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Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... Brakhage's films are silent, though Jane's voice can be heard briefly in one of his few sound films, The Stars Are Beautiful (1974); as one might expect, the main voice we hear in that film is Stan's. 40. See for example Stacy Alaimo and Susan Hekman, eds., Material Feminisms (Bloomington: Indiana...
Journal Articles
Feminist Media Histories. 2019; 5139–62 doi: https://doi.org/10.1525/fmh.2019.5.1.39
Published: 01 January 2019
...Sangita Gopal This article explores and historicizes the rise of the woman filmmaker in India in the late 1970s and the 1980s in two overlapping domains: a vastly expanded communications infrastructure, including the spread of television, and second wave feminism. It takes as a case study the media...
Journal Articles
Feminist Media Histories. 2018; 42152–156 doi: https://doi.org/10.1525/fmh.2018.4.2.152
Published: 01 April 2018
...Sarah Banet-Weiser NOTES 1. Sarah Banet-Weiser, Kids Rule! Nickelodeon and Consumer Citizenship (Durham, NC: Duke University Press, 2007). 2. Historically, feminism in the United States has often been reductively referred to in terms of “waves,” assuming that as one “wave” comes in...
Journal Articles
Feminist Media Histories. 2017; 3469–101 doi: https://doi.org/10.1525/fmh.2017.3.4.69
Published: 01 October 2017
... Owen's relationships to work, social status, money and capital, class, race, patriarchy, feminism, and motherhood are more revealing when considered in light of a broader set of gender, class, and race tensions specific to South Florida. This is especially the case given the “community” focus of her...
Images
Published: 01 January 2017
FIGURE 3. Feminism Everyday encourages self-empowerment and loving communities. FIGURE 3. Feminism Everyday encourages self-empowerment and loving communities.
Images
Published: 01 January 2017
FIGURE 4. Shirley Chisholm quoted, in Persian, on Feminism Everyday: “The emotional, sexual, and psychological stereotyping of females begins when the doctor says, ‘It's a girl.’” FIGURE 4. Shirley Chisholm quoted, in Persian, on Feminism Everyday: “The emotional, sexual, and psychological
Journal Articles
Feminist Media Histories. 2017; 32121–140 doi: https://doi.org/10.1525/fmh.2017.3.2.121
Published: 01 April 2017
...Jason Middleton Postfeminist ideology “takes feminism into account” by framing liberal feminist principles as already achieved, thus preempting a more radical feminist politics that it constructs as both unpleasant and irrelevant. In a corresponding mode, postfeminist cultural objects derive their...
Journal Articles
Feminist Media Histories. 2017; 3150–80 doi: https://doi.org/10.1525/fmh.2017.3.1.50
Published: 01 January 2017
...FIGURE 3. Feminism Everyday encourages self-empowerment and loving communities. FIGURE 3. Feminism Everyday encourages self-empowerment and loving communities. ...
Journal Articles
Feminist Media Histories. 2016; 2484–115 doi: https://doi.org/10.1525/fmh.2016.2.4.84
Published: 01 October 2016
...Lois Banner “‘The Mystery Woman of Hollywood’: Greta Garbo, Feminism, and Stardom” analyzes feminism as manifested in Greta Garbo's life and career. It focuses on her European background; the media discourse on her; feminism in her films and in the United States in the 1920s; and Garbo's rebellion...
Journal Articles
Feminist Media Histories. 2016; 226–31 doi: https://doi.org/10.1525/fmh.2016.2.2.6
Published: 01 April 2016
...Jane M. Gaines “On Not Narrating the History of Feminism and Film” poses two questions: What happened to women in the early silent film industries, and why don't we know about them? While the author and others have addressed the first question elsewhere at recent international conferences and in...
Journal Articles
Feminist Media Histories. 2015; 1366–94 doi: https://doi.org/10.1525/fmh.2015.1.3.66
Published: 01 July 2015
..., “VALIE EXPORT,” n.p. 34. Many thanks to Caetlin Benson-Allott for her insights on this point. 35. Austrian artist Friederike Pezold produced a series of photographs and videos in the late 1960s and early 1970s that also contribute to broader discourses on feminism, corporeality, and new...
Journal Articles
Feminist Media Histories. 2015; 1264–89 doi: https://doi.org/10.1525/fmh.2015.1.2.064
Published: 01 April 2015
... reviews in print media, it considers the problems and possibilities of and constraints on early second-wave feminists who appropriated and operated within mass-media—and specifically televised—forms. It also points to the importance of socialist feminism as a discursive context for British television in...
Journal Articles
Feminist Media Histories. 2018; 43205–226 doi: https://doi.org/10.1525/fmh.2018.4.3.205
Published: 01 July 2018
... Social Concerns , ed. Chris York and Rafiel York (Jefferson, NC: McFarland, 2012), 105. 8. See for example Allyson Shiffman, “An Appreciation of the Unexpected Feminism of Riverdale ,” W Magazine , March 23, 2017, accessed June 19, 2017, https://www.wmagazine.com/story/riverdale-cw-archie...
Journal Articles
Feminist Media Histories. 2020; 6193–118 doi: https://doi.org/10.1525/fmh.2020.6.1.93
Published: 01 January 2020
... Black women performers as a critical and cultural frame for understanding some of the work Black women have done with video games. In prioritizing the personal as not only political but also instructive for how we might think about digital media histories and feminism, each mixtape track focuses on...
Journal Articles
Feminist Media Histories. 2016; 2129–44 doi: https://doi.org/10.1525/fmh.2016.2.1.29
Published: 01 January 2016
... feminization of filmmaking and film archival practices, which have been made visible through digital methodologies. FIGURE 1. The SP-ARK archival interface. (© Adventure Pictures Ltd.) FIGURE 1. The SP-ARK archival interface. (© Adventure Pictures Ltd.) FIGURE 2. Visual design of the DFAP...
Journal Articles
Feminist Media Histories. 2015; 1290–124 doi: https://doi.org/10.1525/fmh.2015.1.2.090
Published: 01 April 2015
... emergence of cultural feminism and to rethink the economic and affective labor of lesbian feminist organizations and lesbian feminist cinema in particular. Often thought to have redirected second-wave efforts away from radical feminism's earlier revolutionary challenges of systemic sexism and toward the...
Images
Published: 01 July 2016
A feminist meeting in the 1970s; from We Want Roses Too (2007). A feminist meeting in the 1970s; from We Want Roses Too (2007).
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... discusses her upbringing, her work in television in Hawaii, and the roles that feminism and race have played in her life and work. FIGURE 2. Promotional poster for Jamaica for Sale (dir. Esther Figueroa), 2008. Courtesy the filmmaker. FIGURE 3. Cockpit Country, Jamaica. Photo: Ted Lee...
Journal Articles
Feminist Media Histories. 2017; 3257–77 doi: https://doi.org/10.1525/fmh.2017.3.2.57
Published: 01 April 2017
... Mizejewski, Kathleen Rowe Karlyn). Ultimately it argues that, rather than constituting a “ghost of women's comedy past,” Fields's persona in feminized TV spaces such as the daytime talk show has more in common with the work of contemporary female comedians than has been previously acknowledged...
Journal Articles
Feminist Media Histories. 2019; 5419–20 doi: https://doi.org/10.1525/fmh.2019.5.4.19
Published: 01 October 2019
...=reprints . 2019 archival research digital archives feminism media history VHS FIGURE 1. “Women of Vision” research meeting in Analog Archive tool https://womxn-of-vision.netlify.com/item/research-meeting-1994/ . FIGURE 1. “Women of Vision” research meeting in Analog Archive tool https...