ABSTRACT While dance has been theorized as consummately embodied, digitality has been charged with rendering flesh-bound ““meatware”” obsolete. This essay explores the body propelled into motion by the ““dance simulation”” video game Dance Dance Revolution, to show how racial and sexual identifications shape the encounter between human body and digital technology.
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Research Article| March 01 2006
This Is Not a Dance
Film Quarterly (2006) 59 (3): 22–34.
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IRENE CHIEN; This Is Not a Dance. Film Quarterly 1 March 2006; 59 (3): 22–34. doi: https://doi.org/10.1525/fq.2006.59.3.22
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