Abstract Macedonian filmmaker Milcho Manchevski reflects on the nature of history, story-telling, and photographic evidence in a discussion of Before the Rain (1994) and his latest feature, Dust (2001/2003), a genre-crossing “Baklava Western” that explores what happens when West meets East in the violent history of the Balkans.
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© 2005 by The Regents of the University of California. All rights reserved.
2005
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