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Journal Articles
Feminist Media Histories (2019) 5 (3): 9–35.
Published: 01 July 2019
... apparatus, but as van der Goot's forceful words make clear, at stake were competing visions of women's nature, role, and agency on the world stage. Thus it seems almost immaterial that the organization in question was the International Association of Women in Radio and Television (IAWRT), and that the...
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Lilian van der Goot&#x27;s notes from the <b>International</b> <b>Association</b> of <b>Women</b> in ...
Published: 01 July 2019
FIGURE 2. Lilian van der Goot's notes from the International Association of Women in Radio and Television meeting, November 1–4, 1952. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 2. Lilian van der Goot's notes from the International Association of Women in Radio and More
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Excerpt from the schedule of the 1957 <b>International</b> <b>Association</b> of <b>Women</b> in...
Published: 01 July 2019
FIGURE 3. Excerpt from the schedule of the 1957 International Association of Women in Radio and Television meeting held at UNESCO House, Paris. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 3. Excerpt from the schedule of the 1957 International Association of Women in More
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Details of the November 1952 Amsterdam <b>International</b> <b>Association</b> of <b>Women</b> i...
Published: 01 July 2019
FIGURE 6. Details of the November 1952 Amsterdam International Association of Women in Radio and Television meeting show a collision of sociability, internationalism, and professional activity. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 6. Details of the November 1952 More
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“What do we want to do?” Lilian van der Goot's draft summary of discussions...
Published: 01 July 2019
FIGURE 1. “What do we want to do?” Lilian van der Goot's draft summary of discussions regarding the purpose of the International Association of Women in Radio and Television, February 1951. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 1. “What do we want to do?” Lilian More
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Lilian van der Goot's letter to Betty Barzin, March 25, 1953, planning the ...
Published: 01 July 2019
FIGURE 4. Lilian van der Goot's letter to Betty Barzin, March 25, 1953, planning the 1953 Paris meeting of the International Association of Women in Radio and Television. Archief Wilhelmina Posthumus-van der Goot, Atria, Amsterdam. FIGURE 4. Lilian van der Goot's letter to Betty Barzin, March More
Journal Articles
Feminist Media Histories (2020) 6 (2): 1–15.
Published: 01 April 2020
... Spring , published in 1962, is often heralded as the beginning of the popular environmental movement. A wave of new environmental productions appeared in the 1960s and 1970s across all media, including radio, television, film, photography, and the arts. In my essay, “Barbara Hammer's Jane Brakhage...
Journal Articles
Feminist Media Histories (2020) 6 (1): 1–11.
Published: 01 January 2020
... talks about her experience making game pilots to sell to film and television producers and the importance of community for game development. These interviews with women working at different moments demonstrate the need for documentary efforts that capture the diversity of experiences that shape the game...
Journal Articles
Feminist Media Histories (2019) 5 (3): 1–8.
Published: 01 July 2019
... another Australian broadcaster, Catherine King, a key member of the International Association of Women in Radio and Television (IAWRT), the focus of the article by Alexander Badenoch and Kristin Skoog in this issue. Badenoch and Skoog also point to the IAWRT's connection with Elizabeth Long of the...
Journal Articles
Feminist Media Histories (2019) 5 (3): 168–194.
Published: 01 July 2019
... in radio as a forum for discussing international issues and politics paralleled her involvement with the International Association of Radio Women (IARW), which she helped pioneer in 1950. 37 A visit to the IARW's second meeting in Amsterdam featured on her program in 1952, and a script that King...
Journal Articles
Feminist Media Histories (2019) 5 (3): 36–59.
Published: 01 July 2019
... television during its early decades is lacking, but existing sources suggest that it remained relatively insulated from both Western and Soviet influences. Chinese television did initially join the International Radio and Television Organization—a global network of broadcasters from socialist states that...
Journal Articles
Feminist Media Histories (2019) 5 (3): 85–113.
Published: 01 July 2019
.... Greenwood had run weekly talks on “Women in the International News” for the past four years, and the fan mail she received alerted her to a deep hunger for US content. She was conscious that US books and periodicals were difficult to obtain, making radio a crucial source of information. Since the outbreak...
Journal Articles
Feminist Media Histories (2019) 5 (3): 140–167.
Published: 01 July 2019
... program Radio Newsreel , and Broadhead as a talks producer in the North American Service. Howlett's BBC career in news and current affairs is particularly striking given that in Australia, women in radio rarely got the opportunity to step outside women's and children's programs. Ken Inglis notes that...
Journal Articles
Feminist Media Histories (2019) 5 (3): 114–139.
Published: 01 July 2019
... , schools broadcasts, and household talks were largely produced by female staff, and indeed Quigley would ultimately become a doyenne of women's programs. But the BBC was also a place where women could excel in areas usually associated with men, such as Mary Adams's science programs, Olive Shapley's radio...
Journal Articles
Feminist Media Histories (2019) 5 (2): 49–82.
Published: 01 April 2019
.... Moreover, as a cultural figure, the madakarani encompasses a much wider ensemble of imaginative strands associated with women and sexuality, drawn from fields as diverse as the vernacular erotic literature featuring sexually graphic illustrations ( kambikathakal ), vernacular pulp fiction ( painkili...
Journal Articles
Feminist Media Histories (2019) 5 (2): 181–210.
Published: 01 April 2019
... dimensions. The broadcast of Jerker on radio station KPFK-FM, however, spurred a legal redefinition of indecency in 1987 and further imperiled safe-sex advocacy that refused to skirt eroticism. In an era when “Silence = Death,” Chesley's Jerker revealed the complexities of the mediated voice as a tool for...
Journal Articles
Feminist Media Histories (2019) 5 (2): 111–147.
Published: 01 April 2019
... representations of sex, gender, and style, often articulated through images of women and men shown together. The cover image of the July 1972 issue stands as an excellent example of its approach. Gay hardcore star Cal Culver (soon to rename himself Casey Donovan) is shown walking arm in arm with model Laine...
Journal Articles
Feminist Media Histories (2019) 5 (1): 39–62.
Published: 01 January 2019
... ecology that included cinema but also print, television, and—very soon—video. This “readiness” had been about a decade and half in the making, and anchored in the intermedial careers of several women media makers working print, theater, radio, state-sponsored documentary film, and television production...
Journal Articles
Feminist Media Histories (2019) 5 (1): 1–10.
Published: 01 January 2019
..., she insists on “meddling,” thus achieving an intermedial career spanning radio, theater, television, state-sponsored documentary film, and mainstream Hindi cinema. She also believes that her gender identity, though not her exclusive concern, enables “a perspectival freedom” to “reorient existing...
Journal Articles
Feminist Media Histories (2019) 5 (1): 95–112.
Published: 01 January 2019
...–Cultural Revolution Chinese cinema on the international map, Guang's career (along with those of other women directors) compels us to reexamine Chinese film historiography and excavate a more complex constellation, especially with regard to women's authorship in intersection with race/ethnicity and the...