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Volume 6, Issue 3

July 2020

EISSN 2373-7492

In this Issue

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2019 WINNER

EMBODIMENT I: EXCAVATIONS

Editors' Introduction: Excavations: Lingering in History's Hollows

Ellen C. Scott; Shelleen Greene

Somewhere between Human, Nonhuman, and Woman: Shanta Apte's Theory of Exhaustion

Debashree Mukherjee

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2019 WINNER

The Serena Show: Mapping Tensions Between Masculinized and Feminized Media Portrayals of Serena Williams and the Black Female Sporting Body

Lauren E. Wilks

Performing Black Subjectivity: Enfleshed Feminism in Homecoming and Amazing Grace

P. Kimberleigh Jordan

Epistemologies of the Body in Colonial Manila's Film Culture

Jasmine Nadua Trice

Spirit, Writer: Nineteenth-Century Mediumship and the Feminist Practice of (De)inscription

Sandra Huber

Ritual, Cult Spectatorship, and the Problem of Women's Flesh in Alejandro Jodorowsky's Midnight Movies

Laura Jaramillo

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Acupuncture of Time (Fragments for a Memoir of the Present)

“It Feels Right to Me”: Queer Feminist Art Installations and the Sovereignty of the Senses

Affect Theory in the Throat of Laughter: Feminist Killjoys, Humorless Capitalists, and Contagious Hysterics

Affective Cin-aereality: Women and Aviation in Silent Cinema

The Feeling of Freedom, Planetary Affect, and Feminist Emotion: Recent Work by Video Artist Cecelia Condit

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