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london-womens-film-group

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Journal Articles
Feminist Media Histories. 2016; 22107–121 doi: https://doi.org/10.1525/fmh.2016.2.2.107
Published: 01 April 2016
...Barbara Evans The London Women's Film Group was formed in 1972 in response to the seemingly impermeable male-dominated film industry and culture of the time along with the urgently felt need to put women's stories, told by women, on the screen. Made up of a dedicated assortedment of practitioners...
Images
Published: 01 April 2016
FIGURE 2. Film Notes cover page, London Women's Film Group, 1974 FIGURE 2. Film Notes cover page, London Women's Film Group, 1974
Images
Published: 01 April 2016
FIGURE 1. The London Women's Film Group filming The Amazing Equal Pay Show , 1974. (Still courtesy Fran McLean) FIGURE 1. The London Women's Film Group filming The Amazing Equal Pay Show, 1974. (Still courtesy Fran McLean)
Journal Articles
Feminist Media Histories. 2018; 43244–273 doi: https://doi.org/10.1525/fmh.2018.4.3.244
Published: 01 July 2018
... circumstances in which it was published and the feminist debates it participated in; its ties to Johnston's less noted writings; and its relation to Johnston's filmmaking while she was a member of the London Women's Film Group, a feminist filmmaking collective committed to building coalitions among women media...
Images
Published: 01 July 2018
FIGURE 2. A protest against the male-only “Stag Night” fundraiser hosted by leaders the Association of Cinematograph and Television Technicians (ACTT). Members of the London Women's Film Group participated in the protest to call out the hypocrisy of the “Stag Night” in light of their recent
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
... his anti-capitalist environmental philosophy suggests an alignment with the Indigenous population who have been removed completely from the film's land. Attempting to win Freckles to his side, Barbeau explains that his group of poachers “take the lumber to live.” He characterizes MacLean as the real...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
... produced. Edwards traces Stratton-Porter's discontent with this first adaptation, and cites this as a reason for her move from Indiana to Los Angeles to found her own production company in 1919. Stratton-Porter was one of many women who formed film companies in their own names in the silent era, but most...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... Jamaica: An Interview with Esther Figueroa,” Social Identities 19, nos. 3/4 (2013): 440–53. 6. Keith Warner, On Location: Cinema and Film in the Anglophone Caribbean (London: Macmillan Education Limited, 2000). 7. See Terri Francis, “Sounding the Nation: Martin Rennalls and the Jamaica...
Journal Articles
Feminist Media Histories. 2020; 6295–119 doi: https://doi.org/10.1525/fmh.2020.6.2.95
Published: 01 April 2020
... Morality and Space,” in Gender and Landscape: Renegotiating the Moral Landscape (London and New York: Routledge, 2013), 5. 56. Malcolm Andrews, Landscape and Western Art (Oxford: Oxford University Press, 1999), 175. 57. Joseph Thompson, “Foreword,” in Badlands: New Horizons in Landscape...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
.... Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (London: Verso, 1993), 79. 66. See for instance Robert Baron, “‘All Power to the Periphery’: The Public Folklore Thought of Alan Lomax,” Journal of Folklore Research 49, no. 3 (2012): 275–317; Benjamin Filene, “‘Our Singing...
Journal Articles
Feminist Media Histories. 2020; 6137–65 doi: https://doi.org/10.1525/fmh.2020.6.1.37
Published: 01 January 2020
... contemporary nerd culture: the all-male clubhouse. 32 Such groups of “nerdy” male friends who meet to play Dungeons and Dragons , watch sci-fi and fantasy films, or talk about science fiction and fantasy are a trope we're all familiar with, not only from our media but also from our own childhood...
Journal Articles
Feminist Media Histories. 2020; 611–11 doi: https://doi.org/10.1525/fmh.2020.6.1.1
Published: 01 January 2020
... talks about her experience making game pilots to sell to film and television producers and the importance of community for game development. These interviews with women working at different moments demonstrate the need for documentary efforts that capture the diversity of experiences that shape the game...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
... community-based film festival has itself evolved. In many ways our story is not uncommon. We became part of a mostly unpaid or nominally remunerated group of curators for identity-based film festivals—queer, Asian Pacific Islander, and Chicanx/Latinx—in the United States while doing graduate work on...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
... to make a larger-budget film. I've taken some directing classes and worked with actors, and I know that I have talent in directing that I have yet to be able to use. I'd like to work with a group of people. Usually, I work as a solitary artist. aj 1995: Do you want to talk about ageism? bh...
Journal Articles
Feminist Media Histories. 2019; 541–18 doi: https://doi.org/10.1525/fmh.2019.5.4.1
Published: 01 October 2019
... second call, she noted that she had gone back to my 2001 book Women of Vision: Histories in Feminist Film and Video so as to reacquaint herself with my specific practice and interests. She told me that upon this rereading, the book's focus upon, or grounding within, the 1980s and 1990s was of the most...
Journal Articles
Feminist Media Histories. 2019; 53168–194 doi: https://doi.org/10.1525/fmh.2019.5.3.168
Published: 01 July 2019
... 1937 was on inspirational and pathbreaking women in the news, including Belgian feminist Baronne Marthe Boël, “new President of the [International] Council of Women” (September 24); Natalie Kalmus, US color film pioneer, and Rosita Forbes, British explorer and travel writer (both October 1); and the...
Journal Articles
Feminist Media Histories. 2019; 521–18 doi: https://doi.org/10.1525/fmh.2019.5.2.1
Published: 01 April 2019
... Movies (New York: Da Capo, 1972), xxiv. 16. A scholarly interest group focused on adult film history was founded in 2014 within the Society for Cinema and Media Studies. Group founder Eric Schaefer and member David Church elaborate on the work of this research area and the usage of adult media as...
Journal Articles
Feminist Media Histories. 2019; 5249–82 doi: https://doi.org/10.1525/fmh.2019.5.2.49
Published: 01 April 2019
... hero-centric, mainstream film industry for a while, leading to what was popularly called Shakeela tharangam —the “wave of Shakeela.” 16 The emphasis on “women-centered” narratives in soft-porn films led to acrimonious debates among feminists and women's groups who were quick to cite obscenity...
Journal Articles
Feminist Media Histories. 2019; 52211–239 doi: https://doi.org/10.1525/fmh.2019.5.2.211
Published: 01 April 2019
... Experimental Cinema: Critical Frameworks (Durham, NC: Duke University Press, 2007), 2–3, 7. 20. Claire Johnston, “Women's Cinema as Counter-Cinema,” in Notes on Women's Cinema , ed. Claire Johnston (London: London Society for Education in Film and Television, 1973), 32–33. 21. Rich, Chick Flicks...
Journal Articles
Feminist Media Histories. 2019; 5283–110 doi: https://doi.org/10.1525/fmh.2019.5.2.83
Published: 01 April 2019
...?,” 301, 302. 42. See also Jonathan Abel, “Packaging Desires: The Unmentionables of Japanese Film,” in Perversion and Modern Japan: Psychoanalysis, Literature, Culture , ed. Nina Cornyetz and J. Keith Vincent (London: Routledge, 2010), 273–307. Abel's impressive postwar history of underpants in...