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Journal Articles
Feminist Media Histories. 2018; 4231–37 doi: https://doi.org/10.1525/fmh.2018.4.2.31
Published: 01 April 2018
...: Routledge, 1994). 7. Elizabeth Affuso, “Everyday Costume: Feminized Fandom, Retail, and Beauty Culture,” in The Routledge Companion to Media Fandom, ed. Melissa A. Click and Suzanne Scott (New York: Routledge, 2018), 184–92. 8. Hilary Radner, “‘This time's for me’: Making Up and Feminine Practice...
Images
Published: 01 January 2019
FIGURE 3. Guang Chunlan and the cast of Death of a Beauty ( Mei ren zhi si , dir. Guang Chunlan), 1985. FIGURE 3. Guang Chunlan and the cast of Death of a Beauty (Mei ren zhi si, dir. Guang Chunlan), 1985.
Images
Published: 01 April 2017
FIGURE 2. Beauty regime as bodily torture, from “Sex Prep,” Inside Amy Schumer , season 2, episode 10, June 3, 2014. FIGURE 2. Beauty regime as bodily torture, from “Sex Prep,” Inside Amy Schumer, season 2, episode 10, June 3, 2014.
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Published: 01 October 2016
FIGURE 8. Sue (Mabel Normand) enters a film company–sponsored beauty contest in The Extra Girl (1923). FIGURE 8. Sue (Mabel Normand) enters a film company–sponsored beauty contest in The Extra Girl (1923).
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Published: 01 January 2015
Figure 5. In July 1974, Seventeen promoted a beauty makeover for The Exorcist 's Linda Blair. Figure 5. In July 1974, Seventeen promoted a beauty makeover for The Exorcist's Linda Blair.
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Published: 01 July 2018
FIGURE 15. Flyer for Black Is Beautiful rally, 1968. Courtesy Center for the Study of Political Graphics, Culver City, California. FIGURE 15. Flyer for Black Is Beautiful rally, 1968. Courtesy Center for the Study of Political Graphics, Culver City, California.
Journal Articles
Feminist Media Histories. 2016; 2415–63 doi: https://doi.org/10.1525/fmh.2016.2.4.15
Published: 01 October 2016
...FIGURE 8. Sue (Mabel Normand) enters a film company–sponsored beauty contest in The Extra Girl (1923). FIGURE 8. Sue (Mabel Normand) enters a film company–sponsored beauty contest in The Extra Girl (1923). ...
Journal Articles
Feminist Media Histories. 2020; 6295–119 doi: https://doi.org/10.1525/fmh.2020.6.2.95
Published: 01 April 2020
... in 1989, urged purchasers to “bring Australia's beautiful environment into your workplace.” 75 “As the weeks go on,” buyers of the ACF Wilderness diary are told, they will “see places to dream about and meet some unusual wildlife.” 76 This invocation of the daily use of the diary, then, depicts...
Journal Articles
Feminist Media Histories. 2020; 6216–42 doi: https://doi.org/10.1525/fmh.2020.6.2.16
Published: 01 April 2020
... audiences of women and children, Stratton-Porter's assumed fan base, who wanted clean and wholesome pictures with beautiful outdoor photography. At least seven of these films are known to survive, and five are available to view online via the Internet Archive. 47 But none of them have been restored...
Journal Articles
Feminist Media Histories. 2020; 62120–147 doi: https://doi.org/10.1525/fmh.2020.6.2.120
Published: 01 April 2020
.../americas/haiti/article230908393.html . 19. Mary Keck, “IU Bloomington Considered One of the Most Beautiful College Campuses in U.S.,” News at IU Bloomington , March 29, 2017, https://news.iu.edu/stories/2017/03/iub/inside/29-iu-bloomington-beautiful-campus.html . 20. The Environmental...
