ABSTRACT Sound production and reception are central to the film and video work of Isaac Julien. In his film biography of Frantz Fanon, unconventional uses of documentary sound carry Julien's challenge to the cinematic theory of the gaze, and to the visual social order re-flected in it.
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Research Article| December 01 2005
Cinema and The Ethics of Listening: Isaac Julien's Frantz Fanon
Film Quarterly (2005) 59 (2): 19–31.
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Jonathan Kahana; Cinema and The Ethics of Listening: Isaac Julien's Frantz Fanon. Film Quarterly 1 December 2005; 59 (2): 19–31. doi: https://doi.org/10.1525/fq.2005.59.2.19
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