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Volume 3, Issue 4
Fall 2017
Feminist Media Histories Cover Image for Volume 3, Issue 4
EISSN 2373-7492
In this Issue
Editor's Introduction: Betterment
Mark Lynn Anderson
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Sociological Film, Reform Publicity, and the Secular Spectator: Social Problems in the Transitional Era
Constance Balides
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The Better Films Movement and the Very Notion of It
Jennifer Horne
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The Politics of Feminism, Race, Community, and Place in the Florida Film Once Upon a Time (1922)
Christina Lane
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“A Role in Which the Work Is Not Completely Passive”: Eva Nil, Miss Right Now (1927), and Women's Work in Brazilian Silent Cinema
Luciana Corrêa de Araújo
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Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption: Early Photoplay
Sumiko Higashi
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Les Midinettes Révolutionnaires: The Activist Cinema Girl in 1920s Montmartre
Annie Fee
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“We Are Coming Out to the Light”: A Reconstruction of Lois Weber's 1913 Speech to the Los Angeles Woman's Club
Martin F. Norden
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All Issues
Sensationalizing Nontheatrical Cinema: The Feminist and Queer Possibilities of Sex Education Films in Postcolonial India
Crossing National Borders and Nontheatrical Boundaries: The Film Work of Rosina Prado
Circulating Useful (Feminist) Media: NGOs and Grassroots Feminist Distribution in the UN Decade for Women (1975–85)
The New Woman as Ethnographer: Lola Kreutzberg in the Dutch East Indies
In the Best Interests of the Children: A Case Study of “Useful” Lesbian Film as Propaganda
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