Figure 1. Asta Nielsen with Urban Gad, who directed her first films and was her first husband. Credit: The Danish Film Institute More about this image found in Asta Nielsen with Urban Gad, who directed her first films and was her first...

Figure 2. Asta Nielsen playing the title role in Hamlet (dir. Svend Gade/Heinz Schall), 1921. Credit: The Danish Film Institute More about this image found in Asta Nielsen playing the title role in Hamlet (dir. Svend Gade/Heinz Schall...

Figure 1. The landing page of the Women Film Pioneer Explorer , screenshot taken May 16, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer . More about this image found in The landing page of the Women Film Pioneer Explorer , screenshot taken May...

Figure 2. A map displays global connections of women workers, screenshot of the Women Film Pioneer Explorer , taken May 2, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer/Map.html . More about this image found in A map displays global connections of women workers, screenshot of the Wome...

Figure 3. A pie chart displays the research foci of the WFPP, screenshot of the Women Film Pioneer Explorer , taken May 3, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer/Map.html . More about this image found in A pie chart displays the research foci of the WFPP, screenshot of the Wome...

Figure 4. A cluster shows the many different occupations that the pioneers practiced, screenshot of the Women Film Pioneer Explorer , taken May 2, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer/Cluster.html . More about this image found in A cluster shows the many different occupations that the pioneers practiced,...

Figure 5. A timeline shows when each pioneer lived, screenshot of the Women Film Pioneer Explorer , taken May 2, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer/Timeline.html . More about this image found in A timeline shows when each pioneer lived, screenshot of the Women Film Pio...

Figure 6a, b. The dendrogram shows the many professions in a hierarchical manner, screenshot taken May 3, 2022, www.online.uni-marburg.de/women-film-pioneers-explorer/Dendrogram.html . More about this image found in The dendrogram shows the many professions in a hierarchical manner, screens...

https://vimeo.com/physicaltv/distributedauthorship More about this image found in https://vimeo.com/physicaltv/distributedauthorship

Figure 1. Archival image from the Ėsfir’ Shub–directed documentary Konsomal Chief of Electrification (1932). More about this image found in Archival image from the Ėsfir’ Shub–directed documentary Konsomal Chief of...

Figure 2. Soviet women, circa 1920, in a communal kitchen. More about this image found in Soviet women, circa 1920, in a communal kitchen.

Figure 3. At the start of Reel One, Shub peels potatoes. I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in At the start of Reel One, Shub peels potatoes. I Want to Make a Film about...

Figure 4. In Reel Two, Shub uses the same motion to rewind film. I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In Reel Two, Shub uses the same motion to rewind film. I Want to Make a Fi...

Figure 5. In Reel One, Shub and her assistant are cooking, Stepanova and her assistant are sewing. Ever Sliter, Inga Romantsova, Victoria Haralabidou, and Violette Ayad in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In Reel One, Shub and her assistant are cooking, Stepanova and her assistan...

Figure 6. In Reel One the basin is for washing clothes. Victoria Haralabidou, Violette Ayad, and Nadia Zwecker in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In Reel One the basin is for washing clothes. Victoria Haralabidou, Violett...

Figure 7. In Reel Two, Shub is editing a film, Stepanova and her assistant are designing a set. Inga Romantsova, Ever Sliter, and Victoria Haralabidou in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In Reel Two, Shub is editing a film, Stepanova and her assistant are design...

Figure 8. In Reel Two, the basin is for developing photos. Nadia Zwecker and Violette Ayad in I Want to Make a Film about Women (Karen Pearlman et al. 2020) More about this image found in In Reel Two, the basin is for developing photos. Nadia Zwecker and Violette...

Figure 9. In the close-up the kiss is lush, intimate. Liliya May and Victoria Haralabidou in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In the close-up the kiss is lush, intimate. Liliya May and Victoria Haralab...

Figure 10. In the wide shot the kiss resolves as playful, sweet, a commonplace occurrence. Liliya May and Victoria Haralabidou in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in In the wide shot the kiss resolves as playful, sweet, a commonplace occurre...

Figure 11. Embodied and embedded cognition and collaboration. Inga Romantsova and Victoria Haralabidou in I Want to Make a Film about Women (Karen Pearlman et al. 2020). More about this image found in Embodied and embedded cognition and collaboration. Inga Romantsova and Vict...