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Volume 4, Issue 1

Winter 2018

EISSN 2373-7492

In this Issue

Editor's Introduction: Labor

Denise McKenna

Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production

Isabel Seguí

Below-the-(Hem)line: Storytelling as Collective Resistance in Costume Design

Helen Warner

Producing a Radio Housewife: Clara, Lu 'n' Em, Gendered Labor, and the Early Days of Radio

Jennifer Hyland Wang

Gender and Queer Fan Labor on Tumblr: The Case of BBC's Sherlock

Diana W. Anselmo

Shiage and Women's Flexible Labor in the Japanese Animation Industry

Diane Wei Lewis

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2016

Television's “Mr. Moms”: Idealizing the New Man in 1980s Domestic Sitcoms

Bridget Kies

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Abortion’s Coded Visibility: The Failed Censorship and Box Office Success of Leave Her to Heaven

Videotape and Vibrators: An Industry History of Techno-Sexuality

Open Mic?: The Gendered Gatekeeping of Authenticity in Spaces of Live Stand-Up Comedy

Embodying the Background: Connecting Pachucas and Movie Theaters in Filmic and Literary Depictions of the Zoot Suit Riots

A Sleight of Hair: Chaotic Strands of Embodiment in Sanaa Hamri’s Something New

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