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socialist-cinema

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Như Quỳnh&#x27;s face tracks the passage of time, from <b>socialist</b> <b>cinema</b> to the a...
Published: 01 January 2019
FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. More
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<b>Socialist</b> <b>cinema</b>—the nation in its youth. A close-up from  We Will Meet Aga...
Published: 01 January 2019
FIGURE 6. Socialist cinema—the nation in its youth. A close-up from We Will Meet Again ( Đến hẹn lại lên , dir. Trần Vũ), 1974, gleaned for Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 6. Socialist cinema—the nation in its youth. A close-up from We Will Meet Again (Đến hẹn lại lên, dir FIGURE 6. Socialist cinema—the nation in its youth. A close-up from We Will Meet Again ( Đến hẹn lại lên , dir. Trần Vũ), 1974, gleaned for Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 6. Socialist cinema—the nation in its youth. A close-up from We Will Meet Again (Đến hẹn lại lên, dir More
Journal Articles
Feminist Media Histories. 2019; 5195–112 doi: https://doi.org/10.1525/fmh.2019.5.1.95
Published: 01 January 2019
...Zhou Xia; Zhou Xia; Yiwen Liu This interview features Guang Chuanlan, a Sibe director who has been active since 1976. Guang is known for establishing Chinese Muslim cinema made in the Xinjiang autonomous region in socialist China. Many of her films are released and awarded in Arabic countries and...
Images
Notice in  Le Populaire , May 1, 1919, of <b>Socialist</b> Party meetings in cinem...
Published: 01 October 2017
FIGURE 2. Notice in Le Populaire , May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. FIGURE 2. Notice in Le Populaire, May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. FIGURE 2. Notice in Le Populaire , May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. FIGURE 2. Notice in Le Populaire, May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. More
Journal Articles
Feminist Media Histories. 2019; 5468–75 doi: https://doi.org/10.1525/fmh.2019.5.4.68
Published: 01 October 2019
... Black lesbian cinema Cheryl Dunye Instagram queer cinema social media filmmaking Since filmmaker Cheryl Dunye was interviewed for Alexandra Juhasz's feature-length documentary film Women of Vision: 18 Histories in Feminist Film and Video (1998), a lot has changed in terms of how stories are...
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
... were still loyal to official ideology and therefore promoted socialist ideals of gender equality that also reflected middle-class aspirations with an emphasis on consumption. So why look specifically at gender and transnational broadcasting? In recent years, feminist historians have researched the...
Journal Articles
Feminist Media Histories. 2019; 5385–113 doi: https://doi.org/10.1525/fmh.2019.5.3.85
Published: 01 July 2019
.... Together with tourism, student exchange, migration, cinema, sport, consumption, and advertising, transnational radio constituted an everyday site of international encounter that, alongside formal diplomacy and trade, was instrumental in the sphere of foreign relations. To date, Australian radio has...
Journal Articles
Feminist Media Histories. 2019; 5111–38 doi: https://doi.org/10.1525/fmh.2019.5.1.11
Published: 01 January 2019
...FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. FIGURE 7. Như Quỳnh's face tracks the passage of time, from socialist cinema to the art house period, in Eleven Men (dir. Nguyễn Trinh Thi), 2016. ...
Journal Articles
Feminist Media Histories. 2019; 5139–62 doi: https://doi.org/10.1525/fmh.2019.5.1.39
Published: 01 January 2019
... maker Sai Paranjpye, whose eclectic career across a range of media—theater, TV, cinema, print—in multiple formats—ad films, documentaries, educational shorts, TV films, full-length features—was fairly typical of the nature of women's media work at this time, as women took whatever work they could find...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... zhi qian shi jin sheng , 1989) and Temptation of a Monk (1993), Law embraced transnational cinema through invitations and awards from major international film festivals, as well as participating in Erotique (1994), a compilation film with multinational contributors. Her work insistently interrogates...
