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avant-garde-film

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Journal Articles
Feminist Media Histories. 2019; 52211–239 doi: https://doi.org/10.1525/fmh.2019.5.2.211
Published: 01 April 2019
... overlooked because of a reductive framing of it as mere homage to male avant-garde artists such as Stan Brakhage, for whom Green was a nude model. By analyzing aspects of visual form, production, and exhibition, this article performs a corrective “microhistory” that reclaims Green's film as an important...
Journal Articles
Feminist Media Histories. 2019; 52148–180 doi: https://doi.org/10.1525/fmh.2019.5.2.148
Published: 01 April 2019
... parental abuse and the development of a young girl's sexuality. Deploying a performance studies lens to focus on performance practice and process, this article takes a new methodological approach to the film that could be applied to other avant-garde cinematic practices. Drawing on previously unseen...
Journal Articles
Feminist Media Histories. 2020; 6267–94 doi: https://doi.org/10.1525/fmh.2020.6.2.67
Published: 01 April 2020
... extensively by P. Adams Sitney in Visionary Film: The American Avant-Garde, 1943–2000 , 3rd ed. (New York: Oxford University Press, 2002), 189–230. 37. “Schedule for Brakhages” (lists itinerary for December 13–17, 1972), James Broughton folder, series I, box 9, folder 1, Brakhage Papers. 38...
Journal Articles
Feminist Media Histories. 2019; 5487–105 doi: https://doi.org/10.1525/fmh.2019.5.4.87
Published: 01 October 2019
..., Slovakia; she received the first Shirley Clarke Avant-Garde Filmmaker Award in October 2006 from New York Women in Film and Television; and the Women In Film Award 2006 from the St. Louis International Film Festival. bh 1995: I need to grow into owning what I'm owed: respect, a place in history, a...
Journal Articles
Feminist Media Histories. 2019; 521–18 doi: https://doi.org/10.1525/fmh.2019.5.2.1
Published: 01 April 2019
.... A similar impetus drives Benjamin Ogrodnik's micro-historical investigation of Sharon Green's film Self Portrait of a Nude Model Turned Cinematographer (1971), made during her student years amid Pittsburgh's early-1970s avant-garde scene. Green only made this single work, then left film to become...
Journal Articles
Feminist Media Histories. 2019; 5283–110 doi: https://doi.org/10.1525/fmh.2019.5.2.83
Published: 01 April 2019
... Their Mark in Patriarchal Industry,” Hollywood Reporter , April 1, 2014, accessed May 21, 2018, https://www.hollywoodreporter.com/news/japans-female-directors-making-mark-692070 . 5. See Yuriko Furuhata, Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics...
Journal Articles
Feminist Media Histories. 2019; 5163–94 doi: https://doi.org/10.1525/fmh.2019.5.1.63
Published: 01 January 2019
... Lau, who has been referred to as the godfather of Hong Kong's avant-garde music scene, composed the scores for Wonton Soup , Autumn Moon , and Temptation of a Monk . 54. Carol S. Vance, ed., Pleasure and Danger: Exploring Female Sexuality (London: Routledge and K. Paul, 1984); Samois, ed...
Journal Articles
Feminist Media Histories. 2019; 5111–38 doi: https://doi.org/10.1525/fmh.2019.5.1.11
Published: 01 January 2019
... phone media in China, arguing that part of such films' political potency is their circulation via small-screen technologies, which break down barriers between mainstream and avant-garde, dominant and resistant. Paola Voci, China on Video: Smaller-Screen Realities (New York: Routledge, 2010). In the...
Journal Articles
Feminist Media Histories. 2018; 43244–273 doi: https://doi.org/10.1525/fmh.2018.4.3.244
Published: 01 July 2018
... expansive engagements with women's counter-cinematic practices challenges assumptions that 1970s feminist film theory was strictly concerned with destroying identificatory pleasure via avant-garde filmmaking strategies, and offers an index of the diverse filmmaking activities and cultural activism that...
Journal Articles
Feminist Media Histories. 2018; 4267–71 doi: https://doi.org/10.1525/fmh.2018.4.2.67
Published: 01 April 2018
... the foundation for First World feminist film theory, positioning realist American feminist documentary film as inferior to European feminist avant-garde filmmaking. 8 In the 1990s, bell hooks's intersectional analysis of the seminal LGBTQ documentary Paris Is Burning (1990), portraying the...
