This article examines Lorraine Hansberry’s play A Raisin in the Sun by exploring the conflict between a traditionally Southern, Afro-Christian, communitarian worldview and certain more destabilizing elements of the worldview of modernity. In addition to examining the socio-economic problems confronted by some African Americans in the play, this article investigates the worldviews by which these Black people frame their problems as well as the dynamics within the relationships of a Black family that lives at the intersection of racial, class, and gender inequality in Chicago during the latter 1950s.

It is common to interpret African politics in tribal or ethnic terms. In the case of Nigeria, the dominant political behaviour can be defined, on the one hand, in terms of “incessant pressures on the state and the consequent fragmentation or prebendalizing of state-power” (Joseph, 1991:5). On the other hand, such practices can also be related to “a certain articulation of the factors of class and ethnicity” (ibid). For a better understanding of the essentials of Nigerian politics and its dynamics, it is necessary to develop a clearer perspective on the relationship between the two social categories mentioned above and their effects on such issues as political corruption and poverty.

As I was working on research into Indigenous community development, I wanted to get an overview of how things are going - are projects improving well-being? What is working and what isn't? I found I couldn't get a clear multi-dimensional picture. So I had to wonder, about evaluation criteria and what the alternatives were. How can we, as academics and researchers and allies, make sense of the available information in such a way that our work is meaningful to the Indigenous communities we work with?

In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston tells the story of her immigrant family and their efforts to rise above their working-class status in America, which optimistic Chinese regard as the Golden Mountain. The Hongs' experience is not unlike that of other immigrants who come to America to escape hardship in their homeland and hope to live the American Dream. The road to American success has numerous obstacles, and immigrants encounter many conflicts on their journey. One conflict relates to their cultural identities. Gloria Anzaldúa uses the word “borderland” to refer to the meeting of two cultures, and she defines the borderland as a “place of contradictions. Hatred, anger and exploitation are the prominent features of this landscape” (n.p.). While Anzaldua's discussion focuses on the borderland encountered by Mexican Americans, she believes that many share this painful experience: