ABSTRACT This essay examines the production circumstances of intertextual relations, and discursive contexts of Abre los Ojos (1997) and its remake Vanilla Sky (2001). Seen in combination, these films demonstrate a struggle for cultural power in a transnational field and provide notably different representations of transnational identities.
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Research Article| September 01 2006
SKY'S THE LIMIT: Transnationality and Identity in Abre los Ojos and Vanilla Sky
Film Quarterly (2006) 60 (1): 28–38.
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DANIEL HERBERT; SKY'S THE LIMIT: Transnationality and Identity in Abre los Ojos and Vanilla Sky. Film Quarterly 1 September 2006; 60 (1): 28–38. doi: https://doi.org/10.1525/fq.2006.60.1.28
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