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female-filmmakers

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Journal Articles
Feminist Media Histories. 2019; 52148–180 doi: https://doi.org/10.1525/fmh.2019.5.2.148
Published: 01 April 2019
...Alissa Clarke The underground film Daddy (1973), a collaboration by French artist Niki de Saint Phalle and British countercultural filmmaker Peter Whitehead, is a sexually explicit surrealist pop-art Freudian rape revenge fantasy. It stems from de Saint Phalle's autobiographical narrative of...
Journal Articles
Feminist Media Histories. 2016; 23102–118 doi: https://doi.org/10.1525/fmh.2016.2.3.102
Published: 01 July 2016
...Paolo Simoni A concentric intertwining of female perspectives is the subject of this essay, which describes the discovery, preservation, and reuse of the amateur film and video collection belonging to the Togni circus family. The article chronicles a decadelong adventure that led from the discovery...
Journal Articles
Feminist Media Histories. 2015; 12125–134 doi: https://doi.org/10.1525/fmh.2015.1.2.125
Published: 01 April 2015
... imposed on women of her era. The bulk of her films cover childhood education and nursing, two traditionally female spheres. Even her decision to discard her given first name, Margaret, in favor of her gender-neutral middle name, Lee, hints at a professional concession to the male-dominated filmmaking...
Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... could be the female Stan Brakhage. … Attention would be drawn to my work if I made enough work. And that was part of the impetus of being a woman filmmaker in a class of film production with all men, in a world where you were turned down by the Museum of Modern Art and other exhibition places because of...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
... filmmaker, a woman filmmaker? EF: No. I think of myself as a feminist filmmaker. The films I make, I make as a woman. I always have a feminist analysis. I always try, depending. I mean, the majority of fishers are male. I can't invent female fishers; they don't exist. But I always have a feminist...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
... University Press, 2012); Kathryn Yusoff, A Billion Black Anthropocenes or None (Minneapolis: University of Minnesota Press, 2019). 29. See Karen Ward Mahar, Women Filmmakers in Early Hollywood (Baltimore: Johns Hopkins University Press), esp. chapter 6, “A ‘Her-Own-Company’ Epidemic: Stars as...
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
... regionalism and conservationism to film across a span of forty-three years that saw major revolutions in Hollywood filmmaking. The Hollywood studio system, I argue, appropriated her successful brand of regionalism and her audience of women's club members, while also augmenting her problematically genteel mode...
Journal Articles
Feminist Media Histories. 2020; 6243–66 doi: https://doi.org/10.1525/fmh.2020.6.2.43
Published: 01 April 2020
.... The Korean title Chiokhwa can be interpreted as either Hellflower or Flower in Hell. I have seen both titles used, and the latter more often. I stick with Hellflower because I believe it is an apt descriptor of Sonya's femme fatale character. In the mid-1950s and late 1960s Korean filmmakers...
Journal Articles
Feminist Media Histories. 2020; 61147–162 doi: https://doi.org/10.1525/fmh.2020.6.1.147
Published: 01 January 2020
... “The Presence of French Female Game Designers in Video Game Industry, 1985–1993,” Jankowski excavates the work of three French female game designers: Chine Lanzmann (niece of the famed documentary filmmaker Claude Lanzmann), Clotilde Marion, and Muriel Tramis. 3 This essay serves to frame my...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
... knowledge of past female filmmakers and artists has been learned and disseminated, more attention to feminist media has been enjoyed, and some real volume of feminist response has circulated. The project of feminist media history is not over, of course, but rather always ours to do and share, as did they...
Journal Articles
Feminist Media Histories. 2019; 541–18 doi: https://doi.org/10.1525/fmh.2019.5.4.1
Published: 01 October 2019
...: dedicated to creating and documenting connections and legacies between Black lesbian and female filmmakers. Much aligned and also in the family, community-based activist video maker Juanita Mohammed chose to make a creative poetry video piece with her granddaughter, Pharaoh “Pharah” Diaz. Meanwhile, Cheryl...
