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Journal Articles
Feminist Media Histories. 2019; 5360–84 doi: https://doi.org/10.1525/fmh.2019.5.3.60
Published: 01 July 2019
... during wartime. In much of this material, the United States was presented as a dominant yet gentlemanly hemispheric partner, offering Latin America protection and material abundance in exchange for loyalty and deference. As the war wound down, such propaganda took a sharp turn toward the Cold War, when...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... to film. The films I watch are primarily from Spain and Latin America and other parts of the world. I hardly watch any US film at all. TF: Tell me about your move to the University of Hawaii. How did that come about? EF: When I was in DC in the 1970s, I had a Hawaiian girlfriend, and she...
Journal Articles
Feminist Media Histories. 2020; 6295–119 doi: https://doi.org/10.1525/fmh.2020.6.2.95
Published: 01 April 2020
... “Women and nature have often been associated with each other, and it is perhaps no coincidence that each is celebrated, however dubiously, in the calendar.” —R ebecca S olnit , A s E ve S aid to the S erpent , 2001 18 “Landscape photography in both America and Australia has recently...
Journal Articles
Feminist Media Histories. 2020; 61163–197 doi: https://doi.org/10.1525/fmh.2020.6.1.163
Published: 01 January 2020
... Latin America Uruguay video games NOTES 1. For more on this subject see Phillip Penix-Tadsen, “Intersections of Gender and Gaming in Latin America,” in The Routledge Companion to Gender, Sex and Latin American Culture , ed. Frederick Luis Aldama (New York: Routledge, 2018), 46–56. 2...
Journal Articles
Feminist Media Histories. 2020; 611–11 doi: https://doi.org/10.1525/fmh.2020.6.1.1
Published: 01 January 2020
... Berho, and Martina Santoro. Nievas began producing games in the early 1980s, and they are among the first known games made in Latin America. Around the turn of the millennium, Battegazzore began her work in games by reverse engineering the Cartoon Network's Flash games so that the in-game text could be...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
... Angeles audience would have expectations of Hollywood-style production values and narratives. We eventually reached a compromise: four programs of shorts that contained enough of all of the elements we each prioritized, organized around the themes of youth, bodies, and America. I also highlighted four...
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
... in other contexts, including Europe, Latin America, Canada, and the Asia-Pacific. 5 The collection brings together scholars concerned with gender and broadcasting within media history to see what transnational perspectives can bring to understandings of media content, mobility, and labor. While...
Journal Articles
Feminist Media Histories. 2019; 5336–59 doi: https://doi.org/10.1525/fmh.2019.5.3.36
Published: 01 July 2019
... Western production values, technologies, and skills. 22 The proportion of Western programming increased as well, particularly in entertainment and drama. During the 1980s and the 1990s the majority of imported serial TV dramas came from the United States, followed by Western Europe and Latin America...
Journal Articles
Feminist Media Histories. 2018; 44109–129 doi: https://doi.org/10.1525/fmh.2018.4.4.109
Published: 01 October 2018
... within Latin America. There has been more representation among station owners than among network or programming executives, and men held those positions. In 1951 Raul Cortez started the independent station KCOR-TV in San Antonio, Texas. In the 1961 Emilio Azcárraga Milmo began to amass a chain of...
Journal Articles
Feminist Media Histories. 2018; 4267–71 doi: https://doi.org/10.1525/fmh.2018.4.2.67
Published: 01 April 2018
... political activism of the twentieth and twenty-first centuries. Scholarship on early feminist documentary practice in the mid-twentieth century is told in two stories. In one, Third World–ist revolutionary cinema movements of the mid-twentieth century in East Asia, Latin America, Africa, and the Middle East...
Journal Articles
Feminist Media Histories. 2018; 42101–106 doi: https://doi.org/10.1525/fmh.2018.4.2.101
Published: 01 April 2018
... Rodriguez, Latin Looks: Images of Latinas and Latinos in the U.S. Media (Boulder, CO: Westview), 1997; Frances R. Aparicio, Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Hanover, NH: University Press of New England, 1998). 5. This is not an exhaustive list, but rather...
