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Volume 7, Issue 1

Winter 2021

EISSN 2373-7492

In this Issue

Urgent Media
Emergent Art
- Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2017 Winner
- Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2020 Winner

Urgent Media and Emergent Art

Note from the Editor: Urgent Media and Emergent Art

Jennifer M. Bean

Urgent Media

Toward a Trans Method, or Reciprocity as a Way of Life

Chase Joynt; Jules Rosskam

“We’d like to see trans people at the very top”: Transgender Talent Founder Ann Thomas In Conversation

Laura Horak

Preserving Pixelvision: Image Vulnerability and the Early Video Works of Sadie Benning

Claire Fox; Nicole Martin

Life in-between Screens: “The World, Two Meters Away”

Zhang Zhen; Jiang Jiehong; Ellen Y. Chang

(Re)imagined Possibilities: The Resilience of the Black Woman Griot, Zeinabu irene Davis in Conversation

Berette S Macaulay; Savita Krishnamoorthy

Emergent Art

Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2017 Winner

Visual Music and Kinetic Ornaments: Lotte Reiniger and the Animation Avant-Garde in Weimar Berlin

Katherine Rochester

Society for Cinema and Media Studies Women’s Caucus Graduate Student Writing Prize 2020 Winner

Strike a Pose: Performing Gestures of the Madwoman in Early Cinema

Elyse Singer

Encoded Perception: Remapping Vision in Lillian Schwartz’s Computer Art

Helena Shaskevich

A Trans Historiography of Glitches and Errors

Whitney (Whit) Pow

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Visual Music and Kinetic Ornaments: Lotte Reiniger and the Animation Avant-Garde in Weimar Berlin

Encoded Perception: Remapping Vision in Lillian Schwartz’s Computer Art

Life in-between Screens: “The World, Two Meters Away”

A Trans Historiography of Glitches and Errors

(Re)imagined Possibilities: The Resilience of the Black Woman Griot, Zeinabu irene Davis in Conversation

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