Journal Articles
Feminist Media Histories. 2019; 5421–55 doi: https://doi.org/10.1525/fmh.2019.5.4.21
Published: 01 October 2019
... not limited to the filmmakers, festival organizers and staff, and audiences. Their experiences shed light on the ways that identity-based film festivals have evolved through engagement with economic and political forces of globalization and neoliberalism even as they function as important, fluid sites...
Journal Articles
Feminist Media Histories. 2019; 521–18 doi: https://doi.org/10.1525/fmh.2019.5.2.1
Published: 01 April 2019
... bricolage, found footage, performance, and portraiture, often of women in states of abandon, refusal, and jouissance . With her is M. M. Serra, experimental filmmaker, curator, teacher, director of the Film-Makers' Cooperative, and advocate of and pedagogue on the cinematic possibilities of female...
Journal Articles
Feminist Media Histories. 2019; 52211–239 doi: https://doi.org/10.1525/fmh.2019.5.2.211
Published: 01 April 2019
...Benjamin Ogrodnik Sharon Green's short film Self Portrait of a Nude Model Turned Cinematographer (1971) represents a collision of incipient cinefeminism and autobiographical filmmaking. Containing a blend of still photographs and subjective moving-image shots of her body, the work has largely been...
Journal Articles
Feminist Media Histories. 2019; 5249–82 doi: https://doi.org/10.1525/fmh.2019.5.2.49
Published: 01 April 2019
... but with certain differences. For instance, the female breast is often (but not always) reduced to the image of cleavage that denotes (often unattainable) sexual desire. Dealing with soft porn in the Indian context, then, leads to certain unique problems shared by both the researcher and the filmmaker...
Journal Articles
Feminist Media Histories. 2019; 5283–110 doi: https://doi.org/10.1525/fmh.2019.5.2.83
Published: 01 April 2019
... Their Mark in Patriarchal Industry,” Hollywood Reporter , April 1, 2014, accessed May 21, 2018, https://www.hollywoodreporter.com/news/japans-female-directors-making-mark-692070 . 5. See Yuriko Furuhata, Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics...
Journal Articles
Feminist Media Histories. 2019; 52111–147 doi: https://doi.org/10.1525/fmh.2019.5.2.111
Published: 01 April 2019
... hardcore as a style was taken up by the popular gay-marketed entertainment magazine After Dark . Through a close descriptive analysis of three photo spreads from 1975–76, it illuminates how female, gay male, and otherwise non-straight-identifying performers participated in a hardcore stylistic that...
Journal Articles
Feminist Media Histories. 2019; 5219–48 doi: https://doi.org/10.1525/fmh.2019.5.2.19
Published: 01 April 2019
... seen in theaters. Gone from both straight and gay films were many transgressive sex acts that had frequently been staples of the genre, affecting the perceived oeuvre of nearly every hardcore filmmaker of the era. This article recovers the lost history of sexual media editing, arguing for a more...
Journal Articles
Feminist Media Histories. 2019; 5111–38 doi: https://doi.org/10.1525/fmh.2019.5.1.11
Published: 01 January 2019
...Jasmine Nadua Trice This essay analyzes three experimental short films made by Southeast Asian women filmmakers: Jai ( Love , 2008), directed by Anocha Suwichakornpong of Thailand; Shotgun Tuding (2014), directed by Shireen Seno of the Philippines; and Eleven Men (2016), directed by Nguyễn Trinh...
Journal Articles
Feminist Media Histories. 2019; 511–10 doi: https://doi.org/10.1525/fmh.2019.5.1.1
Published: 01 January 2019
... “woman question.” We begin with Jasmine Nadua Trice's “Gendering National Histories and Regional Imaginaries: Three Southeast Asian Women Filmmakers,” which stems from a program of Southeast Asian women filmmakers' short films that Trice curated in 2017 in conjunction with the Los Angeles Asian...