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1960s

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Journal Articles
Feminist Media Histories (2018) 4 (4): 83–108.
Published: 01 October 2018
.... Films that included M (1951) and Concrete Jungle (1960), directed by Joseph Losey; The Man in the White Suit (1951) and The Ladykillers (1955), directed by Alexander Mackendrick; We Are the Lambeth Boys (1958) and Saturday Night and Sunday Morning (1960), directed by Karel Reisz; and The...
Journal Articles
Feminist Media Histories (2017) 3 (2): 57–77.
Published: 01 April 2017
...Heather Osborne-Thompson Although Totie Fields enjoyed considerable visibility on American television in the 1960s and 1970s, her contributions to women's television comedy have been obscured both by her untimely death in 1978 and by her self-deprecating style of humor. This article reconsiders...
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Women at work in an editing room in the early <b>1960s</b>, pictured in Roberto Be...
Published: 01 October 2018
FIGURE 1. Women at work in an editing room in the early 1960s, pictured in Roberto Bencivenga, “The Production Assistants” (Le segretarie di produzione), Così 7, no. 18 (April 30, 1961): 13. Courtesy the “Comizi d'amore” research project online database, http://sites.unimi.it/comizidamore More
Journal Articles
Feminist Media Histories (2015) 1 (4): 89–107.
Published: 01 October 2015
... the 1960s. Through close readings of Wieland's film Water Sark (1965), Schneemann's film Plumb Line (1968–71), and Nelson's film My Name Is Oona (1969), the article demonstrates how each artist advanced a critical politics through sound-image dissonance. FIGURE 2. Water Sark . (Courtesy of the...
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In the late 1950s and early <b>1960s</b>, the vast number of female colorists at a...
Published: 01 January 2018
FIGURE 4. In the late 1950s and early 1960s, the vast number of female colorists at animation studios were a source of fascination for the public. Shūkan sankei , November 1964. FIGURE 4. In the late 1950s and early 1960s, the vast number of female colorists at animation studios were a source More
Journal Articles
Feminist Media Histories (2020) 6 (2): 16–42.
Published: 01 April 2020
... into movies that could further her education and conservation efforts. By 1960, eight of her books had been turned into twenty-one films—silent and sound, black and white and color, from Poverty Row studios to members of the Big Five. This article examines how Stratton-Porter and others translated her...
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Marc Garanger,  Femme Algérienne , <b>1960</b>. © Marc Garanger.   FIGURE 2. Marc ...
Published: 01 January 2017
FIGURE 2. Marc Garanger, Femme Algérienne , 1960. © Marc Garanger. FIGURE 2. Marc Garanger, Femme Algérienne, 1960. © Marc Garanger. More
Images
Pierre Bourdieu,  Woman on Scooter , <b>1960</b>. Fondation Pierre Bourdieu and Ca...
Published: 01 January 2017
FIGURE 1. Pierre Bourdieu, Woman on Scooter , 1960. Fondation Pierre Bourdieu and Camera Austria. FIGURE 1. Pierre Bourdieu, Woman on Scooter, 1960. Fondation Pierre Bourdieu and Camera Austria. More
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A girl on the day of her confirmation in a frame from a home movie ca. <b>1960</b>...
Published: 01 July 2016
A girl on the day of her confirmation in a frame from a home movie ca. 1960; from We Want Roses Too (2007). A girl on the day of her confirmation in a frame from a home movie ca. 1960; from We Want Roses Too (2007). More
Journal Articles
Feminist Media Histories (2019) 5 (1): 141–167.
Published: 01 January 2019
... readers to a relatively unknown “orphan” documentary film, Forever Chinatown (1960). For the author and her family, the film carries with it a history of trauma that shapes what is remembered about it. Drawing on work in feminist film studies, particularly the notion of an archive of feelings, the essay...
Journal Articles
Feminist Media Histories (2019) 5 (1): 113–140.
Published: 01 January 2019
...Erica Ka-yan Poon Lucilla You Min, who acted in Japanese and Hong Kong coproduced films in the early 1960s, is a valuable case study for postwar East Asian border-crossing star studies. This article conceptualizes the body of the star as a site of constructed meaning, and argues that You Min's...
Journal Articles
Feminist Media Histories (2018) 4 (3): 119–134.
Published: 01 July 2018
... days in New York during the 1960s, owning a clothing boutique and writing comics for the East Village Other ; the creation of It Ain't Me, Babe , the first all-female comic compilation, and Wimmen's Comix , the long-running feminist underground comix series; and her work both as a “herstorian...
Journal Articles
Feminist Media Histories (2016) 2 (4): 116–142.
Published: 01 October 2016
...Ellen Wright Bunny Yeager was a pinup model and photographer who appeared on TV and in exploitation films, while creating pinups and “art” nudes for Playboy , coffee-table books, and how-to publications. She is currently experiencing a revival as part of a subcultural vogue for 1950s and 1960s...
Journal Articles
Feminist Media Histories (2018) 4 (1): 11–36.
Published: 01 January 2018
...Isabel Seguí This article contextualizes and characterizes production practices in political cinema in Bolivia and Peru between the 1960s and 1990s, reading them as a communitarian endeavor that included many more women than official history acknowledges. It also documents the work of two...
Journal Articles
Feminist Media Histories (2015) 1 (4): 5–30.
Published: 01 October 2015
...Tara Rodgers In 2015, analog synthesizers are resurgent in popular appeal. Robert Moog is often celebrated as the central and originary figure who launched a so-called revolution in sound by making synthesizers widely available in the late 1960s and early '70s. This essay examines the figure of the...
Journal Articles
Feminist Media Histories (2015) 1 (3): 66–94.
Published: 01 July 2015
...Amy Herzog This essay reads the work of two experimental feminist video and performance artists in the 1960s and ’70s (Yoko Ono and VALIE EXPORT) alongside concurrent transformations taking place within their urban landscapes, in particular the widespread emergence of pornographic media arcades...
Journal Articles
Feminist Media Histories (2020) 6 (3): 172–206.
Published: 01 July 2020
... as the cowboy antihero in capes and wide-brimmed hats. 4 For critics of the era like Vincent Canby, who called the film a “con job,” El Topo 's audience ritual came to stand in for the death of the long 1960s and the genesis of a commodified counterculture. 5 FIGURE 1. Promotional...
Journal Articles
Feminist Media Histories (2020) 6 (3): 1–20.
Published: 01 July 2020
... cogently questions the gender politics of cult films viewed as “revolutionary” and consumed by spectators as part of the “counterculture.” Her intervention centers on pointing out the patriarchal spectatorship that often dominated the 1960s counterculture's image regimes and raises important questions...
Journal Articles
Feminist Media Histories (2020) 6 (3): 104–136.
Published: 01 July 2020
...FIGURE 3. An aerial view of Manila from a 1960s postcard. ...