...Kate Galloway This essay addresses the silences and soundings of Rebecca Belmore's (Anishinaabe) and Julie Nagam's (Anishinaabe/Métis/German/Syrian) sound art, which reflects their environmentalism and profound commitment to Indigenous ways of knowing, making, and listening. Working...

... have survived but are contributing important frameworks to environmental discourse, some of which we learn about in Kate Galloway's contribution to this issue. Zoe Todd's 2015 essay “Indigenizing the Anthropocene” should be required reading for anyone engaging in this debate. 14 Other terms have...

..., eds., Sound Objects (Durham, NC: Duke University Press, 2019). 19. See Kate Galloway, “Listening to Indigenous Knowledge of the Land in Two Contemporary Sound Art Installations,” Feminist Media Histories 6, no. 2 (Spring 2020): 176–206. She writes, “By opening up our bodies and knowledge...

... reflect that disciplinary and methodological slant. See for example danah boyd and Kate Crawford, “Critical Questions for Big Data: Provocations for a Cultural, Technological and Scholarly Phenomenon,” Information, Communication and Society 15, no. 5 (2012): 662–79; Andrew Iliadis and Federica Russo...

..., https://canadianart.ca/interviews/rebecca-belmore-landmarks-2017/ . For more on Rebecca Belmore and feminist media histories see Kate Galloway, “Listening to Indigenous Knowledge of the Land in Two Contemporary Sound Art Installations,” Feminist Media Histories 6, no. 2 (2020): 176–206. 72...