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Volume 7, Issue 1
Winter 2021
Issue Cover
EISSN 2373-7492

Urgent Media and Emergent Art

Note from the Editor: Urgent Media and Emergent Art
Jennifer M. Bean
View Articletitled, Note from the Editor<span class="subtitle-colon">: </span><span class="subtitle">Urgent Media and Emergent Art</span>
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Urgent Media

Toward a Trans Method, or Reciprocity as a Way of Life
Chase Joynt, Jules Rosskam
View Articletitled, Toward a Trans Method, or Reciprocity as a Way of Life
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“We’d like to see trans people at the very top”: Transgender Talent Founder Ann Thomas In Conversation
Laura Horak
View Articletitled, “We’d like to see trans people at the very top”<span class="subtitle-colon">: </span><span class="subtitle">Transgender Talent Founder Ann Thomas In Conversation</span>
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Preserving Pixelvision: Image Vulnerability and the Early Video Works of Sadie Benning
Claire Fox, Nicole Martin
View Articletitled, Preserving Pixelvision<span class="subtitle-colon">: </span><span class="subtitle">Image Vulnerability and the Early Video Works of Sadie Benning</span>
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Life in-between Screens: “The World, Two Meters Away”
Zhang Zhen, Jiang Jiehong, Ellen Y. Chang
View Articletitled, Life in-between Screens<span class="subtitle-colon">: </span><span class="subtitle">“The World, Two Meters Away”</span>
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(Re)imagined Possibilities: The Resilience of the Black Woman Griot, Zeinabu irene Davis in Conversation
Berette S Macaulay, Savita Krishnamoorthy
View Articletitled, (Re)imagined Possibilities<span class="subtitle-colon">: </span><span class="subtitle">The Resilience of the Black Woman Griot, Zeinabu irene Davis in Conversation</span>
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Emergent Art

Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2017 Winner
Visual Music and Kinetic Ornaments: Lotte Reiniger and the Animation Avant-Garde in Weimar Berlin
Katherine Rochester
View Articletitled, Visual Music and Kinetic Ornaments<span class="subtitle-colon">: </span><span class="subtitle">Lotte Reiniger and the Animation Avant-Garde in Weimar Berlin</span>
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Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2020 Winner
Strike a Pose: Performing Gestures of the Madwoman in Early Cinema
Elyse Singer
View Articletitled, Strike a Pose<span class="subtitle-colon">: </span><span class="subtitle">Performing Gestures of the Madwoman in Early Cinema</span>
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Encoded Perception: Remapping Vision in Lillian Schwartz’s Computer Art
Helena Shaskevich
View Articletitled, Encoded Perception<span class="subtitle-colon">: </span><span class="subtitle">Remapping Vision in Lillian Schwartz’s Computer Art</span>
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A Trans Historiography of Glitches and Errors
Whitney (Whit) Pow
View Articletitled, A Trans Historiography of Glitches and Errors
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All Issues
Rematerialization: Anticolonial Collective Memory through Latinx Digital Art
Radios y Cacerolas: Feminist Approaches to Online Activism during the 2021 Colombian National Strike
Documentary as Memory Archive and Feminist Practice
Jayaera: The Multimedia Joy of Afro-Caribbean “Cuir Bliss” (2008–2024)
“I Am a Meme”: Interview with Gad Yola, Drag Artist
  • Online ISSN 2373-7492
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