The silent Brazilian film Miss Right Now (1927), produced by and starring Eva Nil, who also worked as a camera and laboratory assistant on the film, stands out as a powerful and rare example of a woman's creative agency in early Brazilian cinema. The plight of this film also provides a means to consider the conditions of women's on- and offscreen work, dominant models for female screen protagonists in 1920s Brazil, and negotiations between modern and traditional values within an emergent Brazilian star system.
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