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soundwork

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Journal Articles
Feminist Media Histories. 2015; 141–4 doi: https://doi.org/10.1525/fmh.2015.1.4.1
Published: 01 October 2015
... listened to, and if feminist history has been about telling the stories of the silenced majority, then which spaces of media and forms of communication have women appropriated to express themselves and to make themselves heard? This special issue of Feminist Media Histories , “Women and Soundwork...
Journal Articles
Feminist Media Histories. 2015; 1446–70 doi: https://doi.org/10.1525/fmh.2015.1.4.46
Published: 01 October 2015
... embodied through signatures, portraits, and visual advertisements, through voice, and eventually as a physical presence on television. Betty Crocker disembodiment golden-age radio listening public soundwork NOTES This statement acknowledges that all radio broadcasts and print materials...
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
... in the Post-War ABC” (PhD diss., University of Technology Sydney, 2019). 8. Melanie Bell, “Learning to Listen: Histories of Women's Soundwork in the British Film Industry,” Screen 58, no. 4 (2017): 437–57; Emma Sandon, “Engineering Difference: Women's Accounts of Working as Technical...
Journal Articles
Feminist Media Histories. 2018; 42173–178 doi: https://doi.org/10.1525/fmh.2018.4.2.173
Published: 01 April 2018
... You Rather Get Married?: Gender Roles and the Office Wife in Radio Detective Dramas,” Velvet Light Trap 74, no. 1 (2014): 16–26. 13. Eleanor Patterson, “Radio Redux: The Persistence of Soundwork in the Post-Network Era” (PhD diss., University of Wisconsin-Madison, 2016). 14. Jason Loviglio...
Journal Articles
Feminist Media Histories. 2015; 14126–143 doi: https://doi.org/10.1525/fmh.2015.1.4.126
Published: 01 October 2015
... soundwork in the archives? How can archives shape (transnational) gender identities and oral histories? If cultural and community-based memory is sounded as well as written about, can the public media space be opened up to more and varied voices—for instance, to those for whom using the written word or a...
Journal Articles
Feminist Media Histories. 2015; 1431–45 doi: https://doi.org/10.1525/fmh.2015.1.4.31
Published: 01 October 2015
... a newlywed, had witnessed her husband's murder at the hands of a former lover (who was also killed in the altercation). When considering the subject of women and soundwork, we should not neglect the female writers of radio serials. Thirsty Heart is a shining example of how radio librettists...
Journal Articles
Feminist Media Histories. 2015; 1471–88 doi: https://doi.org/10.1525/fmh.2015.1.4.71
Published: 01 October 2015
... direction. What interested Khanwalkar was the creation of a new kind of soundwork that was edgy and well blended with the spatiality of the films' narratives upon which she worked. 19 Let us turn toward the kind of strategies Khanwalkar adopted to create her music. Rather than work from Bombay...
Journal Articles
Feminist Media Histories. 2015; 14108–125 doi: https://doi.org/10.1525/fmh.2015.1.4.108
Published: 01 October 2015
... research and create a transnational agenda in the field of gender and radio, including the Women's Radio in Europe Network (WREN) initiative (womenradioineurope.org) and this special issue of Feminist Media Histories on women and soundwork. 5. See Marian Bredin, “Feminist Cultural Politics: Women...