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Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
...-eyed midinette , which is still used by French film critics to describe lowbrow film taste and an overly emotional mode of spectatorship. This essay attempts to reconstruct the social practice of cinemagoing among the midinettes of 1920s working-class Paris by focusing on the female fans of the serial...
Journal Articles
Feminist Media Histories. 2017; 3469–101 doi: https://doi.org/10.1525/fmh.2017.3.4.69
Published: 01 October 2017
... many ways, my analysis seeks to foreground how some of these white, elite, and middle-class women were either resisting the dominant racist discourse through political and activist devices, or, more commonly, organizing as feminists the city's civic, social, and cultural realms through charity...
Journal Articles
Feminist Media Histories. 2017; 31140–155 doi: https://doi.org/10.1525/fmh.2017.3.1.140
Published: 01 January 2017
... spectrum of social issues, including war, poverty, domestic abuse, and class mobility. In her most recent film, Tales (2014), she seamlessly intersects seven different stories. In these narratives, Banietemad's most memorable women characters once again take the stage, reminding audiences of the historical...
Journal Articles
Feminist Media Histories. 2020; 6243–66 doi: https://doi.org/10.1525/fmh.2020.6.2.43
Published: 01 April 2020
... structures of feeling to highlight the affective and experiential formations at play in postwar Korea. I specifically draw from this passage, “For what we are defining is a particular quality of social experience and relationship, historically distinct from other particular qualities, which gives the sense...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
... explored the topic of nature; in this one she celebrated Jane's visionary connection to nature yet critiqued the patriarchal social structure that confined her to the traditionally gendered role of housewife. In their coauthored essay “The Wilderness Diary: Sentimental Attachments, Gender, and the...
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
..., though not always in alignment with, the era's feminist movement. Clubs gave women a chance to gather, socialize, study, and campaign for a variety of causes. They were formed by middle- and working-class women, and by white and Black, Protestant, Mormon, and Jewish women, but most remained segregated by...
Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... without comment in Artforum , it is worth reminding ourselves of the unyielding structure of masculinist entitlement that women such as Jane Brakhage and Barbara Hammer faced in the 1970s. Rejected by two social spheres that mattered a great deal to her work—feminists and avant-garde filmmakers...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
... antiphony” encompassed by Black musical expression as it emerged out of the most abject chattel slavery: “There is a democratic, communitarian moment enshrined in the practice of antiphony which symbolises and anticipates (but does not guarantee) new, non-dominating social relationships.” 65 Recent...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... Jamaica: An Interview with Esther Figueroa,” Social Identities 19, nos. 3/4 (2013): 440–53. 6. Keith Warner, On Location: Cinema and Film in the Anglophone Caribbean (London: Macmillan Education Limited, 2000). 7. See Terri Francis, “Sounding the Nation: Martin Rennalls and the Jamaica...
Journal Articles
Feminist Media Histories. 2020; 6193–118 doi: https://doi.org/10.1525/fmh.2020.6.1.93
Published: 01 January 2020
... Child, “Survivor,” track 2 on Survivor , Columbia, 2001 https://youtu.be/aVJi5jj-zl0 This song speaks plainly to the feelings we've had as gamers and researchers forced to survive economic and social barriers in order to pursue gaming as a pastime and a career. The anthem demonstrates our...
Journal Articles
Feminist Media Histories. 2020; 6166–92 doi: https://doi.org/10.1525/fmh.2020.6.1.66
Published: 01 January 2020
... I'd rarely played any with puzzles about fitting in socially or meeting a dress code. And to some extent, the dress-up scene I loved was just a symbolic stand-in for something deeper that I was unconsciously looking for then and have been more intentionally seeking ever since: gameplay that spoke as...
Journal Articles
Feminist Media Histories. 2020; 61147–162 doi: https://doi.org/10.1525/fmh.2020.6.1.147
Published: 01 January 2020
.... Muriel Tramis, Le couteau seul sait ce qui se passe au coeur du giraumon (Achères, France: Dagan, 2011). 12. Jankowski, “The Presence of French Female Game Designers in Video Game Industry, 1985–1993,” 4. 13. Filip Jankowski, “Political and Social Issues in French Digital Games, 1982–1993...
Journal Articles
Feminist Media Histories. 2020; 6137–65 doi: https://doi.org/10.1525/fmh.2020.6.1.37
Published: 01 January 2020
... Animal Crossing game, said he “hate(s) this kind of baiting on social political issues.” 7. “Social justice warrior” or “SJW” gained popularity around 2011 as a pejorative way to describe someone with progressive social views, especially in the world of media and pop culture. 8. Karen Dill...
Journal Articles
Feminist Media Histories. 2020; 61163–197 doi: https://doi.org/10.1525/fmh.2020.6.1.163
Published: 01 January 2020
... such as Candy Crush (2012) and social games like Pet Rescue (2012) and Farm Heroes (2013). 32. The Exposición de Videojuegos de Argentina (Argentine Videogame Exhibition, EVA) is the country's most important game industry event, held each year since 2003. 33. Independent Argentine game...
Journal Articles
Feminist Media Histories. 2020; 6112–36 doi: https://doi.org/10.1525/fmh.2020.6.1.12
Published: 01 January 2020
... Communities of Practice, and the Intersections of Learning, Socialization, and Resilience in Online Gaming,” Frontiers: A Journal of Women's Studies 39, no. 1 (2018): 116; Jen Malkowski and TreaAndrea M. Russworm, “Introduction: Identity, Representation, and Video Game Studies beyond the Politics of the...
Journal Articles
Feminist Media Histories. 2020; 61119–146 doi: https://doi.org/10.1525/fmh.2020.6.1.119
Published: 01 January 2020
... that she “wasn't there necessarily to solve technical problems. I was there to solve social problems that happened to have a slightly technical aspect to them.” Her days were spent understanding and dealing with the needs of customer “types”: there were the kids, of course, calling after school, and...
Journal Articles
Feminist Media Histories. 2015; 1237–63 doi: https://doi.org/10.1525/fmh.2015.1.2.037
Published: 01 April 2015
... develop one's lifestyle talents into television franchises, is clearly a form of class privilege. This matters because, as these programs emphasize, it is the personal lives of the hosts that are the basis of instruction, and despite their focus on middle-class forms of socializing, the homes in which...
Journal Articles
Feminist Media Histories. 2019; 5468–75 doi: https://doi.org/10.1525/fmh.2019.5.4.68
Published: 01 October 2019
... breaking of the “fourth wall,” and the advent of social-media storytelling about identity, race, gender, and queer desire. She also discusses her current project Black Is Blue , a work in progress set in the future about a love affair between a trans couple in Oakland. The figures show a related Instagram...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
..., we have to remember the identity-based film festival's function as a vital source of artistic, social, and political community. Jenni Olson writes: “As a group, we are a diverse and complex people yearning for the experience of community—being together, sharing our different realities, exchanging...
Journal Articles
Feminist Media Histories. 2019; 541–18 doi: https://doi.org/10.1525/fmh.2019.5.4.1
Published: 01 October 2019
... social change documentary. The ideas, questions, insights, and reasoning found in the pages of this book are informed by scholarship, but they also reflect my on-the-ground experience working with the process of documentary and social change.” —A ngela J. A guayo , D ocumentary R esistance , 2019...