Journal Articles
Feminist Media Histories. 2018; 4433–56 doi: https://doi.org/10.1525/fmh.2018.4.4.33
Published: 01 October 2018
.... NOTES This research was supported by a grant from the Arts and Humanities Research Council. The author would like to thank the Council and interview participants for their valuable contributions to this research. 1. Charles R. Acland and Haidee Wasson, Useful Cinema (Durham, NC: Duke University...
Journal Articles
Feminist Media Histories. 2018; 44130–159 doi: https://doi.org/10.1525/fmh.2018.4.4.130
Published: 01 October 2018
... Changing Circumstances,” 118. 14. Vicky Ball and Melanie Bell, “Working Women, Women's Work: Production, History, Gender. Introduction,” Journal of British Cinema and Television 10, no. 3 (2013): 554. 15. Peter Seglow, “Organizational Survival as an Act of Faith: The Case of the BBC,” in...
Journal Articles
Feminist Media Histories. 2018; 4349–95 doi: https://doi.org/10.1525/fmh.2018.4.3.49
Published: 01 July 2018
... Black Panther comics posthuman FIGURE 1. “Who Is the Black Panther?” A European delegate accuses Wakanda's King T'Chaka of being a “socialist with a crown” after the king questions Westerners’ idea of free trade. He is assassinated shortly thereafter. Reginald Hudlin and John Romita Jr...
Journal Articles
Feminist Media Histories. 2018; 4295–100 doi: https://doi.org/10.1525/fmh.2018.4.2.95
Published: 01 April 2018
... Socialist Feminism in the 1980s,” Socialist Review 15, no. 2 (1985): 65–107. 7. Anne Friedberg, Window Shopping: Cinema and the Postmodern (Berkeley: University of California Press, 1993). 8. Margaret Morse, Virtualities: Television, Media Art, and Cyberculture (Bloomington: Indiana...
Journal Articles
Feminist Media Histories. 2018; 421–11 doi: https://doi.org/10.1525/fmh.2018.4.2.1
Published: 01 April 2018
... Communication Research), SCMS (Society for Cinema and Media Studies), IAMHIST (International Association for Media and History), ECREA (European Communication Research and Education Association), MeCCSA (Media, Communication and Cultural Studies Association), AoIR (Association of Internet Researchers). 2...
Journal Articles
Feminist Media Histories. 2018; 411–10 doi: https://doi.org/10.1525/fmh.2018.4.1.1
Published: 01 January 2018
...-hoopla-was-embarassing-w504320 . 7. Rick Maxwell, ed., The Routledge Companion to Labor and Media (New York: Routledge, 2015). 8. Christina Gledhill and Julia Knight, “Introduction,” in Doing Women's Film History: Reframing Cinemas, Past and Future , ed. Christina Gledhill and Julia Knight...
Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
...FIGURE 2. Notice in Le Populaire , May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. FIGURE 2. Notice in Le Populaire, May 1, 1919, of Socialist Party meetings in cinemas. Bibliothèque Nationale de France. ...
Journal Articles
Feminist Media Histories. 2017; 3410–45 doi: https://doi.org/10.1525/fmh.2017.3.4.10
Published: 01 October 2017
... ideological contradiction along the lines of Cahiers du cinéma 's symptomatic text, I am more interested in how these shots are historical, particularly in terms of how Michel Foucault talks about discursive formations and historical statements as epistemological, as I discuss below. For a discussion of...
Journal Articles
Feminist Media Histories. 2017; 315–24 doi: https://doi.org/10.1525/fmh.2017.3.1.5
Published: 01 January 2017
...Meredith Slifkin This article places existing discourses on Egyptian cinema, revolution, and global feminism in conversation with theories of film melodrama. The text examines the tradition of Egyptian melodrama as a site for analogizing women's liberation with national modernization in the wake of...
Journal Articles
Feminist Media Histories. 2016; 231–10 doi: https://doi.org/10.1525/fmh.2016.2.3.1
Published: 01 July 2016
...Monica Dall'Asta; Alessandra Chiarini NOTES The editors would like to thank Alice Cati, Kate Gralton, Cristina Jandelli, Rosanna Maule, Donata Meneghelli, and Federica Villa. 1. Debate on found footage cinema has been characterized by terminological uncertainty from its very start...