It is reductive yet accurate to assert that Chase Joynt and Jules Rosskam first met because they are both trans people who make documentary films. While the alignment of these affinities does not necessarily prefigure a friendship—in fact, many would argue and experience the opposite—they have found kinship in their shared approach to positions as institutionally embedded academics who are also publicly exhibiting artists. Inspired by Michel Foucault’s “Friendship as a Way of Life” (1997) and the cross-disciplinary, conversational theory making of Lisa Duggan and José Muñoz, James Baldwin and Audre Lorde, and Lauren Berlant and Lee Edelman, they use dialogue to extend the intimate interdisciplinary legacies and potentials of thinkers collaboratively discussing social issues. Together, they ask what might be possible in envisioning, theorizing, and enacting a trans cinematic method—a praxis for artists and scholars alike to be in meaningful, mutually supportive, world-sustaining relationships.

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