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Volume 7, Issue 1
Winter 2021
Feminist Media Histories Cover Image for Volume 7, Issue 1
EISSN 2373-7492

Urgent Media and Emergent Art

Note from the Editor: Urgent Media and Emergent Art
Jennifer M. Bean
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Urgent Media

Toward a Trans Method, or Reciprocity as a Way of Life
Chase Joynt, Jules Rosskam
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“We’d like to see trans people at the very top”: Transgender Talent Founder Ann Thomas In Conversation
Laura Horak
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Preserving Pixelvision: Image Vulnerability and the Early Video Works of Sadie Benning
Claire Fox, Nicole Martin
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Life in-between Screens: “The World, Two Meters Away”
Zhang Zhen, Jiang Jiehong, Ellen Y. Chang
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(Re)imagined Possibilities: The Resilience of the Black Woman Griot, Zeinabu irene Davis in Conversation
Berette S Macaulay, Savita Krishnamoorthy
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Emergent Art

Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2017 Winner
Visual Music and Kinetic Ornaments: Lotte Reiniger and the Animation Avant-Garde in Weimar Berlin
Katherine Rochester
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Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2020 Winner
Strike a Pose: Performing Gestures of the Madwoman in Early Cinema
Elyse Singer
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Encoded Perception: Remapping Vision in Lillian Schwartz’s Computer Art
Helena Shaskevich
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A Trans Historiography of Glitches and Errors
Whitney (Whit) Pow
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All Issues
Sensationalizing Nontheatrical Cinema: The Feminist and Queer Possibilities of Sex Education Films in Postcolonial India
Crossing National Borders and Nontheatrical Boundaries: The Film Work of Rosina Prado
Circulating Useful (Feminist) Media: NGOs and Grassroots Feminist Distribution in the UN Decade for Women (1975–85)
The New Woman as Ethnographer: Lola Kreutzberg in the Dutch East Indies
In the Best Interests of the Children: A Case Study of “Useful” Lesbian Film as Propaganda
  • Online ISSN 2373-7492
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