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italian-cinema

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Journal Articles
Feminist Media Histories. 2018; 4457–82 doi: https://doi.org/10.1525/fmh.2018.4.4.57
Published: 01 October 2018
... University Press, 1978), 128–35. See also Christine Gledhill, “Introduction,” in Gender Meets Genre in Postwar Cinemas (Chicago: University of Illinois Press, 2012), 1–12. 2. Williams, “Structures of Feeling,” 132. 3. On the importance of popular film production for postwar Italian cinema see...
Journal Articles
Feminist Media Histories. 2016; 2354–72 doi: https://doi.org/10.1525/fmh.2016.2.3.54
Published: 01 July 2016
...Dalila Missero This essay offers a feminist reading of the work of Italian film director Cecilia Mangini. Drawing on an archaeological approach, it focuses on Mangini's experience as a woman in Italian cinema and her contribution to the realization of three movies— To Arms! We're Fascists...
Journal Articles
Feminist Media Histories. 2020; 6243–66 doi: https://doi.org/10.1525/fmh.2020.6.2.43
Published: 01 April 2020
... the “foundation,” the “purification,” the “hospital” to the city. Noh Ji-Seung, Yŏnghwa kwan ŭi t'ajadŭl: chosŏn yŏnghwa ŭi ch'ulbal esŏ han'guk yŏnghwa hwanggŭmgi kkaji yŏnghwa pogi ŭi yŏksa [Figures of Cinema: The History of Spectatorship from Chosŏn Cinema to the Golden Era] (Seoul...
Journal Articles
Feminist Media Histories. 2019; 5385–113 doi: https://doi.org/10.1525/fmh.2019.5.3.85
Published: 01 July 2019
.... Together with tourism, student exchange, migration, cinema, sport, consumption, and advertising, transnational radio constituted an everyday site of international encounter that, alongside formal diplomacy and trade, was instrumental in the sphere of foreign relations. To date, Australian radio has...
Journal Articles
Feminist Media Histories. 2019; 5111–38 doi: https://doi.org/10.1525/fmh.2019.5.1.11
Published: 01 January 2019
... small but growing. May Adadol Ingawanij has two forthcoming essays: “Nguyễn Trinh Thi's Essay Films” and “The Essay Film as Feminist Cinema in Southeast Asia: Nguyễn Trinh Thi and Anocha Suwichakornpong.” Laura Rascaroli, How the Essay Film Thinks (Oxford: Oxford University Press, 2017), devotes a...
Journal Articles
Feminist Media Histories. 2019; 51113–140 doi: https://doi.org/10.1525/fmh.2019.5.1.113
Published: 01 January 2019
... embodiment of cosmopolitan fantasy as constructed by the studios she worked for was fraught with corporate and cultural competition in the Cold War era. The first part examines how Japanese cinema's discourses of publicity constructed You Min's embodiment of the imaginary of tōyō —an expression of Japan's...
Journal Articles
Feminist Media Histories. 2018; 441–7 doi: https://doi.org/10.1525/fmh.2018.4.4.1
Published: 01 October 2018
... at all, in the case of India, for instance. Feminist scholarship into patterns of discrimination has therefore moved at different paces in different countries, as Dalila Missero's article on women film editors in postwar Italian cinema attests. The first four articles in this collection engage...
Journal Articles
Feminist Media Histories. 2018; 4277–83 doi: https://doi.org/10.1525/fmh.2018.4.2.77
Published: 01 April 2018
...Maggie Hennefeld NOTES 1. The FIAF (International Federation of Film Archives) symposium “Cinema 1900–1906,” held in Brighton, England, in 1978, was a groundbreaking event that helped foster a wider “historical turn” in film studies. See Roger Holman, ed., Cinema 1900/1906: An Analytical...
Journal Articles
Feminist Media Histories. 2018; 41142–170 doi: https://doi.org/10.1525/fmh.2018.4.1.142
Published: 01 January 2018
... Society for Cinema and Media Studies Women's Caucus Graduate Student Writing Prize in 2016. NOTES 1. Richard Lallach, “Big Baby,” Spy , January 1993, 77. 2. Roger Ebert, “ Mr. Mom ,” August 22, 1983, http://www.rogerebert.com/reviews/mr-mom-1983 . 3. I Love Lucy , “Job...
Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
... Les deux gamines (1921). Both a critique of intellectual cinephilia as a cultural discourse and a geographically specific retrieval of the multiple ways in which socioeconomically and culturally marginalized audiences interacted with the cinema, this historical study repositions young women from...
