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whose-choice-1976

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Journal Articles
Feminist Media Histories. 2016; 22107–121 doi: https://doi.org/10.1525/fmh.2016.2.2.107
Published: 01 April 2016
... and theorists, the group produced a variety of films, both individually and collectively, including Women of the Rhondda (1973), Put Yourself in My Place (1974), The Amazing Equal Pay Show (1974), and Whose Choice? (1976). The group and its work provided inspiration to one another and to many other...
Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... a naive politics of essential female embodiment. These critiques both make sense in the context of their time. But we can also see how Hammer was held to a different standard than Brakhage, whose films have produced generations of analyses preoccupied with formalist and mythical concerns. These...
Journal Articles
Feminist Media Histories. 2020; 6166–92 doi: https://doi.org/10.1525/fmh.2020.6.1.66
Published: 01 January 2020
... with normal options: 1977 $4,500; 1987 $11,000. 21 You barely survive an encounter with pirates, whose plans for you include a fate worse than death. The explosives, the rocky reefs, the vicious crocodile—all these are obstacles which you must overcome with cunning and agility. True, it's not...
Journal Articles
Feminist Media Histories. 2019; 53168–194 doi: https://doi.org/10.1525/fmh.2019.5.3.168
Published: 01 July 2019
... contributions of service to their respective countries last year, and whose activities were brought before the people through radio. … One fact emerges; women all round the world are building for the betterment of conditions—socially and culturally. They have been aided in their work of construction by radio...
Journal Articles
Feminist Media Histories. 2019; 5336–59 doi: https://doi.org/10.1525/fmh.2019.5.3.36
Published: 01 July 2019
... the “self-reliance” policy promoted by Mao Zedong between 1958 and 1966, followed by the Cultural Revolution between 1966 and 1976, China's exposure to foreign television remained very low. 20 The economic reforms initiated in 1978 led to a moderate loosening of state control over the...
Journal Articles
Feminist Media Histories. 2019; 51113–140 doi: https://doi.org/10.1525/fmh.2019.5.1.113
Published: 01 January 2019
...: Hong Kong Film Archive, 2009). The English version of International Screen , Cathay's official magazine, used the spelling Lucilla Yu Ming. 2. Iwao Mori, Eiga seisaku no jissai [The actual situation of movie production] (Tokyo: Kinokuniya, 1976), 280. 3. Sanezumi Fujimoto, “Purodyūsā...
Journal Articles
Feminist Media Histories. 2018; 4433–56 doi: https://doi.org/10.1525/fmh.2018.4.4.33
Published: 01 October 2018
... interview). 28. Russell and Taylor, “Production,” in Shadows of Progress , 42. 29. This gender profile is consistent across the miscellaneous other small production outfits working in the sponsored-film market, such as British Films, Wallace, Rayant, and Derrick Knight, whose workforces included...
Journal Articles
Feminist Media Histories. 2018; 43244–273 doi: https://doi.org/10.1525/fmh.2018.4.3.244
Published: 01 July 2018
...Rachel Fabian This essay examines the work of British “cinefeminist” Claire Johnston, whose activism, writings, and filmmaking during the 1970s and 1980s merged innovative feminist media production practices with new modes of theoretical inquiry. Johnston's 1973 essay “Women's Cinema as Counter...
Journal Articles
Feminist Media Histories. 2018; 4111–36 doi: https://doi.org/10.1525/fmh.2018.4.1.11
Published: 01 January 2018
... of the Condor (Yawar Mallku, Ukamau group), 1969. FIGURE 2. Beatriz Palacios (center) organizes the shooting of a scene for Get Out of Here ( Fuera de Aquí , Ukamau group), 1977, in Ecuador in 1976. Photo by Cristobal Corral. FIGURE 2. Beatriz Palacios (center) organizes the shooting of...
Journal Articles
Feminist Media Histories. 2017; 3446–68 doi: https://doi.org/10.1525/fmh.2017.3.4.46
Published: 01 October 2017
... construction of film history. Each is distinctive in method and objectives, yet issued from a singular moment in North American film studies. 27. Garth Jowett, Film: The Democratic Art (Boston: Focal, 1976), 180. 28. Ibid. 29. Rosenbloom, “Between Reform and Regulation,” 309. 30. Richard...
