1-20 of 83 Search Results for

broadcasting

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Feminist Media Histories. 2018; 44160–184 doi: https://doi.org/10.1525/fmh.2018.4.4.160
Published: 01 October 2018
...Jeannine Baker This article discusses the Australian Women's Broadcasting Co-operative (AWBC), formed by women working at the Australian Broadcasting Commission in response to the United Nations' declaration that 1975 would be International Women's Year. It examines the AWBC's attempts to challenge...
Journal Articles
Feminist Media Histories. 2019; 531–8 doi: https://doi.org/10.1525/fmh.2019.5.3.1
Published: 01 July 2019
...Jeannine Baker; Kate Murphy; Kristin Skoog The special issue opens with a broader methodological reflection on gender and transnational broadcasting. In “Lessons from Lilian: Is Transnational (Media) History a Gendered Issue?,” Alexander Badenoch and Kristin Skoog reflect on their transnational...
Journal Articles
Feminist Media Histories. 2019; 53140–167 doi: https://doi.org/10.1525/fmh.2019.5.3.140
Published: 01 July 2019
...Jeannine Baker This article analyzes the connections between gender, labor, and mobility by tracing the transnational careers of two Australian women who began working at the British Broadcasting Corporation (BBC) in the 1930s and 1940s: Peggie Broadhead and Muriel Howlett. Both participated in the...
Journal Articles
Feminist Media Histories. 2019; 5385–113 doi: https://doi.org/10.1525/fmh.2019.5.3.85
Published: 01 July 2019
...Yves Rees This article examines how women's broadcasting promoted consciousness and appreciation of the United States during the 1930s and 1940s. These were decades in which Australians had limited access to US news and culture, and Hollywood dominated local imaginings of US society. In this...
Images
Published: 01 July 2019
FIGURE 2. Janet Quigley, October 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved. FIGURE 2. Janet Quigley, October 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved.
Images
Published: 01 July 2019
FIGURE 3. Isa Benzie, March 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved. FIGURE 3. Isa Benzie, March 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved.
Images
Published: 01 October 2018
FIGURE 1. Australian Women's Broadcasting Co-operative flyer, 1980. Private collection. FIGURE 1. Australian Women's Broadcasting Co-operative flyer, 1980. Private collection.
Images
Published: 01 October 2018
FIGURE 2. Australian Women's Broadcasting Co-operative staff in 1980. Left to right: Julie Rigg, program coordinator; Miranda Sherriff, production officer; Jo Upham, program officer. Courtesy ABC Archives. FIGURE 2. Australian Women's Broadcasting Co-operative staff in 1980. Left to right
Journal Articles
Feminist Media Histories. 2019; 539–35 doi: https://doi.org/10.1525/fmh.2019.5.3.9
Published: 01 July 2019
...Alexander Badenoch; Kristin Skoog Scholarship has long demonstrated how a focus on women's roles can reveal vital new elements of broadcasting history, adding critical perspectives on institutional, aesthetic, communicatory, and participatory media narratives. This article asks: What happens if we...
Journal Articles
Feminist Media Histories. 2019; 53168–194 doi: https://doi.org/10.1525/fmh.2019.5.3.168
Published: 01 July 2019
...Justine Lloyd This article outlines impulses toward internationalism in women's programming during the twentieth century at two public service broadcasters: the Canadian Broadcasting Corporation (CBC) in Canada and the Australian Broadcasting Commission (ABC) in Australia. These case studies show...
Journal Articles
Feminist Media Histories. 2019; 53114–139 doi: https://doi.org/10.1525/fmh.2019.5.3.114
Published: 01 July 2019
...FIGURE 2. Janet Quigley, October 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved. FIGURE 2. Janet Quigley, October 1936. Image © BBC, courtesy the British Broadcasting Corporation, by license, all rights reserved. ...
Journal Articles
Feminist Media Histories. 2018; 448–32 doi: https://doi.org/10.1525/fmh.2018.4.4.8
Published: 01 October 2018
...Emma Sandon The experiences of women engineers working in the BBC Television Service at Alexandra Palace, London, during the 1940s and 1950s, give insights into gender discrimination in broadcasting. These women first joined as radio engineers when the BBC was recruiting women during World War II...
Images
Published: 01 October 2015
FIGURE 2. Daily domestic science broadcasts, which were formative in home service programming, circa 1930. (Courtesy of General Mills Archives.) FIGURE 2. Daily domestic science broadcasts, which were formative in home service programming, circa 1930. (Courtesy of General Mills Archives.)
Journal Articles
Feminist Media Histories. 2019; 52181–210 doi: https://doi.org/10.1525/fmh.2019.5.2.181
Published: 01 April 2019
... dimensions. The broadcast of Jerker on radio station KPFK-FM, however, spurred a legal redefinition of indecency in 1987 and further imperiled safe-sex advocacy that refused to skirt eroticism. In an era when “Silence = Death,” Chesley's Jerker revealed the complexities of the mediated voice as a tool for...
Journal Articles
Feminist Media Histories. 2018; 44109–129 doi: https://doi.org/10.1525/fmh.2018.4.4.109
Published: 01 October 2018
...Miranda J. Banks This article examines the precarity of labor for women working in US broadcast television during the long 1970s, focusing on interventions by government agencies, trade unions, and individual writers and producers, with a particular focus on the Writers Guild of America (WGA) 1974...
Journal Articles
Feminist Media Histories. 2018; 4158–83 doi: https://doi.org/10.1525/fmh.2018.4.1.58
Published: 01 January 2018
... broadcasters and sponsors could negotiate economic pressures and cultural concerns about women's paid work in the young medium. By embracing domesticity, the program negotiated the division then developing between prime-time and daytime programming, modeled modern consumer behavior for a mass female audience...
Journal Articles
Feminist Media Histories. 2015; 1446–70 doi: https://doi.org/10.1525/fmh.2015.1.4.46
Published: 01 October 2015
...FIGURE 2. Daily domestic science broadcasts, which were formative in home service programming, circa 1930. (Courtesy of General Mills Archives.) FIGURE 2. Daily domestic science broadcasts, which were formative in home service programming, circa 1930. (Courtesy of General Mills Archives.) ...
Journal Articles
Feminist Media Histories. 2015; 14108–125 doi: https://doi.org/10.1525/fmh.2015.1.4.108
Published: 01 October 2015
... implicitly aimed to genderize discourses along lines that were elsewhere excluded from public debate. The author argues that the significance of Sabun Köpüğü as discursive-level feminist radio activism was mediated by a specific set of political conditions (e.g., gender politics, censorship, broadcasting...
Journal Articles
Feminist Media Histories. 2015; 1264–89 doi: https://doi.org/10.1525/fmh.2015.1.2.064
Published: 01 April 2015
...Jilly Boyce Kay This article explores the six-part television debate series No Man's Land , which was broadcast on ITV in Britain in 1973. It argues that the program is a historically significant example of the public orientation of the women's liberation movement and its engagement with, rather...
Images
Published: 01 July 2019
FIGURE 1. Muriel Howlett just before embarking on her journey on the Cordelia , June 1938. BBC copyright content, reproduced courtesy the British Broadcasting Corporation. All rights reserved. FIGURE 1. Muriel Howlett just before embarking on her journey on the Cordelia, June 1938. BBC