Journal Articles
Feminist Media Histories. 2017; 34102–125 doi: https://doi.org/10.1525/fmh.2017.3.4.102
Published: 01 October 2017
...Luciana Corrêa de Araújo The silent Brazilian film Miss Right Now (1927), produced by and starring Eva Nil, who also worked as a camera and laboratory assistant on the film, stands out as a powerful and rare example of a woman's creative agency in early Brazilian cinema. The plight of this film...
Journal Articles
Feminist Media Histories. 2017; 3410–45 doi: https://doi.org/10.1525/fmh.2017.3.4.10
Published: 01 October 2017
... ideological contradiction along the lines of Cahiers du cinéma 's symptomatic text, I am more interested in how these shots are historical, particularly in terms of how Michel Foucault talks about discursive formations and historical statements as epistemological, as I discuss below. For a discussion of...
Journal Articles
Feminist Media Histories. 2017; 3469–101 doi: https://doi.org/10.1525/fmh.2017.3.4.69
Published: 01 October 2017
... Reader in Early Cinema , ed. Jennifer M. Bean and Diane Negra (Durham, NC, and London: Duke University Press, 2002), 109. 79. “Society Folk Make Their Bow in Mild Production,” 29. 80. Meeting minutes, January 24, 1922, MWC; meeting minutes, April 20, 1922, MWC; MWC scrapbook, 1909–1925; letter...
Journal Articles
Feminist Media Histories. 2017; 32175–193 doi: https://doi.org/10.1525/fmh.2017.3.2.175
Published: 01 April 2017
... Martinelli, Il cinema muto italiano 1918: i film della grande guerra (Rome: Nuova Edizioni RAI, 1991), 148. 41. Mary Cleo Tarlarini is noteworthy both as an early star of the Italian cinema and as a woman who cofounded her own production company, Cléo-Film, in 1918. Alfredo Robert directed several...
Journal Articles
Feminist Media Histories. 2017; 3298–120 doi: https://doi.org/10.1525/fmh.2017.3.2.98
Published: 01 April 2017
.... Women to the Sea ; thus I offer this alternative title. 2. Although outside the scope of this essay, on the retomada see the essay in English by Cacilda M. Rêgo, “Brazilian Cinema: Its Fall, Rise, and Renewal,” New Cinemas: Journal of Contemporary Film 3, no. 2 (2005): 85–100. For an assessment...
Journal Articles
Feminist Media Histories. 2017; 321–14 doi: https://doi.org/10.1525/fmh.2017.3.2.1
Published: 01 April 2017
... be complete (even in its politics of fragmentation) without the collusion of silent cinema: a lost garden of comedic productions, the vast majority of which are no longer extant. Nagels highlights the peculiar career of a virtually unknown Italian star, Fernanda Negri Pouget, one of many prolific...
Journal Articles
Feminist Media Histories. 2017; 3125–49 doi: https://doi.org/10.1525/fmh.2017.3.1.25
Published: 01 January 2017
... Michael Bettancourt, who has written extensively on visual music and edited Mary Hallock-Greenewalt: The Complete Patents (Rockville, MD: Wildside, 2005). Gregory Zinman includes Hallock-Greenewalt in his “Handmade Cinema” project: http://handmadecinema.com/mobileview.php?id=21 . Maurice Wright...
Journal Articles
Feminist Media Histories. 2016; 2415–63 doi: https://doi.org/10.1525/fmh.2016.2.4.15
Published: 01 October 2016
... Press, 1990). 3. Richard Dyer, Stars , 2nd ed. (London: British Film Institute, 1998). 4. Annette Kuhn, Dreaming of Fred and Ginger: Cinema and Cultural Memory (New York: New York University Press, 2002). 5. Lois Banner, Marilyn: The Passion and the Paradox (New York: Bloomsbury...
Journal Articles
Feminist Media Histories. 2016; 2484–115 doi: https://doi.org/10.1525/fmh.2016.2.4.84
Published: 01 October 2016
... Library of the Academy of Motion Picture Arts and Sciences in Los Angeles (AMPAS); the Constance McCormick Collection in the USC Cinema Library, and Garbo family scrapbooks that I possess (I purchased them at the auction of property from the estate of Greta Garbo at Julien's Auctions, Beverly Hills...
Journal Articles
Feminist Media Histories. 2016; 231–10 doi: https://doi.org/10.1525/fmh.2016.2.3.1
Published: 01 July 2016
... experimental film led to the term “found footage cinema.” The adoption of this English definition in many different languages, Italian and French included, is revealing of the difficulties that one encounters when trying to name a practice that has developed in parallel with the growth of cinema heritage...