Journal Articles
Feminist Media Histories. 2018; 42179–184 doi: https://doi.org/10.1525/fmh.2018.4.2.179
Published: 01 April 2018
... Hitsville Studio was giving rise to Detroit rhythm and blues. Sylvia Moy, the first female producer and songwriter at Hitsville, is credited with convincing Berry Gordy to reconsider his decision to drop Stevie Wonder, for whom Moy would later write and record numerous hits. 16 Later, avant-garde and...
Journal Articles
Feminist Media Histories. 2017; 34162–194 doi: https://doi.org/10.1525/fmh.2017.3.4.162
Published: 01 October 2017
...: Early Film, Its Spectator and the Avant-Garde,” Wide Angle 8, nos. 3/4 (1986): 63–70. 6. For more on the female movie fan in the United States see Diana Anselmo-Sequeira, “Screen-Struck: The Invention of the Movie Girl Fan,” Cinema Journal 55, no. 1 (2015): 1–28; Shelley Stamp, Movie-Struck...
Journal Articles
Feminist Media Histories. 2017; 3298–120 doi: https://doi.org/10.1525/fmh.2017.3.2.98
Published: 01 April 2017
... and auteur cinema in Brazil and a historic rejection of comedy generally by film critics. 6 But bloggers on social media mostly praised the films, calling out the critics for not recognizing that spectators go to the cinema for entertainment and not always to see avant-garde works of the seventh...
Journal Articles
Feminist Media Histories. 2017; 3181–102 doi: https://doi.org/10.1525/fmh.2017.3.1.81
Published: 01 January 2017
... her film and talk to audiences. 7 In the climate of Iran's revolutionary fervor, The Sealed Soil was one of a set of films that informed American and European film audiences about the contemporary crisis in Iran. It was also an introduction to the cultural production of the Iranian avant-garde...
Journal Articles
Feminist Media Histories. 2016; 231–10 doi: https://doi.org/10.1525/fmh.2016.2.3.1
Published: 01 July 2016
... Movie Camera (1929), a film that also includes a close-up of Esfir Shub. 8. For a discussion of a few more cases, see William Wees, “Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-garde Film of the Eighties,” Canadian Journal of Film Studies 10 (2001): 70-95...
Journal Articles
Feminist Media Histories. 2016; 2354–72 doi: https://doi.org/10.1525/fmh.2016.2.3.54
Published: 01 July 2016
... comrades, too. A clear example of Mangini's personal film aesthetics, it combines the forms of investigation and propaganda and employs found footage, collage, and original interviews. With her use of avant-garde techniques, Mangini provides a compelling case of a counter-cinema that subverts the...
Journal Articles
Feminist Media Histories. 2016; 2311–28 doi: https://doi.org/10.1525/fmh.2016.2.3.11
Published: 01 July 2016
..., Looking Back: The European Avant-garde and the Invention of Film Culture, 1919–1939 (Amsterdam: Amsterdam University Press, 2007), 176 – 78. 7. In 1921 Aleksei Gan, a graphic designer and anarchist, was one of the founders of the First Working Group of Constructivists, alongside Aleksandr Rodchenko...
Journal Articles
Feminist Media Histories. 2016; 2390–101 doi: https://doi.org/10.1525/fmh.2016.2.3.90
Published: 01 July 2016
... concept of “vertical cinema” put forward in the 1940s and 1950s by Maya Deren seems clear enough. 4 A pioneer of the first American film avant-garde, Deren theorized the existence of a poetic and “vertical” approach to images in filmmaking, aimed at exploring in phenomenological terms the emotional...
Journal Articles
Feminist Media Histories. 2015; 1489–107 doi: https://doi.org/10.1525/fmh.2015.1.4.89
Published: 01 October 2015
... Wieland NOTES 1. B. Ruby Rich, Chick Flicks: Theories and Memories of the Feminist Film Movement (Durham, NC: Duke University Press, 1998), 282. 2. Ibid., 284. 3. Starting in the late 1960s, a range of publications began to document and define the rise of avant-garde film practice in...
Journal Articles
Feminist Media Histories. 2016; 226–31 doi: https://doi.org/10.1525/fmh.2016.2.2.6
Published: 01 April 2016
...; Sharon Smith, Women Who Make Movies (New York: Hopkinson and Blake, 1974); Sandy Flitterman. “Heart of the Avant-Garde: Some Biographical Notes on Germaine Dulac,” Women and Film 1, nos. 5–6 (1974): 58–61. 33. Anthony Slide, “Forgotten Early Women Directors,” Films in Review (March 1974): 165...