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Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 1–14.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 107–115.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 116–143.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 144–171.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 15–40.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 172–191.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 41–58.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 59–79.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 80–84.
Published: 01 January 2025
Journal Articles
Journal:
Feminist Media Histories
Feminist Media Histories (2025) 11 (1): 85–106.
Published: 01 January 2025
Images
in Futures Imperfect: Inscriptions of Self and Community in A String of Pearls
> Feminist Media Histories
Published: 01 January 2025
Figure 1. In FotogrÁFRICA , Brazilian director Tila Chitunda recounts her family history. Used with permission of Tilovita Productions/Press. More about this image found in In FotogrÁFRICA , Brazilian director Tila Chitunda recounts her family his...
Images
in “A Gathering of Champions”: A Conversation with the Billops-Hatch Archives Advisory Board
> Feminist Media Histories
Published: 01 January 2025
Figure 1. Billops Hatch Archives Board Members from left to right : Miriam Petty, Juanita Hartbarger, Neil Hartbarger, Brenda Thompson, Juanita Hardy, Melvin Hardy, Amalia K. Amaki, Randall K. Burkett, Mathwon Howard, and Wesley Cochran (not pictured: Linda Hamalian and Dion Hatch). In the back... More about this image found in Billops Hatch Archives Board Members from left to right : Miriam Petty, ...
Images
in Black Memory in Take Your Bags : Experimental Film and the Meaning of Material Objects
> Feminist Media Histories
Published: 01 January 2025
Figure 1. Still from Take Your Bags (1998). Courtesy of Third World Newsreel. More about this image found in Still from Take Your Bags (1998). Courtesy of Third World Newsreel.
Images
Published: 01 January 2025
Figure 1. Hattie Noel’s Dooto Records album covers. More about this image found in Hattie Noel’s Dooto Records album covers.
Images
in Woman, Alone? Camille Billops, Self-Possession, and Older Women and Love (1987)
> Feminist Media Histories
Published: 01 January 2025
Figure 1. Billops and Hatch’s Eleventh Street loft, 1972. Hatch can be seen at his desk in front; Billops is in the back, working on her ceramics. Photo Credit: The Hatch Billops Collection. More about this image found in Billops and Hatch’s Eleventh Street loft, 1972. Hatch can be seen at his de...
Images
in Woman, Alone? Camille Billops, Self-Possession, and Older Women and Love (1987)
> Feminist Media Histories
Published: 01 January 2025
Figure 2. Still capture from Older Women and Love , featuring James V. Hatch and pet cat Shango. More about this image found in Still capture from Older Women and Love , featuring James V. Hatch and pet...
Images
in Woman, Alone? Camille Billops, Self-Possession, and Older Women and Love (1987)
> Feminist Media Histories
Published: 01 January 2025
Figure 3. Still capture, a “gossipy interlude” from Older Women and Love . Pictured left to right : Camille Billops, blues vocalist and pianist Patti Bown, and Christa Victoria, Camille’s biological daughter. More about this image found in Still capture, a “gossipy interlude” from Older Women and Love . Pictured ...
Images
in Editors’ Introduction: A Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch
> Feminist Media Histories
Published: 01 January 2025
Figure 1. Camille Billops and James Hatch: A photo for their unfinished film, Mama and Papa Lala. Photo credit: Steven M. Adams. More about this image found in Camille Billops and James Hatch: A photo for their unfinished film, Mama a...
Images
in Editors’ Introduction: A Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch
> Feminist Media Histories
Published: 01 January 2025
Figure 2. James V. Hatch with Saul W. Petty-Adams (ten months old) and Miriam Petty at the loft, July 17, 2011. Photo credit: Steven M. Adams. More about this image found in James V. Hatch with Saul W. Petty-Adams (ten months old) and Miriam Petty a...
Images
in Editors’ Introduction: A Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch
> Feminist Media Histories
Published: 01 January 2025
Figure 3. James Hatch and Camille Billops, July 17, 2011. Photo Credit: Steven M. Adams More about this image found in James Hatch and Camille Billops, July 17, 2011. Photo Credit: Steven M. Ada...
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