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Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
...Jeannine Baker; Kate Murphy; Kristin Skoog The special issue opens with a broader methodological reflection on gender and transnational broadcasting. In “Lessons from Lilian: Is Transnational (Media) History a Gendered Issue?,” Alexander Badenoch and Kristin Skoog reflect on their transnational...
Journal Articles
Feminist Media Histories. 2019; 539–35 doi: https://doi.org/10.1525/fmh.2019.5.3.9
Published: 01 July 2019
... Radio and Television (IAWRT) as read from the correspondence of founder Wilhelmina (Lilian) Posthumus-van der Goot (1897–1989), and builds on IAWRT's example to develop methodological considerations for writing entangled transnational histories of gender and broadcasting, absorbing insights from studies...
Journal Articles
Feminist Media Histories. 2018; 42207–213 doi: https://doi.org/10.1525/fmh.2018.4.2.207
Published: 01 April 2018
...Yiman Wang NOTES 1. Arjun Appadurai, “Disjuncture and Difference in the Global Cultural Economy” (1990), in Colonial Discourse and Postcolonial Theory , ed. Patrick Williams and Laura Chrisman (New York: Columbia University Press, 1994), 324–39. 2. Raka Shome, “Transnational Feminism...
Journal Articles
Feminist Media Histories. 2019; 53140–167 doi: https://doi.org/10.1525/fmh.2019.5.3.140
Published: 01 July 2019
...Jeannine Baker This article analyzes the connections between gender, labor, and mobility by tracing the transnational careers of two Australian women who began working at the British Broadcasting Corporation (BBC) in the 1930s and 1940s: Peggie Broadhead and Muriel Howlett. Both participated in the...
Journal Articles
Feminist Media Histories. 2019; 5111–38 doi: https://doi.org/10.1525/fmh.2019.5.1.11
Published: 01 January 2019
... of the historiographic process through their frictions with official, national histories. At the same time the films nod to, and at times engage with, the transnational networks that brought them into being. The essay considers how the films and the filmmakers who made them negotiate local arts...
Journal Articles
Feminist Media Histories. 2019; 5336–59 doi: https://doi.org/10.1525/fmh.2019.5.3.36
Published: 01 July 2019
...Yingzi Wang; Sabina Mihelj This paper examines changing representations of women in Chinese television dramas since the early 1990s and interprets them within a framework of global socialist media cultures, considering both domestic developments and transnational trends. Drawing on the analysis of...
Journal Articles
Feminist Media Histories. 2019; 53114–139 doi: https://doi.org/10.1525/fmh.2019.5.3.114
Published: 01 July 2019
...Kate Murphy Between 1926 and 1938, the Foreign Department of the British Broadcasting Corporation (BBC) played a central role in transnational broadcasting. Initially headed by a man, Major C. F. Atkinson, it would grow to become largely the domain of women. Starting in 1933, at the helm was Isa...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... zhi qian shi jin sheng , 1989) and Temptation of a Monk (1993), Law embraced transnational cinema through invitations and awards from major international film festivals, as well as participating in Erotique (1994), a compilation film with multinational contributors. Her work insistently interrogates...
Journal Articles
Feminist Media Histories. 2018; 43135–156 doi: https://doi.org/10.1525/fmh.2018.4.3.135
Published: 01 July 2018
... recognition. What role does the emphasis on these two women authors as Middle Easterners play in the reception of their books in Europe and the United States? How do transnational literatures capitulate to (neo)imperial projects? How do comics, by introducing new criteria for literary assessment, compel us to...
Journal Articles
Feminist Media Histories. 2018; 42101–106 doi: https://doi.org/10.1525/fmh.2018.4.2.101
Published: 01 April 2018
... transnational It goes without saying that Latina media studies is a feminist endeavor. Taking the intersectional step of including Latinidad, the history and process of being or becoming Latina/o, within media studies and adding the wrinkle of gender takes us into feminism, as these two steps do not...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
... of extractive industries, including the uniform sounds of drilling equipment that “signal an infrastructure of transnational money and power.” These imposed soundscapes serve to drown out and silence “any sonic senses of ‘local.’” 83 Port Arthur, Texas, today contains one of the largest networks...
Journal Articles
Feminist Media Histories. 2015; 14126–143 doi: https://doi.org/10.1525/fmh.2015.1.4.126
Published: 01 October 2015
... place for individual empowerment, expression and creativity, as well as a space for collective and transnational feminist campaigning and activism. A case study of Fem FM women's community radio archive in the UK demonstrates how archives of feminist radio activism become both a repository and a maker...
Journal Articles
Feminist Media Histories. 2020; 611–11 doi: https://doi.org/10.1525/fmh.2020.6.1.1
Published: 01 January 2020
... of game developers who have only rarely been featured in English-language game scholarship. The building of archives and documentation of history are deeply entrenched in cultural politics, and the inclusion of these conversations is intended as an intervention highlighting the transnational cultural...
Journal Articles
Feminist Media Histories. 2020; 61119–146 doi: https://doi.org/10.1525/fmh.2020.6.1.119
Published: 01 January 2020
... at Sierra, which would become a subsidiary of no less than five different companies from 1996 to 2004. This was also a trend across the industry, as successful game producers were getting snapped up and traded like cards among international holding companies and transnational media conglomerates. The...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
..., their growing transnational or diasporic focus, the intersections they elicit between the global and the local, and their frequent focus on identity, community, and representation, scholars have productively theorized film festivals through the lenses of “imagined community” and “public sphere.” 3...
Journal Articles
Feminist Media Histories. 2019; 53168–194 doi: https://doi.org/10.1525/fmh.2019.5.3.168
Published: 01 July 2019
... transnational medium attracted many of these women. Several drew from international professional organizations and networks such as the International Council of Women and the Women's International League for Peace and Freedom. Thus elements of women's programming during the 1930s emerged within larger debates...
Journal Articles
Feminist Media Histories. 2019; 5385–113 doi: https://doi.org/10.1525/fmh.2019.5.3.85
Published: 01 July 2019
.... Together with tourism, student exchange, migration, cinema, sport, consumption, and advertising, transnational radio constituted an everyday site of international encounter that, alongside formal diplomacy and trade, was instrumental in the sphere of foreign relations. To date, Australian radio has...
Journal Articles
Feminist Media Histories. 2019; 5360–84 doi: https://doi.org/10.1525/fmh.2019.5.3.60
Published: 01 July 2019
.... Under the auspices of the Office of Inter-American Affairs (OIAA), frequently working in cooperation with US radio networks, this campaign used the ubiquity and transnational reach of radio to target Latin American female listeners. In disseminating a version of US womanhood that was both independent...
Journal Articles
Feminist Media Histories. 2019; 511–10 doi: https://doi.org/10.1525/fmh.2019.5.1.1
Published: 01 January 2019
...: Multicultural Feminism in Transnational Age (Cambridge, MA: MIT Press, 1998); Ella Shohat and Robert Stam, eds., Multiculturalism, Postcoloniality, and Transnational Media (New Brunswick, NJ: Rutgers University Press, 2003). 5. Mark Hobart, “Introduction: Rethinking Asian Media and Film,” Asian Journal...
Journal Articles
Feminist Media Histories. 2019; 51141–167 doi: https://doi.org/10.1525/fmh.2019.5.1.141
Published: 01 January 2019
... children were soon to end up in foster care. Circling back around on the transnational circuit it followed during its long production, Forever Chinatown had landed in Southern California, where filming began years before, and where my family settled because the children liked the sunshine and the beach...