Skip to Main Content
Umbrella Alt Text
header search
Search
Skip Nav Destination

Issues

Volume 8, Issue 2
Spring 2022
Issue Cover
EISSN 2373-7492
In this Issue

Speculative Approaches to Media Histories I

Editor’s Introduction: Sites of Speculative Encounter
Allyson Nadia Field
View Articletitled, Editor’s Introduction<span class="subtitle-colon">: </span><span class="subtitle">Sites of Speculative Encounter</span>
Open the PDF for in another window
Changing the Subject: Lynn Nottage’s By the Way, Meet Vera Stark and the Making of Black Women’s Film History
Samantha N. Sheppard
View Articletitled, Changing the Subject<span class="subtitle-colon">: </span><span class="subtitle">Lynn Nottage’s <em>By the Way, Meet Vera Stark</em> and the Making of Black Women’s Film History</span>
Open the PDF for in another window
Narrating Looted and Living Palestinian Archives: Reparative Fabulation in Azza El-Hassan’s Kings and Extras
Kareem Estefan
View Articletitled, Narrating Looted and Living Palestinian Archives<span class="subtitle-colon">: </span><span class="subtitle">Reparative Fabulation in Azza El-Hassan’s <em>Kings and Extras</em></span>
Open the PDF for in another window
The Vanishing Archive: Documentary Filmmaking, the Gaze, and the Metamorphosis of Atteyat al-Abnoudy
Yasmin Desouki
View Articletitled, The Vanishing Archive<span class="subtitle-colon">: </span><span class="subtitle">Documentary Filmmaking, the Gaze, and the Metamorphosis of Atteyat al-Abnoudy</span>
Open the PDF for in another window
The Film Image of Bessie Smith: St. Louis Blues (1929) in the Post-WWII Era and its Speculative Afterlives
Cinta Pelejà
View Articletitled, The Film Image of Bessie Smith<span class="subtitle-colon">: </span><span class="subtitle"><em>St. Louis Blues</em> (1929) in the Post-WWII Era and its Speculative Afterlives</span>
Open the PDF for in another window
Restoring the Technicolor Ornament: The Yellow Woman’s Death in The Toll of the Sea (1922)
Phoebe Chen
View Articletitled, Restoring the Technicolor Ornament<span class="subtitle-colon">: </span><span class="subtitle">The Yellow Woman’s Death in <em>The Toll of the Sea</em> (1922)</span>
Open the PDF for in another window
Lesbian Bars, Archival Media Bricolage and Research-Creation: Revisiting After Hours Chez Madame Arthur
Julianne Pidduck
View Articletitled, Lesbian Bars, Archival Media Bricolage and Research-Creation<span class="subtitle-colon">: </span><span class="subtitle">Revisiting <em>After Hours Chez Madame Arthur</em></span>
Open the PDF for in another window
Queer Archival Autoethnography in Ken Gonzales-Day’s Bone-Grass Boy
Ren Heintz
View Articletitled, Queer Archival Autoethnography in Ken Gonzales-Day’s <em>Bone-Grass Boy</em>
Open the PDF for in another window
Expanded Cinema, Recycled Cinema: A Ping-Pong Volley between VALIE EXPORT and Agnès Varda
Jeff Scheible
View Articletitled, Expanded Cinema, Recycled Cinema<span class="subtitle-colon">: </span><span class="subtitle">A Ping-Pong Volley between VALIE EXPORT and Agnès Varda</span>
Open the PDF for in another window
Researching as Searching: Refusing the Archival Lacunae
Liz Czach
View Articletitled, Researching as Searching<span class="subtitle-colon">: </span><span class="subtitle">Refusing the Archival Lacunae</span>
Open the PDF for in another window
Towards a Methodology of Unwatched Digital Media
Lauren S. Berliner
View Articletitled, Towards a Methodology of Unwatched Digital Media
Open the PDF for in another window
All Issues
Black Memory in Take Your Bags: Experimental Film and the Meaning of Material Objects
Woman, Alone? Camille Billops, Self-Possession, and Older Women and Love (1987)
Break Yourself at Home: The Queer Hospitality of Camille Billops and James V. Hatch
A String of Pearls: On the Process, Practice, and Legacy of Camille Billops and James Hatch
Editors’ Introduction: A Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch
  • Online ISSN 2373-7492
  • Copyright © 2025
Stay Informed
Sign up for eNews
Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us

Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept