a non-professional cast directed by Carlos Reygadas), both of which focus on love and death.

Keywords:
Heddy Honigman, Carlos Reygadas, Pèère Lachaise, documentary, Ordet, Mexican cinema
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©© 2008 by the Regents of the University of California.
2008
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