This article addresses the benefits of using women's memoirs as historical sources. Employing a critical framework—the concept of creative labor—taken from recent screenwriting studies scholarship, the author analyzes the way that Frederica Sagar Maas and Lenore Coffee represent their roles in the bureaucratic structure of the Hollywood studio system.
© 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
2016
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