Journal Articles
Feminist Media Histories. 2017; 33167–172 doi: https://doi.org/10.1525/fmh.2017.3.3.167
Published: 01 July 2017
.... Graham Birchell (Basingstoke, England: Palgrave Macmillan, 2008); Michel Foucault, The History of Sexuality: An Introduction , vol. 1, trans. Robert Hurley (1976; repr., New York: Vintage, 1990). 9. Sandra G. Harding, The Feminist Standpoint Theory Reader (New York: Routledge, 2004); Sandra G...
Journal Articles
Feminist Media Histories. 2016; 241–14 doi: https://doi.org/10.1525/fmh.2016.2.4.1
Published: 01 October 2016
..., Spectacular Disappearances: Celebrity and Privacy, 1696–1801 (Ann Arbor: University of Michigan Press, 2016). 14. Tillyard, “Celebrity in Eighteenth Century London,” 25. 15. Helen McGuffie, Samuel Johnson in the British Press, 1749–1784: A Chronological Checklist (New York: Garland, 1976); Cheryl...
Journal Articles
Feminist Media Histories. 2016; 24116–142 doi: https://doi.org/10.1525/fmh.2016.2.4.116
Published: 01 October 2016
... York: Universe Books, 1972), 15. Also: “With whose eyes does the Countess gaze at images of her face? Her legs? Her body? Having no culturally privileged organ of narcissistic identification and being positioned outside the symbolic order of patriarchy, defined only as other in relation to the...
Journal Articles
Feminist Media Histories. 2016; 23102–118 doi: https://doi.org/10.1525/fmh.2016.2.3.102
Published: 01 July 2016
... leisure activities experienced by Darix Togni's family. Much of the material covers the golden age of the Togni Circus during the 1950s and 1960s, with a great deal of footage featuring Darix (1922–1976), the principal star at that time, whose death left a great void in the family. The 8mm films were...
Journal Articles
Feminist Media Histories. 2016; 2390–101 doi: https://doi.org/10.1525/fmh.2016.2.3.90
Published: 01 July 2016
... intellectual implications. The filmmaker describes her creative process as follows: The unwritten history of gays and lesbians, ejected from an institutional memory whose intent is to transmit only the viewpoint of the winners, reemerges by overcoming exactly one of the fundamental principles of official...
Journal Articles
Feminist Media Histories. 2016; 22133–154 doi: https://doi.org/10.1525/fmh.2016.2.2.133
Published: 01 April 2016
... Outstanding Contribution to the Film’: The Documentary-Realist Tradition,” in All Our Yesterdays: 90 Years of British Cinema , ed. Charles Barr (London: BFI, 1986), 95. 7. Raymond Williams, Keywords (London: Fontana, 1976), 258–62. 8. Ibid., 259. 9. Raymond Williams, “A Lecture on Realism...
Journal Articles
Feminist Media Histories. 2016; 2271–106 doi: https://doi.org/10.1525/fmh.2016.2.2.71
Published: 01 April 2016
... my work more”: Julie Harris's sketch for Cinderella's wedding dress in The Slipper and the Rose , 1976. (Courtesy BFI National Archive) FIGURE 16. “I've never enjoyed my work more”: Julie Harris's sketch for Cinderella's wedding dress in The Slipper and the Rose, 1976. (Courtesy BFI National...
Journal Articles
Feminist Media Histories. 2015; 1395–126 doi: https://doi.org/10.1525/fmh.2015.1.3.95
Published: 01 July 2015
..., one of Thornton's teachers in film school, called Thornton a “primitive” for her deliberate transgression of the tenets of cinéma vérité in her 1976 film All Right You Guys . See Zummer, “Leslie Thornton.” 37. Chion, Audio-Vision , 25–34. 38. Mary Ann Doane, Femmes Fatales: Feminism...
Journal Articles
Feminist Media Histories. 2015; 134–37 doi: https://doi.org/10.1525/fmh.2015.1.3.4
Published: 01 July 2015
... hope this essay is worthy of all these women, as well as the contributors to Ms. whose work I write about herein. 1. Lee Israel, “Women in Film,” Ms. III: 8 (February 1975): 51–53 (I am here citing from several pages). Italics in original. Ms. uses roman numerals for volume numbers, which I...
Journal Articles
Feminist Media Histories. 2015; 13127–162 doi: https://doi.org/10.1525/fmh.2015.1.3.127
Published: 01 July 2015
.... She has the means and the autonomy to have sex with multiple men, yet she is still vulnerable to recrimination and violence. Tony, James, and her father all verbally and physically assault Theresa for her sexual choices; at various points, each implies that he might kill her. Like Cruising , Looking...