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compilation-film

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Journal Articles
Feminist Media Histories. 2016; 2329–53 doi: https://doi.org/10.1525/fmh.2016.2.3.29
Published: 01 July 2016
... France, in which women have played a major role. In an attempt to delineate a specifically female genealogy in the history of French compilation film, Myriam's work is studied alongside that of Nicole Vedrès, and situated in the cultural context of a net of relationships that includes other women, for...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... zhi qian shi jin sheng , 1989) and Temptation of a Monk (1993), Law embraced transnational cinema through invitations and awards from major international film festivals, as well as participating in Erotique (1994), a compilation film with multinational contributors. Her work insistently interrogates...
Journal Articles
Feminist Media Histories. 2016; 2311–28 doi: https://doi.org/10.1525/fmh.2016.2.3.11
Published: 01 July 2016
...Anastasia Kostina; Liubov Dyshlyuk An unsurpassed master of compilation cinema, Esfir Shub is a major figure in the history of Soviet film. Shub's concept of film editing emerges clearly in the four articles that are presented here for the first time in English. They are selected from Zhizn' moya...
Journal Articles
Feminist Media Histories. 2016; 23119–141 doi: https://doi.org/10.1525/fmh.2016.2.3.119
Published: 01 July 2016
... invited to reflect on their work with archival material in films like For One More Hour with You (2002) and We Want Roses Too (2007), by a group of scholars with interests in compilation films, cultural memory, and women's cinema: Monica Dall'Asta, Barbara Grespi, Sandra Lischi, and Veronica Pravadelli...
Images
Published: 01 January 2016
FIGURE 4. The entire film production process is compiled in this visualization. Each segment represents a day's worth of activity in the production cycle. Each color represents one of the departments that compose the production crew. Visualization by Bullet Creative. ( http://bulletcreative.com
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
.... Esther Figueroa), 2019. Photo: Chaz Mottinger, courtesy Indiana University Communications. EF: I wanted to tell a story in a different aesthetic way. In this case it's more than an hour of archival film compiled from fifty or sixty archives. It's mind-boggling. TF: Wow. How did you approach...
Journal Articles
Feminist Media Histories. 2020; 621–15 doi: https://doi.org/10.1525/fmh.2020.6.2.1
Published: 01 April 2020
... books were made into more films than almost any other female author. Her most famous novel, Freckles (1904), was first made into a film in 1917, starring Louise Huff and Jack Pickford and directed by Marshall Neilan. This film is now unfortunately lost, although several other adaptations were later...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
...Alexandra Juhasz This article is an homage to two powerful women who were lost to us in 2019, as this journal issue was under way. Feminist film pioneers and superstars Barbara Hammer and Carolee Schneemann were both interviewed by Alexandra Juhasz for her Women of Vision project in the late 1990s...
Journal Articles
Feminist Media Histories. 2019; 5249–82 doi: https://doi.org/10.1525/fmh.2019.5.2.49
Published: 01 April 2019
... films, curated a trailer for Kinnarathumbikal compiling highlights to evoke the original experience of watching it on-screen. 47 The idea of loss implied in the phrase “The Lost Entertainment” speculates on how trailer culture may have worked if the digital platforms were available for older films...
Journal Articles
Feminist Media Histories. 2019; 5195–112 doi: https://doi.org/10.1525/fmh.2019.5.1.95
Published: 01 January 2019
... one's gender identity will limit one's artistic imagination. The interview was conducted by Zhou Xia, associate researcher at China Film Art Research Center, in 2009 and 2014 in Beijing. It was originally published in Her Light and Shadow ( Ta de guangying , 2018), a two-volume compilation of oral...
Journal Articles
Feminist Media Histories. 2018; 4433–56 doi: https://doi.org/10.1525/fmh.2018.4.4.33
Published: 01 October 2018
...Melanie Bell Women's marginalization in the British feature film industry is well documented: gender discrimination, and sometimes overt segregation, shut most women out of senior creative roles after the introduction of sound. What has received less critical attention is their participation in...
