ABSTRACT Following Under the Sand (2000), François Ozon's Time to Leave (2005) is the second film in a proposed trilogy about mourning. This essay explores the film's meditation on a dying gay photographer's last days, discussing how it seems to blur the distinctions between dream and reality, memory and fantasy, love and trauma.
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Research Article| December 01 2006
Time to Leave (Le Temps qui reste)
Film Quarterly (2006) 60 (2): 18–24.
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Emma Wilson; Time to Leave (Le Temps qui reste). Film Quarterly 1 December 2006; 60 (2): 18–24. doi: https://doi.org/10.1525/fq.2006.60.2.18
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