ABSTRACT Critics of Ang Lee's gay-themed Western may or may not condone homosexuality, but they agree on one point:this movie of cowboys in love is well made.The essay unpacks what this perception implies about Lee's craft, as an art of reticence and a politics of neutrality.
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Research Article| March 01 2007
On the Universality of Brokeback
Film Quarterly (2007) 60 (3): 50–60.
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D.A. Miller; On the Universality of Brokeback. Film Quarterly 1 March 2007; 60 (3): 50–60. doi: https://doi.org/10.1525/fq.2007.60.3.50
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