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Volume 6, Issue 4
Fall 2020
Issue Cover
EISSN 2373-7492
In this Issue

Embodiment II: Habitation

Editors’ Introduction: Habitation: Of Space and Absence
Shelleen Greene, Ellen C. Scott
View Articletitled, Editors’ Introduction<span class="subtitle-colon">: </span><span class="subtitle">Habitation: Of Space and Absence</span>
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A Sleight of Hair: Chaotic Strands of Embodiment in Sanaa Hamri’s Something New
A.E. Stevenson
View Articletitled, A Sleight of Hair<span class="subtitle-colon">: </span><span class="subtitle">Chaotic Strands of Embodiment in Sanaa Hamri’s <em>Something New</em></span>
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Open Mic?: The Gendered Gatekeeping of Authenticity in Spaces of Live Stand-Up Comedy
Stephanie Brown
View Articletitled, Open Mic?<span class="subtitle-colon">: </span><span class="subtitle">The Gendered Gatekeeping of Authenticity in Spaces of Live Stand-Up Comedy</span>
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Embodying the Background: Connecting Pachucas and Movie Theaters in Filmic and Literary Depictions of the Zoot Suit Riots
Veronica Paredes
View Articletitled, Embodying the Background<span class="subtitle-colon">: </span><span class="subtitle">Connecting Pachucas and Movie Theaters in Filmic and Literary Depictions of the Zoot Suit Riots</span>
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Videotape and Vibrators: An Industry History of Techno-Sexuality
Li Cornfeld
View Articletitled, Videotape and Vibrators<span class="subtitle-colon">: </span><span class="subtitle">An Industry History of Techno-Sexuality</span>
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Abortion’s Coded Visibility: The Failed Censorship and Box Office Success of Leave Her to Heaven
Megan Minarich
View Articletitled, Abortion’s Coded Visibility<span class="subtitle-colon">: </span><span class="subtitle">The Failed Censorship and Box Office Success of <em>Leave Her to Heaven</em></span>
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Untraceable Origins, Generations of Loss: Tih-Minh’s Echoing Afterlives
Kim-Anh Schreiber
View Articletitled, Untraceable Origins, Generations of Loss<span class="subtitle-colon">: </span><span class="subtitle"><em>Tih-Minh</em>’s Echoing Afterlives</span>
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I Think We’re Alone Now: Dead Malls and the Queerly Unconsummated
Erin Nunoda
View Articletitled, I Think We’re Alone Now<span class="subtitle-colon">: </span><span class="subtitle">Dead Malls and the Queerly Unconsummated</span>
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All Issues
Gathering Despite Scattering: A Feminist and Decolonial Method of Curation
Histories and Futures of Black Feminist Film Curation: A Conversation with Ina Archer, Cheryl Chisholm, Monica Freeman, Jennifer Lawson, O.Funmilayo Makarah, and Yvonne Welbon
Feminist World-Making with Cinema’s First Nasty Women: A Roundtable with Neta Alexander, Kaveh Askari, Renée C. Baker, Jennifer Bean, Liza Black, Enrique Moreno Ceballos, Maggie Hennefeld, Laura Horak, Dana Reason, Elif Rongen-Kaynakçi, Kate Saccone, Aurore Spiers, Gonca Feride Varol, Yiman Wang, and Bret Wood
Restoring and Curating Jocelyne Saab’s Cinema of Middle East Struggle
Curation as the Cure for the Archive: Groupe Intervention Video’s Vidéos des Femmes dans le Parc
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