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womens-cinema

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Published: 01 July 2018
FIGURE 1. Cover of Notes on Women's Cinema , 1973, edited by Claire Johnston. FIGURE 1. Cover of Notes on Women's Cinema, 1973, edited by Claire Johnston.
Journal Articles
Feminist Media Histories. 2016; 2247–70 doi: https://doi.org/10.1525/fmh.2016.2.2.47
Published: 01 April 2016
...Rebecca Harrison This article investigates women's roles as cinema projectionists, and transformations in women's spectatorship, in Britain during World War II. Between 1939 and 1945 the British Cinematograph Exhibitors' Association (CEA), among other organizations, encouraged women to train as...
Journal Articles
Feminist Media Histories. 2018; 43244–273 doi: https://doi.org/10.1525/fmh.2018.4.3.244
Published: 01 July 2018
...FIGURE 1. Cover of Notes on Women's Cinema , 1973, edited by Claire Johnston. FIGURE 1. Cover of Notes on Women's Cinema, 1973, edited by Claire Johnston. ...
Journal Articles
Feminist Media Histories. 2016; 23119–141 doi: https://doi.org/10.1525/fmh.2016.2.3.119
Published: 01 July 2016
... invited to reflect on their work with archival material in films like For One More Hour with You (2002) and We Want Roses Too (2007), by a group of scholars with interests in compilation films, cultural memory, and women's cinema: Monica Dall'Asta, Barbara Grespi, Sandra Lischi, and Veronica Pravadelli...
Journal Articles
Feminist Media Histories. 2018; 4457–82 doi: https://doi.org/10.1525/fmh.2018.4.4.57
Published: 01 October 2018
... Brizio-Skov analyze the relationship between these films and gender in terms of women's visibility on screen. Maggie Günsberg, Italian Cinema: Gender and Genre (Basingstoke, England, and New York: Palgrave, 2005); Flavia Brizio-Skov, ed., Popular Italian Cinema: Culture and Politics in a Postwar...
Journal Articles
Feminist Media Histories. 2019; 5195–112 doi: https://doi.org/10.1525/fmh.2019.5.1.95
Published: 01 January 2019
... in India. Her enduring career exemplifies the key role women filmmakers have played in building Chinese cinema under state-driven film policies. While it is commonly believed that the Fifth Generation (represented by male directors such as Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang) put post...
Journal Articles
Feminist Media Histories. 2017; 34102–125 doi: https://doi.org/10.1525/fmh.2017.3.4.102
Published: 01 October 2017
... valued and dominant in marital society. … The same discourse that made work and male identity coterminous conceived women as being limited to the interior space of the home. 51 NOTES I would like to thank Sheila Schvarzman for the stimulating discussions about women in Brazilian silent cinema...
Journal Articles
Feminist Media Histories. 2017; 31140–155 doi: https://doi.org/10.1525/fmh.2017.3.1.140
Published: 01 January 2017
...Kay Armatage; Zahra Khosroshahi Often described as one of Iran's premier film directors, Rakhshan Bani-Etemad is celebrated for her contribution to the country's cinema. She excels in representing contemporary situations, often in relation to the changing roles of women but also covering a broad...
Journal Articles
Feminist Media Histories. 2018; 4111–36 doi: https://doi.org/10.1525/fmh.2018.4.1.11
Published: 01 January 2018
...Isabel Seguí This article contextualizes and characterizes production practices in political cinema in Bolivia and Peru between the 1960s and 1990s, reading them as a communitarian endeavor that included many more women than official history acknowledges. It also documents the work of two...
Journal Articles
Feminist Media Histories. 2019; 5139–62 doi: https://doi.org/10.1525/fmh.2019.5.1.39
Published: 01 January 2019
... maker Sai Paranjpye, whose eclectic career across a range of media—theater, TV, cinema, print—in multiple formats—ad films, documentaries, educational shorts, TV films, full-length features—was fairly typical of the nature of women's media work at this time, as women took whatever work they could find...
