ABSTRACT The cinéé-club was central to French fi lm culture in the 1950s and 60s. Analysis of cinéé-club programming, educational activities, and of questionnaires fi lled out at the premier of Agnèès Varda's Cleo from 5 to 7 reveals that the cinéé-club powerfully shaped viewers' tastes and viewing skills.
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©© 2007 by the Regents of the University of California.
2007
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