Sensationalism has long been an undertheorized concept in the field of media history, especially when compared to journalistic objectivity, its presumed opposite. This special issue, Theorizing Sensationalism, asks how sensationalist media shape—and disrupt—popular understandings of truth. Largely focusing on Anglo-American contexts, this introduction explores how sensational media have persisted and adapted over more than two centuries, despite destabilizing technological innovations and significant sociocultural shifts. Further, it examines how theorists and critics have engaged with the evolving political and epistemic challenges posed by sensational media.

Sensationalism is a combination of striking content and formal elements distinguished by hyperbole and excess and designed to attract an audience.1 Fusing arresting form and controversial content in an exciting package, sensationalism operates as a powerful communication strategy. Lurid details capture readers’ or viewers’ attention, stir up their emotions, and invest them in the underlying message of the story. Formal elements such as exaggerated...

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