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historical-audiences

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Journal Articles
Feminist Media Histories. 2017; 3382–106 doi: https://doi.org/10.1525/fmh.2017.3.3.82
Published: 01 July 2017
... twentieth century in the United States. One important convergence of all these historical developments was the Social Survey Movement, which, through its efforts to measure the need for reform, popularized the construction of the modern media audience out of atomized, measurable categorizations of people...
Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
... Les deux gamines (1921). Both a critique of intellectual cinephilia as a cultural discourse and a geographically specific retrieval of the multiple ways in which socioeconomically and culturally marginalized audiences interacted with the cinema, this historical study repositions young women from...
Journal Articles
Feminist Media Histories. 2017; 31140–155 doi: https://doi.org/10.1525/fmh.2017.3.1.140
Published: 01 January 2017
... spectrum of social issues, including war, poverty, domestic abuse, and class mobility. In her most recent film, Tales (2014), she seamlessly intersects seven different stories. In these narratives, Banietemad's most memorable women characters once again take the stage, reminding audiences of the historical...
Journal Articles
Feminist Media Histories. 2015; 1264–89 doi: https://doi.org/10.1525/fmh.2015.1.2.064
Published: 01 April 2015
...Jilly Boyce Kay This article explores the six-part television debate series No Man's Land , which was broadcast on ITV in Britain in 1973. It argues that the program is a historically significant example of the public orientation of the women's liberation movement and its engagement with, rather...
Journal Articles
Feminist Media Histories. 2015; 145–30 doi: https://doi.org/10.1525/fmh.2015.1.4.5
Published: 01 October 2015
... humble tinkerer, as exemplified by Moog, along with other historically specific and archetypal forms of masculinity that are embodied by the male subjects at the center of electronic music's historical accounts. Critical readings of audio-technical discourse, and of the periodization of synthesizer...
Journal Articles
Feminist Media Histories. 2015; 1431–45 doi: https://doi.org/10.1525/fmh.2015.1.4.31
Published: 01 October 2015
... not necessarily tell us how these performances were actually heard by audiences at the time, a reminder that all historical analysis involves a degree of speculation. 37 Even without hearing it performed, this script suggests to us that Cascallar made the most of vocal performances and of the way...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
... through this crisis. Telling historical stories of feminist environmental representation, discourse, and resistance, we can potentially reach larger audiences today than ever before. The specificity of these historical stories can serve as an antidote to the overgeneralizations that circulate in climate...
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
... regionalism and conservationism to film across a span of forty-three years that saw major revolutions in Hollywood filmmaking. The Hollywood studio system, I argue, appropriated her successful brand of regionalism and her audience of women's club members, while also augmenting her problematically genteel mode...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
...,” Louisiana History: Journal of the Louisiana Historical Association 40, no. 2 (1999): 173. 45. Winnie Allen, letter to W. B. Sharp, December 30, 1952, Box 3N37, Mody Boatright Papers (1896–1970), Dolph Briscoe Center for American History, University of Texas at Austin, my emphasis. 46. William...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
...) won a number of awards at film festivals, including the Audience Award at the Africa World Diaspora Film Festival in 2009, but it is currently only available in DVD format, and there are only a few remaining copies (contact the filmmaker, vagabondmedia1@mac.com ). Attempts at digitizing it from the...
Journal Articles
Feminist Media Histories. 2020; 6137–65 doi: https://doi.org/10.1525/fmh.2020.6.1.37
Published: 01 January 2020
...Emma Vossen The cultural ubiquity of The Lord of the Rings has shaped our contemporary assumptions about what the fantasy genre looks like, and these assumptions have in turn determined to a great extent what video games look like both historically and today. The Lord of the Rings and video games...
Journal Articles
Feminist Media Histories. 2020; 6166–92 doi: https://doi.org/10.1525/fmh.2020.6.1.66
Published: 01 January 2020
... studies claims IF as part of the historical framework of games (while usually ignoring more modern iterations of IF, except in subfields centered on narrative subgenres or queer games). Montfort explains why he prefers not to use the more limited term: But this is a contemporary distinction, and...
Journal Articles
Feminist Media Histories. 2020; 6193–118 doi: https://doi.org/10.1525/fmh.2020.6.1.93
Published: 01 January 2020
... historical willingness to put in the work necessary to achieve our goals, scholarly and otherwise. Janelle Monáe, “Dirty Computer,” track 1 on Dirty Computer , Wondaland, 2018 https://youtu.be/oFK6k-pvXmI Janelle Monáe's concept of the dirty computer resonates with the work Black women content...
Journal Articles
Feminist Media Histories. 2020; 6112–36 doi: https://doi.org/10.1525/fmh.2020.6.1.12
Published: 01 January 2020
... the danger of exhaustion, the kind of exhaustion that eventually closes departments and feeds indifference. 37 Historically speaking this is a bit like the 1910s in film studies; there were attractions, practices and very little understanding of what was actually going on, not to mention lots...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
... color for a festival that was perceived to service a largely white, middle-class audience. The curatorial possibilities were overwhelming, so for the first festival I decided to take a historical approach and include some of my favorite work from the previous fifteen years, a period I considered the...
Journal Articles
Feminist Media Histories. 2019; 541–18 doi: https://doi.org/10.1525/fmh.2019.5.4.1
Published: 01 October 2019
..., thinking, and doing might move us out of these painful historical reveries.” —A ngela J. A guayo , D ocumentary R esistance , 2019 2 alexandra juhasz : In October 2017 I received an email from Shelley Stamp inviting me to edit a special issue of Feminist Media Histories devoted to activism...
Journal Articles
Feminist Media Histories. 2019; 5385–113 doi: https://doi.org/10.1525/fmh.2019.5.3.85
Published: 01 July 2019
... country. These programs ranged from one-off talks to weekly or fortnightly programs, and included travelogue, social and political commentary, and even a pen-pal club. The common ambition was to foster transpacific understanding and friendship. Audiences proved enthusiastic, and some programs continued...
Journal Articles
Feminist Media Histories. 2019; 5360–84 doi: https://doi.org/10.1525/fmh.2019.5.3.60
Published: 01 July 2019
... bringing women's voices and attention to female audiences to the center of our analysis, we arrive at a fuller appreciation of the gendered dimensions of US–Latin American relations during the era of the so-called Good Neighbor. 4 We can also more fully discern the leveraging of a particular brand of...
Journal Articles
Feminist Media Histories. 2019; 53168–194 doi: https://doi.org/10.1525/fmh.2019.5.3.168
Published: 01 July 2019
... imagination I map here used international frames to garner female audiences and speak to their concerns about world events. These individual broadcasters used their own self-understandings as modern “world” citizens, and experiences within feminist organizations, to transcend national interests in complex and...
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
... they highlight the relation between gender and transnational broadcasting, they also seek to understand how class, race, and nationality intersect with gender in broadcasting history. Historical studies from an international, global, transnational, or comparative angle have become increasingly...