ABSTRACT Volker Schlöndorff for the first time directly approaches the subject of religious faith in portraying Henri Kremer, a Catholic priest imprisoned at Dachau. The director's meticulous style con-trasts Golgotha-like images of torture and deprivation with abstract ethical dialogues between the priest and a former seminarian turned mid-level Nazi leader.
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© 2006 by The Regents of the University of California. All rights reserved.
2005
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