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Volume 6, Issue 3
July 2020
Feminist Media Histories Cover Image for Volume 6, Issue 3
EISSN 2373-7492

EMBODIMENT I: EXCAVATIONS

Editors' Introduction: Excavations: Lingering in History's Hollows
Ellen C. Scott, Shelleen Greene
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Somewhere between Human, Nonhuman, and Woman: Shanta Apte's Theory of Exhaustion
Debashree Mukherjee
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SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2019 WINNER

The Serena Show: Mapping Tensions Between Masculinized and Feminized Media Portrayals of Serena Williams and the Black Female Sporting Body
Lauren E. Wilks
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Performing Black Subjectivity: Enfleshed Feminism in Homecoming and Amazing Grace
P. Kimberleigh Jordan
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Epistemologies of the Body in Colonial Manila's Film Culture
Jasmine Nadua Trice
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Spirit, Writer: Nineteenth-Century Mediumship and the Feminist Practice of (De)inscription
Sandra Huber
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Ritual, Cult Spectatorship, and the Problem of Women's Flesh in Alejandro Jodorowsky's Midnight Movies
Laura Jaramillo
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All Issues
Sensationalizing Nontheatrical Cinema: The Feminist and Queer Possibilities of Sex Education Films in Postcolonial India
Crossing National Borders and Nontheatrical Boundaries: The Film Work of Rosina Prado
Circulating Useful (Feminist) Media: NGOs and Grassroots Feminist Distribution in the UN Decade for Women (1975–85)
The New Woman as Ethnographer: Lola Kreutzberg in the Dutch East Indies
In the Best Interests of the Children: A Case Study of “Useful” Lesbian Film as Propaganda
  • Online ISSN 2373-7492
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