Journal Articles
Feminist Media Histories. 2017; 3446–68 doi: https://doi.org/10.1525/fmh.2017.3.4.46
Published: 01 October 2017
... processes of government and civic enterprises, the article connects the advances achieved in both spheres with the downplaying of better films achievements by historians of cinema. In doing so, it calls for a more complex explanation of this so-called movement in order to understand women's active...
Journal Articles
Feminist Media Histories. 2015; 1290–124 doi: https://doi.org/10.1525/fmh.2015.1.2.090
Published: 01 April 2015
.... Thank you to Robin Blaetz, Julia Lesage, Shira Segal, and the critical and insightful audience members at our panel “Unfamiliar Feminisms: Alternative Narratives of Women and Experimental Cinema,” at the 2014 meeting of the Society of Cinema and Media Studies. Their comments have been integral to the...
Journal Articles
Feminist Media Histories. 2016; 2329–53 doi: https://doi.org/10.1525/fmh.2016.2.3.29
Published: 01 July 2016
... Bazin on an Intractable Subject) that she published at Bazin's invitation in a special issue of Cahiers du cinéma (no. 30, 1953, 27–28) on women in cinema. In the article, Vedrès displays all her wit in dismantling the idea that a woman is better equipped than a man to discuss this subject, which she...
Journal Articles
Feminist Media Histories. 2018; 41142–170 doi: https://doi.org/10.1525/fmh.2018.4.1.142
Published: 01 January 2018
... Society for Cinema and Media Studies Women's Caucus Graduate Student Writing Prize in 2016. NOTES 1. Richard Lallach, “Big Baby,” Spy , January 1993, 77. 2. Roger Ebert, “ Mr. Mom ,” August 22, 1983, http://www.rogerebert.com/reviews/mr-mom-1983 . 3. I Love Lucy , “Job...
Journal Articles
Feminist Media Histories. 2019; 5476–86 doi: https://doi.org/10.1525/fmh.2019.5.4.76
Published: 01 October 2019
... Black lesbian cinema queer cinema Queer Women of Color Media Arts Project (QWOCMAP) Sisters in the Life The interview is with Alexis Pauline Gumbs is part of a larger trans-media undertaking on the history of queer Black lesbian media makers. The project includes the anthology Sisters in the...
Journal Articles
Feminist Media Histories. 2016; 2187–92 doi: https://doi.org/10.1525/fmh.2016.2.1.87
Published: 01 January 2016
... Fossati (EYE Film Institute, Amsterdam), Karola Gramann (Kinothek Asta Nielsen, Frankfurt), Mariann Lewinsky (Il Cinema Ritrovato, Bologna), Elif Rongen-Kaynakçi (EYE Film Institute, Amsterdam), and Meg Labrum (National Film and Sound Archive, Canberra), it argues that women have a disproportionate impact...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... correspondences and differentiations, consistently recur in her filmic narratives, as characters encounter new personal, cultural, racial and ethnic formations in the wake of geopolitical transmigrations. The history of Chinese women's cinema illustrates how women's participation in...
Journal Articles
Feminist Media Histories. 2015; 1129–63 doi: https://doi.org/10.1525/fmh.2015.1.1.29
Published: 01 January 2015
... independence. This example of a compromise among commercial cinema, active women, and the state's pressure offers a new perspective on wartime Japanese film culture as a field of negotiations. Eliminate individualistic tendencies influenced by European and American films; Exalt the Japanese...
Journal Articles
Feminist Media Histories. 2016; 2354–72 doi: https://doi.org/10.1525/fmh.2016.2.3.54
Published: 01 July 2016
...! (codirected with Lino Del Fra and Lino Micciché, 1961–62), Stalin (directed with Lino Del Fra and Franco Fortini, 1962–63), and Being Women (1963–65)—all clear examples of the counterhegemonic cinema that Mangini developed in the fissures of mainstream, male-dominated practices. In her view, nonfiction film...
Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
... Les deux gamines (1921). Both a critique of intellectual cinephilia as a cultural discourse and a geographically specific retrieval of the multiple ways in which socioeconomically and culturally marginalized audiences interacted with the cinema, this historical study repositions young women from...