Journal Articles
Feminist Media Histories. 2018; 4111–36 doi: https://doi.org/10.1525/fmh.2018.4.1.11
Published: 01 January 2018
..., I understood what is Machismo-Leninismo. 34 NOTES 1. Author interview with Jorge Sanjinés, La Paz, August 12, 2015. All interview and text translations are mine unless stated otherwise. 2. Julianne Burton, Cinema and Social Change in Latin America: Conversations with Filmmakers...
Journal Articles
Feminist Media Histories. 2018; 411–10 doi: https://doi.org/10.1525/fmh.2018.4.1.1
Published: 01 January 2018
... online resource has allowed the project to grow and change, incorporating new research on women working in the United States and Latin America and allowing for the international scope of the project to expand. See also Melanie Bell and Vicky Ball, “A History of Women in the British Film and Television...
Journal Articles
Feminist Media Histories. 2017; 339–29 doi: https://doi.org/10.1525/fmh.2017.3.3.9
Published: 01 July 2017
..., Drugs, Thugs, and Divas: Telenovelas and Narco-Dramas in Latin America (Austin: University of Texas Press, 2008). 24. Sandro Mezzadra and Brett Neilson, Border as Method, or the Multiplication of Labor (Durham, NC: Duke University Press, 2013), 4. 25. Pablo Vila, Border Identifications...
Journal Articles
Feminist Media Histories. 2017; 3298–120 doi: https://doi.org/10.1525/fmh.2017.3.2.98
Published: 01 April 2017
... Poblete, “Cinema and Humor in Latin America: An Introduction,” in Humor in Latin American Cinema , ed. Juan Poblete and Juana Suárez (New York: Palgrave Macmillan, 2016), 20. 21. Dennison and Shaw, Popular Cinema in Brazil , 5 – 10, 18 – 25, 59 – 127. 22. Meirelles, Paródia & chanchada...
Journal Articles
Feminist Media Histories. 2017; 3125–49 doi: https://doi.org/10.1525/fmh.2017.3.1.25
Published: 01 January 2017
... well born centres of the East. When America was subjected to an unendurable strain many jumped out of tenth story windows—in the Orient they retreated into themselves not, as I have said, without a terrific nervous toll being taken. 24 NOTES 1. Mary Hallock-Greenewalt, Autobiography , 76...
Journal Articles
Feminist Media Histories. 2016; 241–14 doi: https://doi.org/10.1525/fmh.2016.2.4.1
Published: 01 October 2016
... for instance Richard Schickel, Intimate Strangers: The Culture of Celebrity (Chicago: Ivan R. Dee, 1985); Leo Braudy, The Frenzy of Renown: Fame and Its History (Cambridge, MA: Harvard University Press, 1986); Joshua Gamson, Claims to Fame: Celebrity in Contemporary America (Berkeley: University...
Journal Articles
Feminist Media Histories. 2015; 1431–45 doi: https://doi.org/10.1525/fmh.2015.1.4.31
Published: 01 October 2015
... States started out as evening fare, they soon migrated to daytime, where they largely remained, and they were aimed primarily at an audience of housewives. 13 In Latin America, radioteatro or radionovelas often aired during prime-time evening hours and thus were made with a more diverse audience...
Journal Articles
Feminist Media Histories. 2015; 1338–65 doi: https://doi.org/10.1525/fmh.2015.1.3.38
Published: 01 July 2015
... Outdoor Advertising Association of America. A grant from the Graduate School at Northwestern University funded this research. I thank Caetlin Benson-Allott, Catherine Clepper, and the anonymous reader for Feminist Media Histories for their helpful comments on an earlier draft of this essay. 1...
Journal Articles
Feminist Media Histories. 2015; 11153–162 doi: https://doi.org/10.1525/fmh.2015.1.1.153
Published: 01 January 2015
...,” Tricontinental (October 14, 1969), reprinted most recently in New Latin America Cinema , vol. 1, ed. Michael T. Martin (Detroit: Wayne State University Press, 1997), 33–58. 7. Jean-Luc Godard, “What Is to Be Done?,” AfterImage 1 (April 1970): n.p., reprinted in Women & Film 1, no. 1 (1972): 41...