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Issue
Winter - Volume 3, Issue 1, Pages 1 - 155
Spring - Volume 3, Issue 2, Pages 1 - 193
Summer - Volume 3, Issue 3, Pages 1 - 177
Fall - Volume 3, Issue 4, Pages 1 - 203
Volume 3, Issue 4
Fall 2017
EISSN
2373-7492
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Editor's Introduction
:
Betterment
Mark Lynn Anderson
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Sociological Film, Reform Publicity, and the Secular Spectator
:
Social Problems in the Transitional Era
Constance Balides
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The Better Films Movement and the Very Notion of It
Jennifer Horne
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The Politics of Feminism, Race, Community, and Place in the Florida Film
Once Upon a Time
(1922)
Christina Lane
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“A Role in Which the Work Is Not Completely Passive”
:
Eva Nil,
Miss Right Now
(1927), and Women's Work in Brazilian Silent Cinema
Luciana Corrêa de Araújo
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Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption
:
Early
Photoplay
Sumiko Higashi
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Les Midinettes Révolutionnaires
:
The Activist Cinema Girl in 1920s Montmartre
Annie Fee
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“We Are Coming Out to the Light”
:
A Reconstruction of Lois Weber's 1913 Speech to the Los Angeles Woman's Club
Martin F. Norden
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Sensationalizing Nontheatrical Cinema
:
The Feminist and Queer Possibilities of Sex Education Films in Postcolonial India
Crossing National Borders and Nontheatrical Boundaries
:
The Film Work of Rosina Prado
Circulating Useful (Feminist) Media
:
NGOs and Grassroots Feminist Distribution in the UN Decade for Women (1975–85)
The New Woman as Ethnographer
:
Lola Kreutzberg in the Dutch East Indies
In the Best Interests of the Children
:
A Case Study of “Useful” Lesbian Film as Propaganda
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