Histories of digital social media and identitopias should address references in the 1990s and more recently to LambdaMOO—a multiuser setting where characters and synchronous experiences are rendered by texts. Chronicles about LambdaMOO are often linked to the rape of a female and nonbinary character and Julian Dibbell’s “A Rape in Cyberspace” reportage from 1993. In this article, I address the implications of how Dibbell’s text is widely cited, attracted many individuals to LambdaMOO, and is associated with reshaping the site. I cite the pleasure and danger and rape literature and perform a feminist analysis of writing about LambdaMOO. I argue that we need to interrogate how LambdaMOO, including character attributes, community, and governance, are tied to online rapes. LambdaMOO functions as an identitopia, which can be defined as a system that foregrounds and combines identity explorations, liberatory and regulatory community experiences, celebrations and critiques of the site, and violence.
LambdaMOO as Identitopia: Digital Media Pleasure and Danger Available to Purchase
Michele White is a professor in the Department of Communication at Tulane University. Her monographs consist of The Body and the Screen: Theories of Internet Spectatorship (MIT, 2006); Buy It Now: Lessons from eBay (Duke, 2012); Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity (Routledge, 2015); Producing Masculinity: The Internet, Gender, and Sexuality (Routledge, 2019); and Touch Screen Theory: Digital Devices and Feelings (MIT, 2022). She coedited the Feminist Media Histories issue on Genealogies of Feminist Media Studies (2018) and Anti-Feminisms in Media Culture (Routledge, 2022). She has written extensively about online cultures, including the digital authorization of hate.
Michele White; LambdaMOO as Identitopia: Digital Media Pleasure and Danger. Feminist Media Histories 1 January 2024; 10 (1): 84–106. doi: https://doi.org/10.1525/fmh.2024.10.1.84
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