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television-history

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Journal Articles
Feminist Media Histories. 2016; 24143–168 doi: https://doi.org/10.1525/fmh.2016.2.4.143
Published: 01 October 2016
... work, in some aspects the show acceded to the economic demands of capital against the rights of labor. Lee as a television celebrity and worker thus warrants consideration for her contributions to a transitional moment in American culture and television history. NOTES I am very...
Journal Articles
Feminist Media Histories. 2019; 539–35 doi: https://doi.org/10.1525/fmh.2019.5.3.9
Published: 01 July 2019
... Radio and Television (IAWRT) as read from the correspondence of founder Wilhelmina (Lilian) Posthumus-van der Goot (1897–1989), and builds on IAWRT's example to develop methodological considerations for writing entangled transnational histories of gender and broadcasting, absorbing insights from studies...
Journal Articles
Feminist Media Histories. 2018; 44109–129 doi: https://doi.org/10.1525/fmh.2018.4.4.109
Published: 01 October 2018
... Television” pamphlet, 1977. 9. Natalie Wreyford and Shelley Cobb, “Data and Responsibility: Toward a Feminist Methodology for Producing Historical Data on Women in the Contemporary UK Film Industry,” Feminist Media Histories 3, no. 3 (2017): 108. 10. Herman Gray, “Precarious Diversity...
Journal Articles
Feminist Media Histories. 2015; 1264–89 doi: https://doi.org/10.1525/fmh.2015.1.2.064
Published: 01 April 2015
... of Kustow's first name was sometimes also given as “Liz.” 3. Catherine Johnson and Rob Turnock, “Introduction: Approaching the Histories of ITV,” in ITV Cultures: Independent Television over Fifty Years , eds. Johnson and Turnock (Maidenhead and New York: Open University Press, 2005), 1–14...
Journal Articles
Feminist Media Histories. 2018; 4433–56 doi: https://doi.org/10.1525/fmh.2018.4.4.33
Published: 01 October 2018
..., using newly available statistical data from Britain's film trade union, the Association of Cinematograph, Television and Allied Technicians (ACTT). It also draws on oral histories, extant films, and specialist trade publications to outline two case studies, one featuring three editors, and the other a...
Journal Articles
Feminist Media Histories. 2015; 1164–88 doi: https://doi.org/10.1525/fmh.2015.1.1.64
Published: 01 January 2015
...: A History of Columbia Pictures Television from Cohn to Coke, 1948–1983 (Metuchen, NJ: Scarecrow Press, 1991). 18. Robert Goldsborough, “New Year Brings Beating of Drums from TV Networks,” Chicago Tribune , December 26, 1968, D15. 7. Patrick Califia, Macho Sluts (Vancouver: Arsenal...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
..., frivolous, and this course was frivolous, and I thought, well, if this is communications then it's nonsense and I need to do something serious. When I transferred to George Washington, I took history and languages because that seemed serious. TF: Did you watch movies and television growing up? EF: I...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
.... For a useful history of ecofeminism see Greta Gaard, “Ecofeminism Revisited: Rejecting Essentialism and Re-placing Species in a Material Feminist Environmentalism,” Feminist Formations 23, no. 2 (2011): 26–53. See also Noël Sturgeon, Ecofeminist Natures: Race, Gender, Feminist Theory, and Political...
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
... the only adaptation of Her Father's Daughter (1921), Stratton-Porter's anti-Japanese screed disguised as a college novel. Both are worth examining but are beyond the scope of this article. 49. Diana Cary, The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History...
Journal Articles
Feminist Media Histories. 2020; 611–11 doi: https://doi.org/10.1525/fmh.2020.6.1.1
Published: 01 January 2020
... History (Detroit: Wayne State University Press, 2012). 19. Shira Chess, Ready Player Two: Women Players and Designed Identity (Minneapolis: University of Minnesota Press, 2017); Kishonna L. Gray, Race, Gender, and Deviance in Xbox Live: Theoretical Perspectives from the Virtual Margins (New York...
Journal Articles
Feminist Media Histories. 2020; 61163–197 doi: https://doi.org/10.1525/fmh.2020.6.1.163
Published: 01 January 2020
...Phillip Penix-Tadsen This oral and written history examines three generations of pioneering women game developers from Argentina, Uruguay, and Chile—the South American region known as the Southern Cone. Each of the individuals interviewed—Marcela Nievas, Sofía Battegazzore, Maureen Berho, and...
Journal Articles
Feminist Media Histories. 2020; 6193–118 doi: https://doi.org/10.1525/fmh.2020.6.1.93
Published: 01 January 2020
... Black women performers as a critical and cultural frame for understanding some of the work Black women have done with video games. In prioritizing the personal as not only political but also instructive for how we might think about digital media histories and feminism, each mixtape track focuses on...
Journal Articles
Feminist Media Histories. 2019; 5468–75 doi: https://doi.org/10.1525/fmh.2019.5.4.68
Published: 01 October 2019
... Cheryl Dunye. The conversation took place across different media platforms and moments in time, and focuses on both Dunye's past work and her recent directorial transition into new platforms of filmmaking and storytelling, including directing episodic television. Dunye mentions the politicization of the...
Journal Articles
Feminist Media Histories. 2019; 5456–58 doi: https://doi.org/10.1525/fmh.2019.5.4.56
Published: 01 October 2019
... with racism and alienation. 2 By recontextualizing popular film and television images, Soe hijacks and reroutes the spectacularization of gendered Asian bodies as mediatized “image-objects” in films like Picturing Oriental Girls: A (Re)Educational Videotape (1999), Cynsin: An American Princess...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
..., Slovakia; she received the first Shirley Clarke Avant-Garde Filmmaker Award in October 2006 from New York Women in Film and Television; and the Women In Film Award 2006 from the St. Louis International Film Festival. bh 1995: I need to grow into owning what I'm owed: respect, a place in history, a...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
... history of identity-based film festivals, we take turns presenting selected aspects of our curatorial experience. We set our accounts from the 1990s to the present within the context of the new yet rapidly growing field of film festival studies, which provides a useful set of perspectives and methods for...
Images
Published: 01 July 2019
FIGURE 4. Peggie Broadhead, BBC Schools Television producer, at a film editing session, August 1972. BBC copyright content, reproduced courtesy the British Broadcasting Corporation. All rights reserved. FIGURE 4. Peggie Broadhead, BBC Schools Television producer, at a film editing session
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
.... 1 (2008): 21–32. 3. See for example Michele Hilmes, “Foreword: Transnational Radio in the Global Age,” Journal of Radio Studies 11, no. 1 (2004), iii–vi; Andreas Fickers and Catherine Johnson, eds., Transnational Television History: A Comparative Approach (London: Routledge 2012); Jamie...
Images
Published: 01 July 2019
FIGURE 2. Lilian van der Goot's notes from the International Association of Women in Radio and Television meeting, November 1–4, 1952. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 2. Lilian van der Goot's notes from the International Association of Women in Radio and
Images
Published: 01 July 2019
FIGURE 3. Excerpt from the schedule of the 1957 International Association of Women in Radio and Television meeting held at UNESCO House, Paris. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 3. Excerpt from the schedule of the 1957 International Association of Women in