...Benjamin Ogrodnik Sharon Green's short film Self Portrait of a Nude Model Turned Cinematographer (1971) represents a collision of incipient cinefeminism and autobiographical filmmaking. Containing a blend of still photographs and subjective moving-image shots of her body, the work has largely been...

... “cinefeminism's” investments in feminist film history and the politics of women's cinema as both theory and practice. 3 As I discuss, Johnston's theorization of “women's counter-cinema” holds in tension seemingly contradictory aims: to isolate the roots of women's universal oppression and to respond...