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Volume 4, Issue 1

Winter 2018

EISSN 2373-7492

In this Issue

Editor's Introduction: Labor

Denise McKenna

Extract

Auteurism, Machismo-Leninismo, and Other Issues: Women's Labor in Andean Oppositional Film Production

Isabel Seguí

Abstract

Below-the-(Hem)line: Storytelling as Collective Resistance in Costume Design

Helen Warner

Abstract

Producing a Radio Housewife: Clara, Lu 'n' Em, Gendered Labor, and the Early Days of Radio

Jennifer Hyland Wang

Abstract

Gender and Queer Fan Labor on Tumblr: The Case of BBC's Sherlock

Diana W. Anselmo

Abstract

Shiage and Women's Flexible Labor in the Japanese Animation Industry

Diane Wei Lewis

Abstract

SOCIETY FOR CINEMA AND MEDIA STUDIES WOMEN'S CAUCUS GRADUATE STUDENT WRITING PRIZE 2016

Television's “Mr. Moms”: Idealizing the New Man in 1980s Domestic Sitcoms

Bridget Kies

Abstract

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(Re)mapping the Yanggongju and the Camptown in Shin Sang-ok's Hellflower

The Wilderness Diary: Sentimental Attachments, Gender, and the Domestication of Environmental Politics in Australian Landscape Photography of the 1980s and 1990s

Urgent Media and Nontheatrical Ecologies: Jamaican Filmmaker Esther Figueroa in Conversation

Hollywood Regionalism: What the Studio System Did with Gene Stratton-Porter's Nature Novels

Listening to Indigenous Knowledge of the Land in Two Contemporary Sound Art Installations

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