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Mayer,Vicki

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Journal Articles
Feminist Media Histories. 2018; 42113–116 doi: https://doi.org/10.1525/fmh.2018.4.2.113
Published: 01 April 2018
...Vicki Mayer NOTES Special thanks to Miranda Banks for her editorial eye. 1. Carolyn M. Byerly, “Behind the Scenes of Women's Broadcast Ownership,” Howard Journal of Communications 22, no. 1 (2011): 24–42. 2. Leslie Regan Shade, “Wanted, Alive and Kicking: Curious Feminist Digital...
Journal Articles
Feminist Media Histories. 2018; 441–7 doi: https://doi.org/10.1525/fmh.2018.4.4.1
Published: 01 October 2018
... (Berkeley: University of California Press, 2001). 5. Natalie Wreyford and Shelley Cobb, “Data and Responsibility: Toward a Feminist Methodology for Producing Historical Data on Women in the Contemporary UK Film Industry,” Feminist Media Histories 3, no. 3 (2017): 108. 6. Vicki Mayer, “Bringing...
Journal Articles
Feminist Media Histories. 2018; 44109–129 doi: https://doi.org/10.1525/fmh.2018.4.4.109
Published: 01 October 2018
... Commission, Report of the National Advisory Commission on Civil Disorders (Washington, DC: National Institute of Justice, 1968). For an interesting discussion of the ramifications of this report see Vicki Mayer, Below the Line: Producers and Production Studies in the New Television Economy (Durham, NC...
Journal Articles
Feminist Media Histories. 2018; 42157–161 doi: https://doi.org/10.1525/fmh.2018.4.2.157
Published: 01 April 2018
... Talking Cure: TV Talk Shows and Women (New York: Routledge, 1997). 6. Arlene M. Dávila, Latinos, Inc.: The Marketing and Making of a People (Berkeley: University of California Press, 2001). 7. Vicki Mayer, Below the Line: Producers and Production Studies in the New Television Economy...
Journal Articles
Feminist Media Histories. 2018; 421–11 doi: https://doi.org/10.1525/fmh.2018.4.2.1
Published: 01 April 2018
... vast, varied fields got squeezed together, challenging authors to condense enormous volumes of quite diverse scholarship into one genealogy or to select a particular thread for emphasis. In the case of media policy and governance, for instance, Vicki Mayer chose to explore the topic from one particular...
Journal Articles
Feminist Media Histories. 2018; 411–10 doi: https://doi.org/10.1525/fmh.2018.4.1.1
Published: 01 January 2018
... Media 10, no. 1 (January 2009): 110–13; Brooke Erin Duffy, (Not) Getting Paid to Do What You Want: Gender, Social Media, and Aspiration Work (New Haven, CT: Yale University Press, 2017). 10. Vicki Mayer, “To Communicate Is Human; To Chat Is Female: The Feminization of US Media Work,” in The...
Journal Articles
Feminist Media Histories. 2018; 4137–57 doi: https://doi.org/10.1525/fmh.2018.4.1.37
Published: 01 January 2018
...: Notes on the Decline of Political Culture or Speeded-up Creative Worlds,” Cultural Studies 16, no. 4 (2010): 516–31. See also the introduction to Vicki Mayer, Below the Line: Producers and Production Studies in the New Television Economy (Durham, NC, and London: Duke University Press, 2011), for a...
Journal Articles
Feminist Media Histories. 2018; 4111–36 doi: https://doi.org/10.1525/fmh.2018.4.1.11
Published: 01 January 2018
... Banks, Bridget Conor, and Vicki Mayer define production studies as the examination of “specific sites and fabrics of media production as distinct interpretative communities, each with its own organizational structures, professional practices, and power dynamics.” Miranda Banks, Bridget Conor, and Vicki...
Journal Articles
Feminist Media Histories. 2016; 2484–115 doi: https://doi.org/10.1525/fmh.2016.2.4.84
Published: 01 October 2016
... against Louis B. Mayer and Irving Thalberg, the heads of her studio, Metro-Goldwyn-Mayer (MGM). It also deals with her dress reform stance, her masculine femininity, the nature of her fans (especially the “Garbomaniacs”), and her friendships with the screenwriters Salka Viertel and Mercedes de Acosta. It...
Journal Articles
Feminist Media Histories. 2016; 2271–106 doi: https://doi.org/10.1525/fmh.2016.2.2.71
Published: 01 April 2016
... Industries , ed. Vicki Mayer, Miranda J. Banks, and John Thornton Caldwell (London: Routledge, 2009), 91, 95. 3. Nadoolman Landis, Film Craft , 11–12. 4. Banks, “Gender Below the Line,” 90. 5. “She's the Girl You Don't See,” Evening News (London), December 7, 1956. 6. For instance Roy...
Journal Articles
Feminist Media Histories. 2016; 2129–44 doi: https://doi.org/10.1525/fmh.2016.2.1.29
Published: 01 January 2016
... Timothy Corrigan and Patricia White, The Film Experience: An Introduction (Boston: Bedford/St. Martin's, 2012). 3. Sidn Reynolds, “The Face on the Cutting-Room Floor: Women Editors in the French Cinema of the 1930s,” Labour History Review 63, no. 1 (1998): 66. 4. Vicki Mayer, Below the Line...
Journal Articles
Feminist Media Histories. 2016; 2145–60 doi: https://doi.org/10.1525/fmh.2016.2.1.45
Published: 01 January 2016
... institutional power within the film industry” (110). 3. Giuliana Muscio, “Women Screenwriters in American Silent Cinema,” in Reclaiming the Archive: Feminism and Film History , ed. Vicki Callahan (Detroit: Wayne State University Press, 2010), 289–308; Morey, “Elinor Glyn as Hollywood Labourer,” 110–18...