The year 2012 marked a first in Saudi Arabia's media history. The first feature film entirely shot in Saudi Arabia, where there are no cinemas, was released that year. It was written and directed by a woman: Haifaa Al-Mansour. Wadjda (2012) tells the story of a rebellious ten-year-old girl who wishes to buy a bicycle in a culture where women are not encouraged to cycle due to religious views that regard riding a bike as tantamount to losing one's virginity. The story focuses on the heroine's bid to enter a Qur'an-reading competition at her school in order to secure the money necessary to purchase the “forbidden” item. But within its own social and political context, the film itself is essentially forbidden: Al-Mansour had to shoot it while hiding in a van and giving directorial orders through a walkie-talkie, as women and men are not expected to work together in public...
Editor's Introduction: Middle Eastern Media Available to Purchase
Eylem Atakav is a senior lecturer in film and television studies at the University of East Anglia, where she teaches courses on women and film; women, Islam, and media; and Middle Eastern media. She is the author of Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation (Routledge, 2012) and the editor of Directory of World Cinema: Turkey (Intellect, 2013). She is the director of Growing Up Married (2016), an internationally acclaimed documentary about forced marriage and child brides in Turkey. She is currently co-leading an Arts and Humanities Research Council–funded project entitled British [Muslim] Values.
Eylem Atakav; Editor's Introduction: Middle Eastern Media. Feminist Media Histories 1 January 2017; 3 (1): 1–4. doi: https://doi.org/10.1525/fmh.2017.3.1.1
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