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Volume 4, Issue 1

Winter 2018

EISSN 2373-7492

In this Issue

Editor's Introduction: Labor

Denise McKenna

Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production

Isabel Seguí

Below-the-(Hem)line: Storytelling as Collective Resistance in Costume Design

Helen Warner

Producing a Radio Housewife: Clara, Lu 'n' Em, Gendered Labor, and the Early Days of Radio

Jennifer Hyland Wang

Gender and Queer Fan Labor on Tumblr: The Case of BBC's Sherlock

Diana W. Anselmo

Shiage and Women's Flexible Labor in the Japanese Animation Industry

Diane Wei Lewis

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2016

Television's “Mr. Moms”: Idealizing the New Man in 1980s Domestic Sitcoms

Bridget Kies

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Restoring the Technicolor Ornament: The Yellow Woman’s Death in The Toll of the Sea (1922)

Changing the Subject: Lynn Nottage’s By the Way, Meet Vera Stark and the Making of Black Women’s Film History

Narrating Looted and Living Palestinian Archives: Reparative Fabulation in Azza El-Hassan’s Kings and Extras

Expanded Cinema, Recycled Cinema: A Ping-Pong Volley between VALIE EXPORT and Agnès Varda

Lesbian Bars, Archival Media Bricolage and Research-Creation: Revisiting After Hours Chez Madame Arthur

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