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Volume 6, Issue 3

July 2020

EISSN 2373-7492

In this Issue

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2019 WINNER

EMBODIMENT I: EXCAVATIONS

Editors' Introduction: Excavations: Lingering in History's Hollows

Ellen C. Scott; Shelleen Greene

Somewhere between Human, Nonhuman, and Woman: Shanta Apte's Theory of Exhaustion

Debashree Mukherjee

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2019 WINNER

The Serena Show: Mapping Tensions Between Masculinized and Feminized Media Portrayals of Serena Williams and the Black Female Sporting Body

Lauren E. Wilks

Performing Black Subjectivity: Enfleshed Feminism in Homecoming and Amazing Grace

P. Kimberleigh Jordan

Epistemologies of the Body in Colonial Manila's Film Culture

Jasmine Nadua Trice

Spirit, Writer: Nineteenth-Century Mediumship and the Feminist Practice of (De)inscription

Sandra Huber

Ritual, Cult Spectatorship, and the Problem of Women's Flesh in Alejandro Jodorowsky's Midnight Movies

Laura Jaramillo

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Abortion’s Coded Visibility: The Failed Censorship and Box Office Success of Leave Her to Heaven

Videotape and Vibrators: An Industry History of Techno-Sexuality

Open Mic?: The Gendered Gatekeeping of Authenticity in Spaces of Live Stand-Up Comedy

Embodying the Background: Connecting Pachucas and Movie Theaters in Filmic and Literary Depictions of the Zoot Suit Riots

A Sleight of Hair: Chaotic Strands of Embodiment in Sanaa Hamri’s Something New

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