Journal Articles
Feminist Media Histories. 2020; 62148–175 doi: https://doi.org/10.1525/fmh.2020.6.2.148
Published: 01 April 2020
... / C'est là-bas il faut tu vas / O, c'est beau!” (For me, I'm leaving the oil fields and going to the dance / Going to the dance, to see, oh yeah, pretty women / You must go there / O, how beautiful!) —A médé A rdoin , “L a V alse des C hantiers P étroliféres ” (W altz of the O il F ield ), 1934...
Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... Brakhage's films are silent, though Jane's voice can be heard briefly in one of his few sound films, The Stars Are Beautiful (1974); as one might expect, the main voice we hear in that film is Stan's. 40. See for example Stacy Alaimo and Susan Hekman, eds., Material Feminisms (Bloomington: Indiana...
Journal Articles
Feminist Media Histories. 2020; 62176–206 doi: https://doi.org/10.1525/fmh.2020.6.2.176
Published: 01 April 2020
... Indigenous peoples; and discovering Canada's natural beauty and strengthening environmental awareness. Canadians and visitors from all around the world were invited to participate, celebrate and explore their country. Canadians and visitors alike responded with enthusiasm and got involved in ways that were...
Journal Articles
Feminist Media Histories. 2020; 61163–197 doi: https://doi.org/10.1525/fmh.2020.6.1.163
Published: 01 January 2020
... my face. If you have a chemical experiment, there is always an element that ignites the combustion or activates the reaction—that's the catalyst. She said to me, “If you weren't there, these things wouldn't have happened.” It was such a beautiful way of seeing it. You're in the video game industry...
Journal Articles
Feminist Media Histories. 2020; 6137–65 doi: https://doi.org/10.1525/fmh.2020.6.1.37
Published: 01 January 2020
... female characters to the background as beautiful assistants, to the eventual relegation of even female warrior characters like Tolkien's Eowyn to healer roles, to the way female characters are motivated by love. 66 But to conclude this article I would like to focus on two specific tropes that are much...
Journal Articles
Feminist Media Histories. 2020; 6193–118 doi: https://doi.org/10.1525/fmh.2020.6.1.93
Published: 01 January 2020
... Nicki Minaj), “Monster,” track 6 on My Beautiful Dark Twisted Fantasy , Def Jam, 2010 https://youtu.be/pS6HRKZQLFA We like this positioning of Nicki Minaj on a track that is supposedly not hers; she lyrically dominates the game as the only woman rapping in the company of men. This positionality...
Journal Articles
Feminist Media Histories. 2019; 5459–60 doi: https://doi.org/10.1525/fmh.2019.5.4.59
Published: 01 October 2019
... person from our crew was a part of our journey. Felicia spent hours looking for images of powerful women like Annie Sprinkle and Indira Gandhi, who have been called whores because they dare to defy society's rules. Belle from Beauty and the Beast and Jessica Rabbit from Who Framed Roger Rabbit are...
Journal Articles
Feminist Media Histories. 2019; 5476–86 doi: https://doi.org/10.1525/fmh.2019.5.4.76
Published: 01 October 2019
... not protect you” (and we're going to use poetry to change the skeleton architecture of our lives, as she says), could be applied to film. What you see coming through QWOCMAP are beautiful films, intimate personal experiences. Films about somebody's ancestor altar and what it means for them...
Journal Articles
Feminist Media Histories. 2019; 5468–75 doi: https://doi.org/10.1525/fmh.2019.5.4.68
Published: 01 October 2019
... don't think I've gotten to the beautiful wood beneath it all yet, so I'm still helping sand us by rubbing across the grain with what I do. It's just that it's bigger, and it's not an immediate fix. I once thought I could create a future of women of vision. Now I don't want to necessarily have that same...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
... women were going to discover and construct together, or in formal falling-outs. aj 1995: When did film enter this for you? cs 1995: I came to film through Stan Brakhage, and through him I met Maya Deren. That was a horrible lesson. I saw a beautiful, fierce woman praised for important work...