This article charts the role of underground women’s and queer comics in the formation of local communities and liberation movements. It moves beyond an analysis of the comics themselves, considering the role that correspondence—between fans and editors, between artists and editors, between editors and publishers, between fans and artists—plays in crafting community through critical discourse, practical discussion, and commerce. It explores the tension between radical, sometimes anticapitalist organizing and the need of artists, publishers, and bookstore owners to make a living while supporting and being supported by their communities. Finally, it locates a tradition in the comics community of mutual support and encouragement, an “ethics of care,” that not only provided space for different and marginalized voices but saw in the production of comics a means by which to link individual and local struggles to emergent national liberation movements.
Letters, Queer and Women’s Comix, and Making Community Available to Purchase
Nicholas Sammond is Professor of Cinema and Media Studies at the University of Toronto. He is the author of the award-winning volumes Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation (Duke University Press, 2015) and Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930–1960 (Duke University Press, 2005). Nic’s current project, on abjection and resistance, includes the volume Abjection Incorporated (Duke University Press, 2019), edited with Maggie Hennefeld, and the forthcoming monograph Fluid Resistance, which explores the practices and performances of abjection in Cold War vernacular media, including animation and comics/comix. He has published widely, including in Feminist Media Histories, Film History, Camera Obscura, and WSQ.
Nicholas Sammond; Letters, Queer and Women’s Comix, and Making Community. Feminist Media Histories 1 January 2024; 10 (1): 57–83. doi: https://doi.org/10.1525/fmh.2024.10.1.57
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