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Zoey Luna (far right) in  The Craft: Legacy  (dir. Zoe Lister-Jones), 2020....
Published: 01 January 2021
Figure 3. Zoey Luna (far right) in The Craft: Legacy (dir. Zoe Lister-Jones), 2020. Image courtesy Sony Pictures Entertainment. More
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Medical illustrations of women’s bodies experiencing hysterical attacks usi...
Published: 01 January 2021
Figure 1. Medical illustrations of women’s bodies experiencing hysterical attacks using lines to suggest physical movement, titled “Période Épileptoïde de la Grande Attaque Hystérique” (top) and “Période de Clownisme de la Grande Attaque Hystérique” (bottom). Jean-Martin Charcot and Paul Richer, ... More
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The masked woman in  La Neuropatologia  (Neuropathology, dir. Roberto Omegn...
Published: 01 January 2021
Figure 2. The masked woman in La Neuropatologia (Neuropathology, dir. Roberto Omegna), 1908, struggles for several seconds until doctors subdue her on the bed, holding down her flailing body and pressing on her abdomen. Image courtesy Coll. Museo Nazionale del Cinema. More
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Performing mental distress to thwart the camera’s eye / branding iron. Fram...
Published: 01 January 2021
Figure 3. Performing mental distress to thwart the camera’s eye / branding iron. Frame enlargements from Photographing a Female Crook (dir. Wallace McCutcheon), 1904. More
Images
The female crook, out of character, relaxes and fixes her hair in the final...
Published: 01 January 2021
Figure 4. The female crook, out of character, relaxes and fixes her hair in the final frames of Photographing a Female Crook (dir. Wallace McCutcheon), 1904. More
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On the set of  La Neuropatologia  (Neuropathology, dir. Roberto Omegna), 19...
Published: 01 January 2021
Figure 5. On the set of La Neuropatologia (Neuropathology, dir. Roberto Omegna), 1908, the masked woman, now unmasked, smiles for the camera alongside Dr. Camillo Negro and his assistant, Giuseppe Roasenda. Image courtesy Coll. Museo Nazionale del Cinema. More
Images
The mother goes mad, raising her hands in a gesture of madness, after the f...
Published: 01 January 2021
Figure 6. The mother goes mad, raising her hands in a gesture of madness, after the fire in Le violon (The Violin, dir. Louis Feuillade), 1907. A Gaumont production. Reproduced by permission of Gaumont-Pathé Archives. More
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Madwomen surround the mother in the asylum scene in  Le violon  (The Violin...
Published: 01 January 2021
Figure 7. Madwomen surround the mother in the asylum scene in Le violon (The Violin, dir. Louis Feuillade), 1907. A Gaumont production. Reproduced by permission of Gaumont-Pathé Archives. More
Images
Hands up! Delsarte’s gesture for “Anguish” (left), Salpêtrière patient (cen...
Published: 01 January 2021
Figure 8. Hands up! Delsarte’s gesture for “Anguish” (left), Salpêtrière patient (center), and Sarah Bernhardt in Adrienne Lecouvreur (right). More
Images
Jacqueline (Fabienne Fabrèges) drops her basket when she hears the soldier ...
Published: 01 January 2021
Figure 9. Jacqueline (Fabienne Fabrèges) drops her basket when she hears the soldier report that her fiancé, Roger, is dead in L’Angélus de la victoire (Angel of Victory, dir. Léonce Perret), 1916. A Gaumont production. Reproduced by permission of Gaumont-Pathé Archives. More
Images
Jacqueline (Fabienne Fabrèges) and her Roger doll, the latter partly visibl...
Published: 01 January 2021
Figure 10. Jacqueline (Fabienne Fabrèges) and her Roger doll, the latter partly visible at lower right, on the beach in L’Angélus de la victoire (Angel of Victory, dir. Léonce Perret), 1916. A Gaumont production. Reproduced by permission of Gaumont-Pathé Archives. More
Images
Sadie Benning,  A New Year , 1989. Image © Sadie Benning, courtesy Video Da...
Published: 01 January 2021
Figure 1. Sadie Benning, A New Year , 1989. Image © Sadie Benning, courtesy Video Data Bank at the School of the Art Institute of Chicago, vdb.org. More
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Sadie Benning,  If Every Girl Had a Diary , 1990. Image © Sadie Benning, co...
Published: 01 January 2021
Figure 2. Sadie Benning, If Every Girl Had a Diary , 1990. Image © Sadie Benning, courtesy Video Data Bank at the School of the Art Institute of Chicago, vdb.org. More
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Sadie Benning,  Flat Is Beautiful , 1998. Image © Sadie Benning, courtesy V...
Published: 01 January 2021
Figure 3. Sadie Benning, Flat Is Beautiful , 1998. Image © Sadie Benning, courtesy Video Data Bank at the School of the Art Institute of Chicago, vdb.org. More
Images
Left: still from  Lichtspiel Opus 3  (dir. Walter Ruttmann), 1924; right: s...
Published: 01 January 2021
Figure 1. Left: still from Lichtspiel Opus 3 (dir. Walter Ruttmann), 1924; right: still from Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed, dir. Lotte Reiniger), 1926. Reiniger image courtesy Christel Strobel, Primrose Film Productions. More
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Walter Ruttmann with dowel rack. UFA publicity brochure,  Die Abenteuer des...
Published: 01 January 2021
Figure 2. Walter Ruttmann with dowel rack. UFA publicity brochure, Die Abenteuer des Prinzen Achmed , R 15611, Lotte Reiniger Archive, Stadtmuseum Tübingen. © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. More
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A filmstrip from  Lichtspiel Opus 3  (dir. Walter Ruttmann), 1924, featurin...
Published: 01 January 2021
Figure 3. A filmstrip from Lichtspiel Opus 3 (dir. Walter Ruttmann), 1924, featuring Ruttmann’s clay dowels pictured alongside a filmstrip from Emak Bakia (dir. Man Ray) 1926, in Hans Richter’s catalogue for the 1929 Internationale Ausstellung des Deutschen Werkbundes: Film und Foto , Stuttga... More
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The magician conjures the magic horse in  Die Abenteuer des Prinzen Achmed ...
Published: 01 January 2021
Figure 4. The magician conjures the magic horse in Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed, dir. Lotte Reiniger), 1926. Image courtesy Christel Strobel, Primrose Film Productions. More