... expanding research sources feminist film history networks and intertexts In 1924, a thirty-five-year-old British woman, Dorothy—later Dinah—Shurey, began a ten-year filmmaking career. As many British studios failed, she started her own film company, Britannia; a few years later, she achieved...

... field such as feminist film history can be maintained or amplified, but also minimized. Access to data as well as the critical reflection on that data is therefore one of the greatest challenges for humanistic scholars today. Against this backdrop, this article discusses how digital data visualization...

... (Pearlman et al. 2020), the video essay Distributed Authorship: An et al. Proposal of Creative Practice, Cognition, and Feminist Film Histories argues that filmmaking is an instance of “distributed cognition” and offers a provocation about the mythologizing of film authors. It then proposes a small, very...

... in Miriam Hansen’s notion of cinema as vernacular modernism. © 2021 by The Regents of the University of California 2021 aerial vision affect theory feminist film history Mabel Normand Mary Pickford Miriam Hansen silent cinema vernacular modernism women in aviation Long before I ever...

... and the research is to place Eng back into Chinese and U.S. film histories, from which she has effectively been forgotten. The photo essay uses text and images to describe and reflect on that process, on the challenge of researching Eng through the images that remain, and on the ways in which feminist film history...