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Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
...Marisa Hicks-Alcaraz; Eve Oishi This article is a cross-generational exchange of ideas and experiences that explores the intersections of film curating and activism. Its authors set forth accounts of their own experiences as scholars who have worked as film festival curators “on the side” from the...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... zhi qian shi jin sheng , 1989) and Temptation of a Monk (1993), Law embraced transnational cinema through invitations and awards from major international film festivals, as well as participating in Erotique (1994), a compilation film with multinational contributors. Her work insistently interrogates...
Journal Articles
Feminist Media Histories. 2016; 2187–92 doi: https://doi.org/10.1525/fmh.2016.2.1.87
Published: 01 January 2016
... upon the programming of silent film at festivals. It also suggests that there is a growing public that is attracted to festivals such as Il Cinema Ritrovato precisely because these festivals give us access to a vision of film history and feminism that we cannot find in traditional history books...
Images
Published: 01 October 2019
FIGURE 2. Program notes for “Close Encounters: Exiles, Aliens, and Tourists,” Eve Oishi's first film festival program, 1995. FIGURE 2. Program notes for “Close Encounters: Exiles, Aliens, and Tourists,” Eve Oishi's first film festival program, 1995.
Images
Published: 01 October 2019
FIGURE 3. Still from Thick Lips Thin Lips (dir. Paul Lee), 1994, used for the press release for the first Fusion: Los Angeles LGBT People of Color Film Festival. FIGURE 3. Still from Thick Lips Thin Lips (dir. Paul Lee), 1994, used for the press release for the first Fusion: Los Angeles LGBT
Images
Published: 01 April 2015
FIGURE 2 Washington, DC, Festival of the National Women's Film Circuit schedule, Sophia Smith Collection, Smith College. FIGURE 2. Washington, DC, Festival of the National Women's Film Circuit schedule, Sophia Smith Collection, Smith College.
Images
Published: 01 April 2015
FIGURE 1 Washington, DC, Festival of the National Women's Film Circuit flier, Sophia Smith Collection, Smith College. FIGURE 1. Washington, DC, Festival of the National Women's Film Circuit flier, Sophia Smith Collection, Smith College.
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... Jamaica at the University of the West Indies, Mona, on November 9, 2019, and plans are being made to screen it at universities and community centers. The film won a merit award at the 2019 Awareness Film Festival but has otherwise been rejected by all film festivals entered. Jamaica for Sale (2008/9...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
... where I belong.” Les Blank's documentary film Hot Pepper (1973) features Chenier playing the song to a small but crowded dance hall, followed by a cinematic montage of the reedy, swampy bayou where he has returned. In the film, Chenier is jovial and smiling, proudly touring through his hometown. In a...
Journal Articles
Feminist Media Histories. 2020; 61163–197 doi: https://doi.org/10.1525/fmh.2020.6.1.163
Published: 01 January 2020
... television series Samurai Jack (2001), Dexter's Laboratory (2003), and Star Wars: Clone Wars (2003). 38. The major is titled Animation and Multimedia Film Management; see www.ucine.edu.ar . 39. Rami Ismail is a Dutch independent video game developer and activist for diversity in the game...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
... International Film Festival in October 2013. Her work is represented by the gallery Koch Oberhuber Woolfe in Berlin, Germany where her first solo exhibition ran from February 11-April 17, 2011 and her third exhibition of collages and drawings in fall 2014. Generations , 2010 (made with Gina Carducci...
Journal Articles
Feminist Media Histories. 2019; 5476–86 doi: https://doi.org/10.1525/fmh.2019.5.4.76
Published: 01 October 2019
.... Stories that are small and others that are huge. QWOCMAP has made it possible for hundreds of films to be made, and then they have their own film festival, and so the whole community gets to view those films. For instance they've been doing trainings with organizations that respond to sexual violence...
Journal Articles
Feminist Media Histories. 2019; 541–18 doi: https://doi.org/10.1525/fmh.2019.5.4.1
Published: 01 October 2019
... of public funds and infrastructure and raging cultural wars resulted in the collapse of dozens of media centers, organizations, and arts funding for underrepresented communities. “The New York Film Festival is happening and there is only one film by a woman,” filmmaker Su Friedrich announced to a...
Images
Published: 01 January 2017
FIGURE 6. Rakhshan Banietemad posing with her award for Best Screenplay for Tales ( Ghesse-ha ) at the 2014 Venice Film Festival. FIGURE 6. Rakhshan Banietemad posing with her award for Best Screenplay for Tales (Ghesse-ha) at the 2014 Venice Film Festival.
Journal Articles
Feminist Media Histories. 2019; 5336–59 doi: https://doi.org/10.1525/fmh.2019.5.3.36
Published: 01 July 2019
Journal Articles
Feminist Media Histories. 2019; 52148–180 doi: https://doi.org/10.1525/fmh.2019.5.2.148
Published: 01 April 2019
... film, de Saint Phalle protested both Martin's involvement and the speed at which Whitehead had started talking about producing Daddy : Exhibited at film festivals and in galleries, most recently the Guggenheim in New York as part of a 2015 retrospective of de Saint Phalle's work, Daddy...
Journal Articles
Feminist Media Histories. 2019; 5283–110 doi: https://doi.org/10.1525/fmh.2019.5.2.83
Published: 01 April 2019
... forms of life comes to explain her desire to continue making films until she dies. It also contextualizes her desire to keep making films about sex between ever older people, a reference to one of her non-pink productions, Yurisai ( Lily Festival , 2001), a story about septuagenarian sex and desire...
Journal Articles
Feminist Media Histories. 2019; 521–18 doi: https://doi.org/10.1525/fmh.2019.5.2.1
Published: 01 April 2019
... featured at the New York Underground Film Festival in 1998, and she appeared on Late Night with Conan O'Brien in 2002. She produced her three final films in the 2000s, well into her late eighties, before her death from lymphoma in 2002 at age ninety (Wishman long lied about her age, shaving off a decade...
Journal Articles
Feminist Media Histories. 2019; 5219–48 doi: https://doi.org/10.1525/fmh.2019.5.2.19
Published: 01 April 2019
...” at the 1972 New York Erotic Film Festival. 29 Indeed, Metzger considered the scene important, and later recalled that it “just took forever” to get the sound of the spray hitting the bowl. 30 Considered in the context of the urination scenes in his quasi-hardcore BDSM film The Image (1975...
Journal Articles
Feminist Media Histories. 2019; 52111–147 doi: https://doi.org/10.1525/fmh.2019.5.2.111
Published: 01 April 2019
...Ryan Powell During the early to mid-1970s, when feature-length hardcore films became a popular cultural phenomenon in the United States, hardcore came to designate more than just a genre or an industry—it became a ubiquitous mode of performance, an ethos, and a style. This article explores how...