Journal Articles
Feminist Media Histories. 2018; 44130–159 doi: https://doi.org/10.1525/fmh.2018.4.4.130
Published: 01 October 2018
...Frances C. Galt Patterns of Discrimination against Women in the Film and Television Industries , a report issued in 1975 by the Association of Cinematograph, Television and Allied Technicians (ACTT), was a seminal document on gender discrimination in the workplace. Upon its publication, it was...
Journal Articles
Feminist Media Histories. 2018; 44109–129 doi: https://doi.org/10.1525/fmh.2018.4.4.109
Published: 01 October 2018
... most recent studies of television from these centers include Martha M. Lauzen, “Boxed in 2016–17: Women on Screen and Behind the Scenes in Television,” Center for the Study of Women in Television and Film, San Diego State University, September 2017, https://womenintvfilm.sdsu.edu/wp-content/uploads...
Journal Articles
Feminist Media Histories. 2018; 44160–184 doi: https://doi.org/10.1525/fmh.2018.4.4.160
Published: 01 October 2018
... Jones, Gender Discrimination and the Sydney Morning Herald , 1965–1985,” Media International Australia 161, no. 1 (2016): 38–47; Felicity Collins, “Film,” in Australian Feminism: A Companion , ed. Barbara Caine (Melbourne: Oxford University Press, 1998), 107–15; Mary Tomsic, Beyond the Silver...
Journal Articles
Feminist Media Histories. 2018; 448–32 doi: https://doi.org/10.1525/fmh.2018.4.4.8
Published: 01 October 2018
... by yourself [from] your own mistakes. em: Yes, to start with at Alexandra Palace we did everything. We did vision mixing, we did gramophone operation. There was no tape in these days; there was a central technical switchboard and [we] even sometimes did telecine film projection, and we went on...
Journal Articles
Feminist Media Histories. 2018; 43244–273 doi: https://doi.org/10.1525/fmh.2018.4.3.244
Published: 01 July 2018
...-Cinema” was crucial to feminist film theory's development, yet the essay's canonization has reduced her thinking to a handful of theoretical concerns. To grasp the full political promise of Johnston's work, this article reconsiders the essay in three related contexts, examining: the historical...
Journal Articles
Feminist Media Histories. 2018; 4284–89 doi: https://doi.org/10.1525/fmh.2018.4.2.84
Published: 01 April 2018
... 1981, Susan Perez Prichard compiled the invaluable Film Costume: An Annotated Bibliography , covering the 1910s to 1980. 12 Studies that gave background to film costume, such as Sara Maitland's 1986 profile of music hall entertainer Vesta Tilley, who appeared in male dress, were important...
Journal Articles
Feminist Media Histories. 2018; 4277–83 doi: https://doi.org/10.1525/fmh.2018.4.2.77
Published: 01 April 2018
... feminist film studies at least since the 1970s. Feminist scholars have energetically compiled encyclopedias, edited volumes, digital databases, and imaginative historiographies to fill in the pervasive gaps in the general histories of cinema. Silent film has been a particularly productive terrain for the...
Journal Articles
Feminist Media Histories. 2018; 4111–36 doi: https://doi.org/10.1525/fmh.2018.4.1.11
Published: 01 January 2018
... (Austin: University of Texas Press, 1986). In this volume Burton makes a conscious effort to include women (Marta Rodríguez, Helena Solberg, and Marcela Fernández Violante) and non-directorial roles. The compilation has been interpreted by some (particularly younger generations of Latin American film...
Journal Articles
Feminist Media Histories. 2017; 34126–161 doi: https://doi.org/10.1525/fmh.2017.3.4.126
Published: 01 October 2017
... Michael Quinn, “Distribution, the Transient Audience, and the Transition to the Feature Film,” Cinema Journal 40 (Winter 2001): 35–56. 30. Percentages are based on my compilation, at times with reference to the AFI Catalog index for individual names. MP issues for June, July, and October 1916...